Edited by the same team that publish the Slanted magazine, this substantial reference volume for new typefaces has just been published by Niggli. The volume presents typefaces in generous specimens, and includes a number of essays on typeface design. Amongst them, a detailed presentation of the MA Typeface Design programme. The impressively produced volume is available from Slanted’s shop.
Monotype’s lauded Pencil to Pixel exhibition (in Wapping last November, and New York earlier this month) included a relaunched Monotype Recorder, after a hiatus of fifteen years (the previous issue had been published to mark the Centenary of the company, on the occasion of the 1997 ATypI conference, in Reading). The new issue celebrates Robin Nicholas’ long career and contribution to the company, as well as to typeface design in general. A few days ago Monotype posted the bulk of the issue as an online magazine, including Robin’s interview to Eye magazine, and Gerry’s comment on Robin’s work.
Reading MA student Katy Mawhood’s new design for Modern Poetry in Translation has given a new look to one of Britain’s oldest poetry magazines. You can read Katy’s article on the redesign, which features fellow Reading graduate Veronika Burian’s typeface Maiola.
Available from the St Bride shop, Non-Latin scripts: from metal to digital type reproduces previously unpublished items for the Department’s Non-Latin Type Collection. Collection curator Fiona Rosscontributes a major essay on the type design process for non-Latin scripts and describes the exhibits, Graham Shaw discusses the relationship between these scripts and print technology, and John D. Berry’s afterword discusses the need for global resources in typography. An introduction by Paul Luna draws attention to the research possibilities of the Reading collection.
The publication records the ground-breaking exhibition this autumn at ATypI Hong Kong, hosted at the Hong Kong Polytechnic University Library, which displayed over 150 items from the collection, many of which are illustrated in the book. Exhibition co-curators Ross and Vaibhav Singh selected documents and artefacts to tell the story of type production across technologies in Amharic, Arabic, Bengali, Burmese, Devanagari, Gurmukhi, Kannada, Malayalam, Oriya, Sinhala, Tamil, Telugu, and Thai. A supporting display of newspapers in these scripts showed many of the fonts in use.
The 3-week long exhibition was launched by a keynote presentation by Paul Luna, who discussed the research possibilities of the Reading collection and laid stress on the need for the more immaterial evidence of contemporary font production to be preserved in the same way as physical evidence from the past, the survival of which helps us understand the processes involved and provides an evidence base for current font design. With an audience drawn from China and the East Asia region, India, Europe and the Americas, this was global exposure for one of Reading’s key research collections, with appreciation being expressed both at the conference and subsequently on social media.
For more images from the book and the exhibition, follow this link.
Sue Walker joins Design Issues as Associate Editor, Archives to develop visual essays that derive from high quality collections and archives of design-related materials worldwide.
Design Issues, the first American academic journal to examine design history, theory, and criticism, provokes enquiry into the cultural and intellectual issues surrounding design. It is one of the world’s foremost research journals and a flagship product of MIT Press.
Call for contributions
We are looking for visual essays that explain an important and interesting ‘design issue’, from any period, through images from a collection or archive. This might be
a set of related images that explains something, or tells a story, of cultural or social importance
a set of seemingly unrelated images that, when accompanied by verbal explanation, become linked together to tell something new
a series of single images that each represent a significant cultural or social issue
Each essay will be six black-and-white pages designed by MA Book Design students at the University of Reading, under the supervision of the Programme Director, Ruth Blacksell. The published material will have to be accompanied by copyright clearance on all the visual material.
Send proposals, or ideas for discussion, to:
Prof Sue Walker
Department of Typography & Graphic Communication
University of Reading
Reading RG6 2AU
Hyphen Press Extra has today posted – free to download – a document that gathers materials from the Typeform dialogues project, carried out by Eric Kindel, Catherine Dixon, and others at Central St Martins, London, in 1994–8 and afterwards.
Just published in the Journal of Design History, a paper by Sue Walker based on material in the Otto and Marie Neurath Collection, discusses an iconic series of books for children. ‘Explaining history to children: Otto and Marie Neurath’s work on the Visual History of Mankind’ is part of the AHRC-funded ‘Isotype revisited’ project www.isotyperevisited.org
James Mosley and Alice Savoie are contributors to a new book published to coincide with the Congrès des Musées Européens de l’Imprimerie in Lyon. James Mosley contributes an inventory of ‘the materials of typefounding’, while Alice (who is an AHRC-funded research student) writes with Alan Marshall and Bernadette Moglia on ‘our typographic heritage’.