Archives featured in the Galleries

Written by Caroline Gould, Deputy University Archivist

Sheep Dipping

Sheep Dipping

The new galleries were opened on 19 October 2016, after a £3million redevelopment programme with £1.8 million from the Heritage Lottery Fund (HLF).  Prior to the redevelopment, the galleries contained a large number of objects with little interpretation. We were keen to include archives, archival film and photographs through the new displays aiming to revitalise the way visitors engage with the Museum’s extraordinary collections.

In February 2014, we started researching the archives and photographs to identify items for possible inclusion in the galleries. Our strategy on how to include archives in the galleries developed over time.  However, we found five main ways to feature archives.

We have included photographs in the galleries to aid interpretation of the objects and themes. In Gallery 2, ‘A Year on the Farm’, the largest photograph measures 2280m x 2500m, it shows sheep dipping in progress (John Tarlton Collection).  Our sheep dip object is placed in front of the photograph.

We have used archives in cases on a limited basis. The cases are likely to remain quite fixed. This is a challenge if we wish to permanently preserve the archives. The cases are not environmentally controlled and prolonged opening of volumes for display will, in time, damage the item. We therefore will need to

Blacksmith account book of Wiltshire 1934-1939

Blacksmith account book of Wiltshire 1934-1939

monitor the archives selected carefully. However, having said all this the items we have selected look great. I am particularly pleased with the blacksmith account book of Wiltshire 1934-1939 in the wagon walk.

In three galleries we have created 18 drawers under cases which feature archives and books. The items will change every 4-6 months. This provides an opportunity to display more of the collections which have previously only been consulted in the Reading Room. Visitors will be able to browse these collections and hopefully see new items when they next visit. Currently in Gallery 3, ‘Town and Country’, we have a drawer in the ‘Grow your Own’ section. This displays a minute book and report from ‘The Women’s Farm and Garden Association’ which details the setting up

Minute book and report from ‘The Women’s Farm and Garden Association’

Minute book and report from ‘The Women’s Farm and Garden Association’

the Women’s National Land Service Corps, which later became the Women’s Land Army, dated 23 May 1916.

There are some wonderful gaming interactives in the new galleries; lambing time appears to be the favourite at the moment.  Two interactives feature over 790 photographs from The MERL collections. ‘Then and Now’ is located in Gallery 3 it allows visitors to explore our photographs for the local area. We have included current photographs for Caversham, Wokingham and Hambledon. Gallery 4 features the ‘Voices and Views’ interactive, for each county we have included 10 photographs and some sound clips. Another interactive in Gallery 3, features the evacuee archive; it allows visitors to explore the stories of eleven individuals: nine evacuees, one teacher and one host son. Included in the display are contemporary photographs, letters and diaries.

The MERL holds over 1500 archival films, including films of the Ministry of Agriculture Film Library, National Dairy Council and Ransomes, Sims and Jefferies promotional films.  In Gallery 6 ‘Forces for Change’ we have a screen to show ten archival films, edited to seven minutes each. The current selection includes two compilations from Screen Archive South East and the Wessex Film and Sound Archive. The Britain on Film Rural Life programme has funded four events in West Sussex, Hampshire, Kent and Berkshire. The project is funded by The British Film institute. The compilation films at The MERL will be screened until the end of the year.

We created six photo albums featuring twenty photographs or documents. Gallery 2 ‘A year on the Far

‘Making Rural England’ photograph album featuring crafts and the home.

‘Making Rural England’ photograph album featuring crafts and the home.

m’ shows farming through the seasons, while three photo albums in Gallery 3 ‘Town and Country’ complement the featured objects: the horse, the steam engine and the Land Rover. Additionally in Gallery 5 ‘Making Rural England’, two photo albums feature crafts and the home.

We have worked on selection of these items for over two years. It is now wonderful to visit the galleries and see visitors enjoying the displays.  A special thanks to Caroline Benson, Photographic Assistant without whom the above would have been impossible.

Shaping the Land – why is the first of our new galleries all about trees?

Written by Guy Baxter, Archivist

The introductory text

The introductory text

The first space that visitors to the new MERL galleries enter is deceptively simple. It contains one object (a timber carriage), one large picture (an oak tree) and one literary quotation. Thanks to the projected animation and immersive soundscape, visitors can also see and hear the seasons change in the woods.

The gallery was conceived to give visitors the idea of being out in the countryside – after all, the Museum is in the middle of a large town. This is where we hint at the idea of there having been a “natural” environment, before people came along and started “shaping the land”. The theme of woodland reminds us that a greater proportion of England would have been wooded in pre-historic times, and so our ancestors would have faced the massive task of clearing trees in order to grow crops and graze animals.

But the gallery also carries a number of smaller and more subtle messages. Let’s start with the oak tree. Not only is this a powerful symbol of England – it appears on the “English” version of the pound coin after all – but the image chosen is the first photograph ever taken of an oak, by William Henry Fox

The Fox Talbot tree and the timber carriage

The Fox Talbot tree and the timber carriage

Talbot. Of course, his connection to Reading is well known given that he produced The Pencil of Nature, the world’s first photographic book, in the town. His oak tree is shown in the winter, standing strong against the ravages of time. Longevity is another trait of oak trees that suits the context of the gallery: the “timeframe” here is one of centuries not years.

The second idea that we introduce is seasonality. This is done through our animation which effectively shows all four seasons in one day – not such a rare occurrence in England! The animation, made by the Netherlands-based firm ShoSho, shows a woodland and also some land beyond that has been cleared – but with a lone oak in the background as well. In this gallery we introduce the changing seasons in nature partly as a prelude to the next section, A Year on the Farm, which examines how the seasons relate to the food that we grow and eat.

The animals that occasionally appear in the animation include a gall wasp. This was partly inspired by Dr George McGavin’s amazing documentary on oak trees in which he notes not only the symbiosis between the gall wasp and the tree but also the subsequent use of oak gall in the production of ink. So much of what is in our library and archive – indeed so much of our recorded history and knowledge – owes a debt to that relationship between insect and tree.

In front of the animation stands the timber carriage – a large and constant reminder of man’s interaction with the land. The carriage itself, also known as a ‘timber jill’, was used for hauling timber by

Photograph of a timber carriage in use

Photograph of a timber carriage in use

the Hunt Brothers of Waterside Works, a firm of millwrights in Soham, Cambridgeshire. The donor, Mr Tom Hunt, requested that they be recorded as ‘in memory of Thomas B. Hunt, Millwright, of Waterside Works, Soham, Cambs.’ This was his father, who died in 1954 at the age of 95 and was working almost up to the last. It was given to the MERL in 1955 – the year that we opened to the public for the first time – so it’s appropriate that it should be “object number 1 in gallery number 1” as we re-open.

We have also displayed a photograph, from the Miss Wight Collection, to show a similar carriage in use. The photograph was taken around 1935 in Aconbury Woods, Herefordshire.

The quotation, chosen by Dr Paddy Bullard in the Department of English and American Literature, is from the Victorian poet Gerard Manley Hopkins. It comes from his poem Pied Beauty. We also considered another of Hopkins’s poems, Binsey Poplars in which he mourns the felling of trees in 1879;

The quotation and the images of leaves

The quotation and the images of leaves

and we looked at using a section from A Shropshire Lad by A. E. Houseman (verse 31) which describes the same wind blowing through the trees that blew on the Romans many centuries before.

Finally, we added some images of leaves – manipulated by our photographer Laura Bennetto to reflect the style of Fox Talbot’s early leaf photographs. The actual images were provided by the Dr Alastair Culham at the University Herbarium and show the following native English varieties: oak, elm, ash, beech, willow, hawthorn, hazel, elder and apple. The leaf motif has also been used to decorate the new areas of glass in the Museum’s introductory area.

This has been a really fascinating gallery to work on and – because of its seeming simplicity – also quite a challenge. We took inspiration from many places and, made some fascinating discoveries along the way – not least David Hockney’s brilliant Yorkshire Wolds film. It has also been a really collaborative effort and one that has, we hope brought out the best of our creative, technical and curatorial skills.

War Child

The MERL is very excited to announce the publication of War Child, an online ‘mixed-media book’ which explores our Evacuee Archive from a fascinating new angle.  In this visually stunning work, Teresa Murjas, Associate Professor in the Department of Film, Theatre & Television at the University of Reading, and alumnus and film-maker James Rattee have woven together an intricate tapestry of content focusing on the story of how the archive came into being and how it continues to shape the life of its creator, Martin Parsons.

war child2 sm
The inspiration for this unique project came from Teresa’s initial meeting with Martin in 2013 when he was speaking about the Evacuee Archive at a meeting for scholars interested in the University’s Collection Based Research programme:

 I became particularly curious about the Evacuee Archive through my meetings with Martin. His willingness to talk to me lies at the centre of the project. My interest about how the archive came into being was generated in discussion with him. The project attempts to tell a story of the archive’s growth through focusing on a series of edited audio fragments from our dialogue and on imagery that investigates and reflects on a small collection of significant objects. These key elements act as ‘guides’ on a sometimes light-hearted journey of exploration into a few of the possible reasons why this archive exists, and the relationships and attachments associated with it. This is why the title of the project incorporates the phrase ‘meditating on an archive’. It might also be possible to argue that the new material we have collected and drawn together as part of the project is an extension of the archive held at MERL, or perhaps that it creates a new gateway to it.

warchild-boatsmThe British Government scheme to evacuate children from cities during the Second World War began in September 1939. Children, usually without their parents, were sent to areas of Britain that were considered safer from bombing and the effects of war, these were often rural areas.  Our collection contains written memoirs, oral history interviews and research material relating to former evacuees and war-children.

In his career as a historian of Second World War child evacuation and lecturer at the University of Reading, Martin accumulated a wealth of research materials and documents which he generously donated to the Museum helping to make our Evacuee Archive the largest resource of its kind outside London’s Imperial War Museum.  While ‘War Child’ displays many of these records and artefacts in an accessible and unique format, the real power of the project is combining the materials collected with audio files, which exhibit its creator’s extensive knowledge of the collection and its origins.  As Martin’s daughter, Hannah, explains in an audio clip from ‘Meeting Five’ of War Child, her father is the archive and it is a rare treat for this kind of memory to be captured alongside the physical collection.

Understanding and exploring this aspect of our archive was however, a natural process for the creators of War Child:

A lot of my research and teaching focuses on the work of arts practitioners whose interests lie in communicating the experiences, memories and stories of children affected by war. ‘War war child - masksmchild’ builds on that research and teaching, in that it seeks to both point towards and respond to, what is a very important conflict-related resource for researchers, whatever their age and background – namely the Evacuee Archive. Seeking to understand and explain how war continues to affect children remains an ongoing and urgent necessity. Consulting and contributing to this ever-expanding archive can form part of that process.

When exploring the War Child site, I personally found Martin’s discussion of the evacuee luggage label of particular interest.  Not only does Martin describe how these labels were a symbol of the immense logistical feat achieved during the War, he also emphasises the dehumanising effect they had on the evacuated children.  Significantly, these labels were often kept as prized possessions and have become an evacuee’s own version of a military medal, with people proudly displaying their labels on Remembrance Day for the march past at the cenotaph.  Meanwhile, for Teresa, one of the most interesting artefacts from the collection is actually one that is missing:

 war child- dollsmI am really interested in the section about the doll. Arguably, I got disproportionately excited about the doll in the archive that cannot be found! No one really knows where it has gone, or when it went. Working through our disappointment, but also our, in retrospect, persistent questions about what it was like, what it would be like to find it and so on, could probably be a bit wearing for Martin at times, I think, and he was extremely patient. Nevertheless, those discussions feel very rich and complex now, because there was this strong sense of investigation about them, on everyone’s part. For me, that section feels in some important way as though it is at the centre of the work.

While War Child is a fantastic companion piece to our Evacuee Archive, it is also an illuminating archive in and of itself; a significant chapter of the story, containing records and memories of the experiences of those most closely involved in developing the collection and bringing it to MERL where it can be preserved for and shared with generations to come.

It would be great if people felt motivated to re-visit War Child over time. It contains a lot of material, and coming back to that in stages, as we have, can shed new light.

Written by Louise Cowan, Trainee Liaison Librarian

Weekly What’s On: 3rd to 9th March, 2014

You can find full details of all our forthcoming events and activities in our What’s On and MERL Families guides, which are now available from the Museum or to download from our website You can also see all events on our online calendar

 

Museum of british folkloreMERL Seminar series: Untouchable England
The Museum of British Folklore: a new cultural venture
Simon Costin (1-2pm) and Obby Robinson (2-2.45pm)
Tuesday 4th March, 1pm
Simon Costin shares progress of the Museum of British Folklore project which aims to provide a physical home for a heritage which is both tangible and intangible, including British custom, superstition, and tradition.

Followed by a reading in the Museum gallery by Obby Robinson of poems from his recent collection, The Witch-house of Canewdon and Other Poems, inspired by English Folklore.

For full details of the series, visit our website

 

Spectacular 2008 117Guided tour
Wednesdays, Saturdays and Sundays, 3-3.45pm
Free, booking advisable
Let our fully trained tour guides tell you the stories behind the objects on display and visit the object store to see MERL’s hidden treasures.

 

 

 

magic carpetToddler time
Friday 7th March, 10-11am,
£2 per child, drop-in
Suitable for families with children aged 2-4
Come along to the Museum with your little ones and enjoy rhymes, songs and craft activities.  This week we are making binoculars!!

 

 

 

Ricordate-croppedItaly at war: a selection from the archives
Tuesday 11th February to 30th March
Staircase hall, MERL
Free, drop-in, normal museum opening times
Highlights from the University’s fascinating records relating to Italian history. 

 

 

 

greenhamCollecting the countryside: 20th century rural cultures
Until Autumn 2014
Temporary exhibition space
Free, drop in, normal museum opening times
Since 2008 the Museum of English Rural Life has been adding even more objects to its collection, with support from the Heritage Lottery Fund’s Collecting Cultures programme, in order to represent each decade of the last century. (Find out more in Curator, Isabel Hughes’ recent post) This exhibition gives a taste of what has been acquired and challenges visitors to suggest the modern-day objects that the Museum needs to collect for the future. The exhibition will help the Museum to explore how to incorporate more recent histories and representations of the English countryside into its displays as part of the new Our Country Lives project.

 

Find more events at the University of Reading, including an International Women’s Day lecture on ‘The female role model in 2014’ taking place on Thursday March 6th.

Weekly What’s On: 3rd to 9th February

You can find full details of all our forthcoming events and activities in our What’s On and MERL Families guides, which are now available from the Museum or to download from our website You can also see all events on our online calendar

 

Stakeholders smallMERL Seminar series: Untouchable England
Basketry skills as intangible cultural heritage
Greta Bertram, Project Officer, Museum of English Rural Life
Tuesday 4th February, 1pm
Craft skills are recognised by UNESCO as intangible cultural heritage. Using the example of basketry, Greta will examine the idea of heritage craft, explore values that basketmakers ascribe to their work, and look to the future of intangible craft skills. Followed by a ‘pop-up’ display of baskets from the MERL collections in the object store,a nd a chance to talk about MERL’s current ‘Stakeholders’ project.

For full details of the series, visit our website

 

Ricordate-croppedItaly at war: a selection from the archives
Tuesday 4th February to 30th March
NB Due to staff sickness, the opening of this exhibition has now been postponed until Tues 11th February. We apologise for any inconvenience caused.
Staircase hall, MERL
Free, drop-in, normal museum opening times
Highlights from the University’s fascinating records relating to Italian history. 

 

 

 

Black white posterBlack/White
Tuesday 4th to 7th February
Free, drop-in, normal museum opening times
An artistic intervention in the Museum galleries by University of Reading art students.

 

 

 

 

Spectacular 2008 117Guided tour
Wednesdays, Saturdays and Sundays, 3-3.45pm
Free, booking advisable
Let our fully trained tour guides tell you the stories behind the objects on display and visit the object store to see MERL’s hidden treasures.

 

 

 

Paper plate owlToddler time
Friday 7th February, 10-11am,
£2 per child, drop-in
Suitable for families with children aged 2-4
Come along to the Museum with your little ones and enjoy rhymes, songs and craft activities.  This week we’re making paper plate owls!

 

 

 

greenhamCollecting the countryside: 20th century rural cultures
Until Autumn 2014
Temporary exhibition space
Free, drop in, normal museum opening times
Since 2008 the Museum of English Rural Life has been adding even more objects to its collection, with support from the Heritage Lottery Fund’s Collecting Cultures programme, in order to represent each decade of the last century. (Find out more in Curator, Isabel Hughes’ recent post) This exhibition gives a taste of what has been acquired and challenges visitors to suggest the modern-day objects that the Museum needs to collect for the future. The exhibition will help the Museum to explore how to incorporate more recent histories and representations of the English countryside into its displays as part of the new Our Country Lives project.

 

 

 

 

 

 

Weekly What’s On: 2nd to 8th December

lecture image 13MERL Annual Lecture: Rt Hon Hilary Benn MP ‘in conversation’ with Sir David Bell, University of Reading Vice-Chancellor
Thursday 5th December
7pm, Great Hall, London Road Campus
Free. Tickets in advance or on the door (Doors open 6pm. Bar and MERL ‘pop-up’ shop available)
Click here for details

 

 

magic carpetToddler time
Friday 6th December, 10-11am, £2 per child, drop-in
Suitable for families with children aged 2-4
Come along to the Museum with your little ones and enjoy rhymes, songs and craft activities. This week we’ll be making super snowman mobiles.

 

 

 

Victorian christmasVictorian Christmas family tour
Sunday 8th December, 2.30-4pm
£3 per child (includes refreshments for accompanying adults)
Booking required
It’s Christmas in 1882 and the Palmer family are spending their first Christmas at their new home, Easthorpe house, with their staff. You are invited to come along and meet Lord and Lady Palmer, their Butler Jerrome, House Keeper Mrs Gough and other members of the household staff. Visitors will learn about Victorian Christmas traditions, play Victorian party games, enjoy seasonal refreshments and make their own Victorian Christmas card. Don’t forget to dress up in your Victorian costume! Watch our trailer on Youtube!

 

HP christmasHuntley & Palmers: a Christmas selection
25 Nov 2013- 5 Jan, 2014
Free, drop-in, normal museum opening times
This seasonal display in the Staircase hall of the Palmers’ former family home, shows off some of the visual delights in the University’s extensive archive of local biscuit manufacturer, Huntley & Palmers

 

 

Collecting the countryside: 20th century rural cultures
Temporary exhibition space
Free, drop in, normal museum opening times
Since 2008 the Museum of English Rural Life has been adding even more objects to its collection, with support from the Heritage Lottery Fund’s Collecting Cultures programme, in order to represent each decade of the last century. (Find out more in Curator, Isabel Hughes’ recent post) This exhibition gives a taste of what has been acquired and challenges visitors to suggest the modern-day objects that the Museum needs to collect for the future. The exhibition will help the Museum to explore how to incorporate more recent histories and representations of the English countryside into its displays as part of the new Our Country Lives project.

Weekly What’s On – 25th Nov to Dec 1st

What’s on at MERL this week?

 

Rural reads book club
Thursday 28th November, 5.30-7pm
Free. (£1.50 for tea & cake)
Drop in and join this informal group discussing books on a rural theme. This month the book we’ll be talking about is Trespass by Rose Tremain. As there is no meeting in December, we have already selected Lorna Doone, by R.D.Blackmore as the topic of our first meeting in 2014, on January 30th.

For details visit the Rural Reads page on our website

 

 

magic carpetToddler time
Friday 29th November, 10-11am£2 per child, drop-in
Suitable for families with children aged 2-4
Come along to the Museum with your little ones and enjoy rhymes, songs and craft activities. This week we’ll be using salt dough models using butter stamps and moulds based on items you can see in the Museum.

 

 

 

HP christmas*New* Huntley & Palmers: a Christmas selection
25 Nov 2013- 5 Jan, 2014
Free, drop-in, normal museum opening times
This seasonal display in the Staircase hall of the Palmers’ former family home, shows off some of the visual delights in the University’s extensive archive of local biscuit manufacturer, Huntley & Palmers

 

 

 

Collecting the countryside: 20th century rural cultures
Temporary exhibition space
Free, drop in, normal museum opening times
Since 2008 the Museum of English Rural Life has been adding even more objects to its collection, with support from the Heritage Lottery Fund’s Collecting Cultures programme, in order to represent each decade of the last century. (Find out more in Curator, Isabel Hughes’ recent post) This exhibition gives a taste of what has been acquired and challenges visitors to suggest the modern-day objects that the Museum needs to collect for the future. The exhibition will help the Museum to explore how to incorporate more recent histories and representations of the English countryside into its displays as part of the new Our Country Lives project.