Glastonbury Abbey Abbot’s Kitchen Conservation Project

My research examines the interpretation of Glastonbury Abbey and I visited yesterday to see what’s going on. I found the Abbot’s Kitchen covered in scaffolding as part of a conservation and re-interpretation project.

Glastonbury Abbey Abbot's Kitchen Conservation

Glastonbury Abbey Abbot’s Kitchen Conservation

The Abbot’s Kitchen is a fascinating piece of architecture with a varied history. It was built sometime between 1320 and 1370 as part of a large complex which served the Abbot’s guests and speaks of the medieval wealth the Abbey. Given its relatively domestic function it also holds stories of religious strife. The Dissolution of the Abbey in 1539 saw the man it served, Abbot Richard Whiting, being executed, with his head put on a spike above the Abbey gatehouse. Immediately following this it was home to group of Huguenot weavers fleeing religious persecution on the continent. In 1683 it also housed a Quaker meeting which was forcibly broken up and resulted in 10 Friends being sent to jail.

Glastonbury Abbey Abbot's Kitchen Conservation

Glastonbury Abbey Abbot’s Kitchen Conservation

It was eventually used as a cow shed but drew the interest of antiquarians and artists with its unique design. Pugin visited Glastonbury Abbey and drew elevations of the kitchen. It was well known to figures such as John Ruskin and was replicated in neo-Gothic architecture. The ‘laboratory’ to the right of Oxford Museum of Natural History entrance is based on the Abbot’s Kitchen and I even found a summer house replica on St Michael’s Mount, Cornwall. The Abbey is running an exhibition on the Kitchen which deals with these issues, and a case full of tourist images demonstrates its ongoing iconic status.

Glastonbury Abbey Abbot's Kitchen Conservation

Glastonbury Abbey Abbot’s Kitchen Conservation

As for the future of the Kitchen, more can be found out in the exhibition and its accompanying video interview with project staff. Historical kitchen expert Peter Brears has recently been able to provide information about the layout of the medieval building, even identifying the presence of a raised walkway where chefs could watch different workers. A conservation team is currently hard at work stabilising the building before re-interpretation can take place. Visitors will be able to get tours of the scaffolding over the next couple of weeks but I got a sneak preview. Here are some more photographs of what I saw…please enjoy and think about contributing to the Rescue our Ruins project which is making this possible.

Glastonbury Abbey Kitchen Conservation

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Glastonbury Abbey Abbot’s Kitchen Conservation

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Glastonbury Abbey Abbot’s Kitchen Conservation

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Glastonbury Abbey Abbot’s Kitchen Conservation

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Glastonbury Abbey Abbot’s Kitchen Conservation

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Glastonbury Abbey Abbot’s Kitchen Conservation

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Glastonbury Abbey Abbot’s Kitchen Conservation

 

Postcard from America 4 The Metropolitan Museum of Art

Anybody who has visited ‘the Met’ will know that it is impossible to summarize it in a single blog post. The place is humongous and I spent a lot of my time walking in circles.The Museum traces its roots back to 1866 when a group of Americans agreed to establish a national museum of art. The Museum opened in its current location on 5th Avenue in 1880 and provides more information on its own history via its website.

Medieval gallery at The Met

Medieval gallery at The Met

What I found interesting about the Met is that it defines itself as a museum of art in its mission statement but has large holdings of what might be termed archaeological material. As the work of Prof. Christopher Whitehead has illustrated the line between these kinds of objects is fuzzy and has an interesting place in the history of the development of academic disciplines in the 19th century. In the Met archaeological objects are displayed largely as pieces of decorative art. The visitor is encouraged to appreciate their aesthetic values over their social or economic function. However, the museum also uses it’s own architecture to create room sets which provide context for individual items. This works particularly well with the medieval collections in highlighting their function within larger religious buildings.

Frank Lloyd Wright room set at the Met

Frank Lloyd Wright room set at the Met

After an hour of aimless wandering I made a decision to seek out material which I couldn’t see in Europe. After visiting a haunting photographic exhibition Photography and the American Civil War I took about half an hour to find the American galleries. Unfortunately I was there a few months too early to see a new permanent gallery devoted to the work of Louis Comfort Tiffany but I did get to see some examples of his work in the current displays. Again, there were room sets, including a Frank Lloyd Wright room which I would have happily moved into.

Being a museum geek, what really impressed me was the visible storage which was accompanied by computer screens where one could type in the location of an object and get more information. It tested my jet lag diminished memory to get the numbers to the machine, but it was a great place to explore. They also had a wall decorated in tiny images of all of the gallery’s acquisitions drawn from their database. It created a striking visual effect and could be explored while you loitered on the benches in that space.

Visible Storage at the Met

Visible Storage at the Met

This might seem like an extremely partial account of such a world famous museum. A museum where you can get hand rolled sushi in the cafeteria and where every object is recognisable from a text book.However, visiting a museum with such vast collections can be overwhelming and these smaller spaces for exploration and reflection are a useful antidote.