Dr Natalie Pollard, the department’s new British Academy Research Fellow, will be giving a research paper on:

Wednesday 23 May

2.30 pm

HumSS 144, Whiteknights Campus

ON RUDENESS:

Contemporary Poetry and the Tongue’s Territory

All welcome!

 

Do come along for a talk about rudeness in different kinds of writing on the contemporary British poetry scene. I’ll home in on some heated debates and grudging stalemates over poetic style and commerce. Focusing on some very different poets, I’ll also attend to the politics of rudeness in literary relationships.

The paper considers some savageries of the literary editing and publishing industry, and explores how they can be – and have been – tapped as sources of lyric creativity. It also offers a series of close readings of poems, attending to poets’ strategic representations of hostile relations with readers, fellow writers, publishers, and editors. There’ll also be some focus on poets’ roles as academics, editors and publishers: how might networks of social, economic and rude relations help give rise to the lyric work? in what ways do concerns about reader- and public- relations offer prompts, or creative sources for the poet, and in what ways (if any) might they be seen to restrict literary expression?

Meanwhile, what, exactly, is “rudeness”?

 

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St Paul’s have put up video of the ‘Celebration of John Donne’ that Dr Mary Morrissey took part in last month up on their website: http://www.stpauls.co.uk/View-St-Pauls-Videos

 

 

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Event at Museum of English Rural Life

  • Free, no need to book
  • Poetry readings: 6.30pm Tom Phillips, Kate Behrens and Adrian Blamires. 8pm Ian House, Susan Utting and Lesley Saunders
  • Guided tours at 6pm and 9pm
  • Bar open from 6pm

Join Two Rivers Press for an evening of poetry readings, local beer and the chance to visit the ‘Our Sporting Life’ exhibition, which opens on 12 May, or take a relaxing out of hours stroll around the Museum and garden. Part of Museums at Night 2012.

This event will include the launch of Lesley Saunders’ new collection Cloud Camera. Find out more on the Two Rivers Press website

 

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The launch session of the staff-postgraduate CONTEMPORARY POETRY DISCSUSSION GROUP is this week. All interested are welcome on:

 

THURSDAY 17th MAY at 5pm     

in   HUMSS 110

Whiteknights Campus

 

We’ll be discussing selections from the poetry of ALICE OSWALD, especially representations of landscape, private & public places, and oral history & voice.

 

The poetry comes from Oswald’s award-winning volume Dart (2003), and her most recent collection Memorial (2011).  

 

PHOTOCOPIES are now available from outside the English Department -

 at the mailboxes on the first floor of HUMSS, near Room 112. 


While you read, do muse about the following, which we may chat about on Thurs:

 

 1. Oswald’s experimentation, innovation & play with form. The feel, look and touch of the page…. And the sound of the poetry. How strange and disorienting  – or inviting – is this?

 

  2.  The use of tradition and inheritance (ancient & modern voices, historical & everyday events are within earshot). How does history seem to inform even the most contemporary language?

 

 3. Place and landscape, flux and slipperiness, motion and water… and some eco-critical and psychogeographical impulses… Where are we? How ‘grounded’?

 

4. The experience of not getting it – in art and ordinary experience – and trying to talk better about our confusion: Look out for stammerings, stutterings, silences and fumblings.


For more on Alice Oswald, see:

http://www.poetryarchive.org/poetryarchive/singlePoet.do?poetId=15354

 

Please let us know if you are planning to attend: contact Natalie Pollard at n.pollard@reading.ac.uk

 

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The Week 3 Summer Term Archives and Texts Seminar features Dr Rosa Maria
Medina Granda who will be delivering a paper entitled:
‘Intercomprehension between related languages: reading Antoine de Saint-Exupéry’s Le Petit Prince and its translations into several Spanish languages’

Tuesday 8th May 5pm in Humss 287 (please note change of room and day)

Refreshments provided. All welcome!

Co-organisers: Dr Nicola Wilson (English) and Dr Sophie Heywood (Modern Languages) n.l.wilson@reading.ac.uk and s.l.heywood@reading.ac.uk

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The department is pleased to announce that Dr John Holmes has been elected Chair of the British Society for Literature and Science (http://www.bsls.ac.uk). For a discussion of the subject please see the ‘Literature and Science’ film at: http://www.reading.ac.uk/english-literature/aboutus/Staff/Stafffilms/ell-john-holmes-lit-and-sci.aspx

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Delighted congratulations to Rebbecca, whose new arrival is Constance Mary Angharad Bullard. She was born on 14 April 2012 at 1.35pm weighing 8lbs. The whole family is doing well and we all look forward to meeting Constance.

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Dr Lucy Bending has given a talk on ‘The Ineffability of Pain’ at the Birkbeck Institute for the Humanities, as part of the ‘Birkbeck Pain Project’.

To hear the talk: http://backdoorbroadcasting.net/2011/05/lucy-bending-translating-pain-overcoming-the-ineffability-of-pain/

 

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This year I contributed to our on-going series of ‘Sixth Form Lectures’. These are talks given by members of the Literature department that engage texts and issues covered on A Level and IB programmes. We aim to introduce approaches to texts that complement those at Level 3, whilst perhaps differing from them. 

 My first lecture was concerned with Othello, specifically in connection with ‘love through the ages.’ My focus here was in relating  level 3 assessment objectives A02 (questions of form) to  A04 (questions of context).  I began by reading ideas of the ‘excess’ of love in the play, relating this to established contextual readings (Greenblatt’s Renaissance Self-Fashioning most obviously). I then related this to a reading of ‘excess’ in the construction of language, arguing that notions of romantic excess and lack of self-control were bound up with ideas of linguistic-self-definition and conflicts over meaning both in the play, and in critical responses to it. Within this argument I also attempted to engage questions of ‘speech’, relating my discussions to framing of the play within one specific IB module. 

 My second lecture looked at Child Language Development in terms of the English Language A Level. Here my task was, in the first instance, to confirm the standard model offered, and to some extent offer a justification of it.  By the standard model, I mean one that offers a developmental narrative that moves from Skinner to Chomsky and then to constructivism. I then questioned this, specifically in terms of problems with constructivism’s appeals to ‘context’. I recommended a range of texts on the subject, most importantly, perhaps, Deconstructing Developmental Psychology by Erica Burman.

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Launch Party for One Moment’s Clouds: University of Reading Creative Arts Anthology 2012

Friday 27th April 5pm in The University of Reading’s HumSS Building, Whiteknights Campus

The Anthology, now in its fifth year, is an annual publication by the University of Reading. Every year, as the editors’ write, we put out a call for the very best prose, poetry and artwork by students, staff, and contributors from the surrounding area, and often even further afield. This year we’ve produced the best volume yet. Come down for free drinks, nibbles, and an opportunity to read and buy this year’s anthology, not to mention the chance to hear contributors reading select passages from their work. The event will begin at 5pm in HumSS G44, this Friday 27th April. Reading University’s  Creative Writing Society, Scribblers, would especially like to see you there, whether you submitted work or not. This is a exciting opportunity to hear some wonderful work read aloud. A place to ask other authors questions and just have a good time in general. For those unable to attend, the Anthology will also be on sale at £5 from Jan Cox in HUMSS, alongside previous editions, and will be made especially available at both of the Reading Waterstones branches.

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