One of the five themes of the Reading Connections project is craft, and this is what I’m working on when I’m not helping Felicity with the Historic World Objects work at Reading Museum. In my spare time I’m a trustee of the Heritage Crafts Association (HCA), a charity which supports and promotes traditional crafts, so I absolutely love working on anything to do with MERL’s craft collections.
MERL has a fantastic array of traditional craft products and tools in its collections, from such crafts as blacksmithing, wood turning, carpentry, lacemaking, leatherwork, pottery, stonemasonry, straw crafts, and wheelwrighting, amongst many others. My particular favourite is the basketry collection – we have over 600 tools, baskets and other basketware objects.
As part of Reading Connections I’m going to be building on the cataloguing work done on earlier projects at MERL (such as A Sense of Place) to enhance the database records for the approximately 1300 objects which are classified as ‘craft’ but have yet to be catalogued thoroughly. I’m hoping to add details about provenance, use and historical context, and all of this information will be immediately available to the public via MERL’s online database. If I get the chance, I’d also like to add more specialist information, such as details to do with materials and techniques, but this requires more research as I’m not a craft expert.
I’ve started by enhancing the records for the Alec Coker Collection of corn dollies and other straw-work items. Personally, I’m not much of a fan of corn dollies, but I do appreciate the skills involved in making them (take a look at the Guild of Straw Craftsmen). Alec Coker developed an interest in the craft when he first saw corn dollies used as props on set in the 1930s when he worked at the BBC, and devoted his retirement from 1965 to his death in 1986 to spreading knowledge of the craft. I did get quite excited when I came across a script from a 1972 episode of The Archers in which Alec Coker appeared as a corn dolly lecturer who was asked to identify the local ‘Ambridge Circle’ – a corn dolly he then created.
I’m also going to be working on building links with craftspeople, especially from Reading and the surrounding areas, and with those whose craft we hold in the collections at MERL. I’m hoping to raise awareness of our collections and to open dialogue with local craftspeople, with the long-term aim of possibly working together in the future in events or on skill- and knowledge-sharing projects. Exciting stuff!