Monotype’s lauded Pencil to Pixel exhibition (in Wapping last November, and New York earlier this month) included a relaunched Monotype Recorder, after a hiatus of fifteen years (the previous issue had been published to mark the Centenary of the company, on the occasion of the 1997 ATypI conference, in Reading). The new issue celebrates Robin Nicholas’ long career and contribution to the company, as well as to typeface design in general. A few days ago Monotype posted the bulk of the issue as an online magazine, including Robin’s interview to Eye magazine, and Gerry’s comment on Robin’s work.
Design & Print Studio (DPS) contributes significantly to our BA programme through modules in professional practice, more usually known as the ‘real jobs’ scheme. Students gain confidence through the proximity of a working design and production office, as this year’s degree show publications for Art and Typography demonstrate. And in a real vote of confidence in our current crop of students, DPS has just announced a paid-for internship for a graduating BA student starting this summer.
The annual TypoBerlin conference is a major fixture on the European design calendar, bringing together over 1,500 attendees in the Haus der Kulturen der Welt in Berlin. Erstwhile staff member Ken Garland opened this year’s conference with a talk on the theme of “touch”, taking the audience on a journey through senses and ideas, culminating with a very personal and touching – pun intended – story. Department graduates Paul Barnes and Marian Misiak talked on making typefaces from Cornish vernacular lettering, and Polish type design heritage from the Communist era respectively. Gerry Leonidas spoke on the emergence of typeface design as α professional discipline with global reach. Slanted magazine have been reporting on their blog on Ken, Paul, Marian, and Gerry.
Wayne Hart, a Department alumnus and visiting instructor for letter cutting, has just been awarded Gold Award & Overall Winner and Maker of the Year Award in the annual Craft & Design competition. The specialist media judge, Medeia Cohan-Petrolino, summed up Wayne’s work:
Wayne Hart’s work offers a unique juxtaposition – upholding traditional letter-carving methods while simultaneously being contemporary and innovative. His passion for his craft and meticulous manner come across in every aspect of the work that he produces. Wayne’s craftsmanship and creativity are already at an impressive stage and his plans to continue pushing forward with his practice and technical development will surely make him one to watch.
Wayne has already been awarded a number of prestigious scholarships from the Queen Elizabeth Scholarship Trust, the Worshipful Company of Masons, the National Association of Decorative and Fine Arts Societies, the Finn Family Fund, the Bishop of Norwich and a number of smaller charities. His work is increasingly recognised, and can also be seen in the base of the clock tower in the University’s London Road campus.