Rae Gillott

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Our beautiful commissions in a mixture of plain and arty shots (thanks Adam!). Top, L-R: Annemarie O'Sullivan, Bunty Ball, Sue Kirk. Bottom L-R: Maggie Smith, Karen Lawrence, the Meazzanine.

Our beautiful commissions in a mixture of plain and arty shots (thanks Adam!). Top L-R: Annemarie O’Sullivan, Bunty Ball, Sue Kirk. Bottom L-R: Maggie Smith, Karen Lawrence, the Mezzanine.

On Saturday we welcomed 50 basketmakers to MERL for the Basketmakers’ Association (BA) annual Summer Meeting. For me, it was a very important day as it felt like the culmination of the work I’ve been doing with MERL’s basketry collections over the past 2.5 years, and it was great to have the chance to share our wonderful collection with the people to whom it means the most.

The day consisted of a mixture of formal and informal sessions, with plenty of time for everyone to catch up with each other and share news. It was a gloriously sunny day, so we were able to make the most of the garden and had demonstrations in the sunshine from Rae Gillott making a willow waste paper basket, and Sheonagh Winterbourne doing rush chair seating.

I gave a talk on the history of the basketry collection at MERL (including my recent discovery of the Dorothy Wright archive – although I think this was only news to me), and the work I’ve been doing with the collections through A Sense of Place and Stakeholders. Bunty Ball talked about the BA’s Traditional Basketry Project, which essentially aims to document every traditional basket in the country – an enormous undertaking! Contact the BA if you want to find out more or want to get involved.

I also gave tours of the basketry collections in the stores. There was a selection of baskets out on the table for everyone to look at, along with accompanying documentation. This included baskets that were studied during the Stakeholders project, examples of baskets in different materials (e.g. rush, straw and marram grass) and baskets that have received a lot of interest over the past couple of years (e.g. a Devon splint basket and the artillery shell basket). We had some original photos from the Rural Industries Bureau from the 1930s out on display, and also some basketmakers’ ‘Lists of Sizes and Prices’, including one which dates from 1850. There was also the chance to look at the rest of the baskets in the store. Everyone was so informative and I’ve now got pages of notes full of information to add the catalogue!

The highlight of the day for me was, without a doubt, the arrival of some of the commissioned pieces from Stakeholders. They’re just absolutely wonderful and I’m so so so so thrilled with them! I’ll be blogging in more detail about each of them over the coming weeks, but here’s an overview. We received pottles from Annemarie O’Sullivan; a miniature version of Bunty Ball’s famous Sutton Hoo helmet; a panel entitled ‘Loosen the Corset’ from Karen Lawrence using white willow skeins woven using complex linking; a contemporary shopping style basket from Sue Kirk made using local (to Sue near Peterborough) willow and hazel, and inspired by the packing on some of our 1950s baskets; and a nest of three baskets made from every single part of the willow from roots to leaves and using 17 techniques, including some not normally associated with willow, from Maggie Smith. I love all of them, and can’t wait to get some proper photos of them!

Unfortunately I didn’t get a chance to take any photos during the day as I was rushed off my feet, but the atmosphere was wonderful  and I think everybody had a great time. The BA were as organised as ever, and came armed with books, noticeboards, information leaflets and (most importantly) cake! I’d like to say a huge thank you to the BA for choosing MERL as a venue, and to my colleague Phillippa for helping to organise the day and ensure it all ran smoothly.


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