New Monograph by Dr Emma Aston

MixanthropoiWe are delighted to see the publication of Dr Emma Aston’s monograph ‘Mixanthrôpoi’. Emma’s book examines an under-explored aspect of Greek religion: gods and goddesses depicted in half-human, half-animal form.

Many of the beings discussed – Cheiron, Pan, Acheloos, the Sirens and others – will be familiar from the narratives of Greek mythology, in which fabulous anatomies abound. However, they have never previously been studied together from a religious perspective, as recipients of cult and as members of the ancient pantheon. This book is the first major treatment of the use of part-animal – mixanthropic – form in the representation and visual imagination of Greek gods and goddesses, and of its significance with regard to divine character and function. What did it mean to depict deities in a form so strongly associated in the ancient imagination with monstrous adversaries? How did iconography, myth and ritual interact in particular sites of worship?

Drawing together literary and visual material, this study establishes the themes dominant in the worship of divine mixanthropes, and argues that, so far from being insignificant curiosities, they make possible a greater understanding of the fabric of ancient religious practice, in particular the tense and challenging relationship between divinity and visual representation.

New Monograph by Dr Amy Smith

Polis and PersonificationWe are pleased to announce the publication of Dr Amy Smith’s monograph, Polis & Personification in Classical Athenian Art, in Brill’s Monumental Graeca et Romana series: http://www.brill.nl/polis-and-personification-classical-athenian-art.

In this book, Dr Smith assesses the development and expansion of the use of personifications in the visual arts of Athens during her golden age (480-323 BCE). Smith’s focus on personifications of political relevance, which one finds decorating objects that served either in private roles (e.g. decorated vases) or public roles (e.g. cult statues and document stelai), reveals that these personifications represented aspects of the state of Athens – its people, government, and events – as well as the virtues (e.g. Nemesis, Peitho or Persuasion, and Eirene or Peace) that underpinned it. Athenians used the same figural language to represent foreign places and their peoples in their arts.

This is the only comprehensive study of visual personifications as a manifestation of intellectual and political concerns in Athens in the Classical period.