Archaeology Magazine has recently published an article on new archaeological evidence of a robust dye industry, that endured on the Mediterranean coast for millennia. University of Reading’s Prof. Annalisa Marzano of the Classics Department has provided expert analysis alongside an interdisciplinary board of specialists, on how archaeological finds can offer insights to the procurement, production and purchasing of dyes in the ancient world. Read The Price of Purple HERE.
The Department of Classics’ Autumn 2020 seminar series will take place on Wednesdays at 4pm, via MS TEAMS. To request a link to attend one or all of the following sessions, please email a.c.smith@reading.ac.uk
7 October: Prof. Thorsten Fögen (Durham), Rival or ally? Competition, controversy and polemics in ancient technical discourse
14 October: Dr Maria Pretzler (Swansea), The Beginning of the Peloponnesian League – not quite as Herodotus tells it?
21 October: Dr Chris Stray (Swansea), Uncovering Kenneth Dover: A scandalous eminence.
28 October: Dr Jennifer Cromwell (Manchester Metropolitan), The use of indigenous languages in conquest societies: the case of Coptic in early Islamic Egypt
11 November: Dr Maria Mili (Glasgow), A regional perspective on cult epithets
18 November: Dr Jack Hanson (Reading), Cities, temples, and scale: A comparative approach
25 November: Dr Julia Hamilton (Leiden), Secondary epigraphy in Old Kingdom Saqqara
The 15th Annual Meeting of Postgraduates in Ancient Literature 2020 University of Reading, Department of Classics
Monday 15th and Tuesday 16th of June 2020
The Department of Classics at the University of Reading is delighted to host the 15th Annual Meeting of Postgraduates in Ancient Literature (AMPAL) in 2020. The theme for this year is Fear in Ancient Culture.
This year’s AMPAL includes a tour of the Ure Museum of Greek Archaeology, our departmental museum founded by Percy and Annie Ure. In addition to the museum’s permanent display, we are proud to present two temporary displays: the British Museum’s Spotlight loan on the theme of Helen and Achilles: beauty, heroism & the fall of Troy, and an inaugural student exhibit, Fear Beyond Words.
We are delighted to announce that the AMPAL 2020 Keynote Speech will be delivered by Professor Fiona McHardy (University of Roehampton). The speech will be open to all university members and the general public.
Fear is a driving force behind human action that can push people to exceed their own expectations or prevent them from acting at all. As a powerful motivator and emotion, fear has a pervasive presence in ancient life and thought, which is also reflected in literature in multiple ways relating among others to motivation, social interaction and power dynamics. Furthermore, as early as Aristotle’s Poetics, fear had already been understood as a ruling force and a powerful notion even for the construction of literary genres, especially of tragedy. While evaluating the ancient literature as an integral part of understanding such a concept, the diverse influences of different fields of study, such as literary criticism, political theory, psychoanalysis, and philosophy, can add valuable insights.
In this context, AMPAL 2020 invites presentations on fear from literary or interdisciplinary approaches. Questions as to how fear can be defined, who, how and why, causes fear, how fear is related to other aspects of ancient thought, how the sense of fear grows or fades, how this notion forms the interaction among humans or between mortals and gods,
and the role of language in the creation of a fearful or fear-free context, are all considered to be substantial aspects of this year’s theme.
Suggested topics on fear may include, but are not limited to:
The Department of Classics at Reading invites postgraduates of every level to submit an abstract of 250-300 words for a 20-minute paper followed by 10-minute discussion by the 21st of February 2020. Abstracts should be sent as an unnamed PDF to readingampal2020@reading.ac.uk. Please include your name, university affiliation, programme and year of study in the body of your email and not in the abstract.
AMPAL 2020 is open to all undergraduate and postgraduate students in any relevant discipline as well as to the general public. Details on the registration fee, the conference dinner and other relevant procedures will be announced in due time. All welcome!
Further information on the exact location of the conference and other events attached to AMPAL 2020 can be found at its website.
Please keep an eye on AMPAL 2020 website and to AMPAL Facebook and Twitter for further announcements. Feel free to follow us on Facebook and Twitter and spread the word!
Every year the Ure Museum welcomes and benefits from the work of several interns from around the world, other UK universities and even Reading. This week two of our interns from Summer 2019 were celebrated for their work in the Ure. At the 2019 UROP showcase last night Ruth Lloyd, a third-year student in Classics, was awarded Best Poster in the Heritage and Creativity theme, for her work on the biography of Annie Dunman Hunt Ure (1893-1976) on a paid internship through the University of Reading’s UROP scheme. Ruth’s poster moreover was one of two singled out for inclusion in a BCUR (British Conference of Undergraduate Research) event — Posters in Parliament — which brings together undergraduate students from universities across the UK to exhibit their research in Westminster. For her research Ruth worked with Ure staff and archives, University archives and conducted oral history with Ure’s family. Some of her research has already been incorporated into Annie’s Box, an interactive museum outreach project funded by The Friends of the University of Reading. We are delighted that through Ruth’s work our museum’s co-founder Annie Ure will finally have her day in Parliament!
Meanwhile a report of Kutsi Atcicek’s internship has been published in the latest volume of Imperial College’s Imperial Engineer. Kutsi, now in his third year of a course in Materials Science with Nuclear Engineering at Imperial, came to Reading through a grant from RSMA (Royal School of Mines Association) to pursue his interest in ancient materials. Working with Professor Amy Smith & James Lloyd, one of our PhD students who has just completed his viva, Kutsi employed various analytical techniques to research the Ure’s collection of miniature votive vessels found at Sparta’s ‘Achilleion’.
I could not have hoped for a more fulfilling way to round off my Classics degree at Reading than participating in a study trip to Greece – one could almost call it a Classics student’s ‘pilgrimage’. I first visited Athens over a decade ago when my interests in the ancient world were just beginning and I remember being awed by its incredible landscape and architecture. I was thrilled therefore to finally have the opportunity to return to the city and appreciate its sites from a more informed perspective, as well as experience other places that were completely new to me. The whole expedition was enhanced greatly by the company of an enthusiastic cohort of fellow students and the ever-illuminating insights of Professor Amy Smith and her assistant James Lloyd.
On disembarking at Eleftherios Venizelos Airport, we were immediately struck by the glorious Athenian sunshine, which continued to blaze down on us throughout our stay. We then boarded a characterful, vibrantly purple coach that conveyed us to the British School at Athens (BSA), with the local driver offering us his essential tips on Modern Greek along the way. Having unpacked, we soon set off on our first excursion: Lykavittos hill (closely situated to the BSA), from the summit of which we experienced the most spectacular views of the city and whetted our cultural appetites for all that lay ahead. We also worked up appetites of a more gastronomic nature from all the walking, winding up the day by sharing a meal together in true Greek fashion at a local restaurant, getting to know each other better and sampling a wide range of traditional dishes – many of which were savoured again later in the week!
Each day’s schedule was tightly packed with visits to ancient sites and museums, and I could not possibly do everything justice in a single blog post. Yet I shall at least mention a few of my personal highlights. Firstly, no trip to Athens would be complete without journeying up to the famed Acropolis. It was fantastic to explore not only the iconic buildings on its upper surface, but also both the north slope, featuring some important caves and sanctuaries, and the sites to the south: after writing my final-year dissertation on Sophocles, I could hardly leave without paying homage to the Theatre of Dionysos, and James Lloyd even treated us here to an impromptu performance of an ancient Greek song. Another of my favourite attractions was the Temple of Hephaistos, beautifully situated in the Agora and amazingly well preserved. Further sites visited were the Kerameikos, the Temple of Olympian Zeus, the Roman Forum and Hadrian’s Library.
Of the museums, I was especially excited to visit the Acropolis Museum which was still being built during my previous trip. It certainly did not fail to impress. Its transparent walls and ideal location enabled us to look directly across at the Acropolis itself while admiring the displays, and so more easily envision everything in authentic context. One of the museum archaeologists, Dr Fiorentina Frangopoulou, helped us to understand the importance of the museum to the modern Greeks. In addition to the splendid array of statues and artefacts, I was particularly charmed by the imaginative lego reconstruction of the Acropolis on the second floor! The National Archeological Museum was also full of fascinating objects, including the famous ‘Mask of Agamemnon’ discovered by Heinrich Schliemann at Mycenae. Among my personal favourites were a Cycladic harper figurine lost in song, an ancient piggy bank and a vase depicting a musical goose! In addition, I enjoyed the smaller yet equally absorbing Cycladic and Numismatic Museums.
We were fortunate to spend one of our days in Corinth, which included the highlight of the whole trip for me: visiting Acrocorinth, an enormous rock towering above the ancient city, rivalling even the Athenian Acropolis in its magnitude. Although most of the ruins at the top date from later, medieval times, the views it offers of the surrounding mountains, farmland and sea are simply breathtaking, giving the modern traveller a sense of how Greece would have appeared to its ancient inhabitants. Beautiful wildflowers, bees, butterflies and birdsong added magic to the landscape. On descending, we received excellent tours both of ancient Corinth and of its museum, from Drs Christopher Pfaff and Ioulia Tzonou of the American School of Classical Studies at Athens. Dr Tzonou even gave us a hands-on experience of artefacts, including a stone foot dedicated to Asklepios, the god of healing, and some lead curse tablets, which thankfully cast no calamities upon our trip! While journeying back to Athens, we had the chance to stop off at the site of the Isthmian games and also spotted the historic islands of Salamis and Aegina from the coach.
In addition to scheduled group outings, we had some free time to spend on whatever stirred our own individual interests. I particularly appreciated the further stunning panoramas available from Philopappou Hill and the Areopagus (which I made sure to ascend via the steeper, ancient steps!), and it was also enjoyable just to wander round and take in the atmosphere of some of Athens’ more touristy areas such as Plaka, with its pretty winding streets and rows of shops. Above all, I loved being surrounded by Greek lettering wherever I went: I had great fun trying to decipher signs and inscriptions.
As a lover of the animal world, I could not conclude without mentioning the thirteen hoopoes I spotted during our stay (one of my favourite birds and very apt in terms of Greek mythology). We also fell in love with the numerous tortoises we found chilling out amid the ancient ruins, as well as the free-roaming dogs, cats and kittens which did their very best to distract us from our primary mission!
I cannot thank the Classics Department enough for giving me this wonderful opportunity at the end of my undergraduate journey, as well as the BSA for hosting us. I would certainly encourage other students to embark on future study trips (…though do be prepared to walk … a lot!).
Katherine Evans
Classics was well represented yesterday at UoR’s annual Doctoral Research Conference, held on 19 June, in which Nathalie Choubineh (upper right) and Luca Ottonello (bottom left) competed. This annual event, open to all doctoral researchers and staff from across the University, showcases the diversity of doctoral research undertaken at the University of Reading. Nathalie, who has passed her viva, subject to minor corrections, in April of this year, presented her research poster on Kretike, an aspect of ancient Greek dance that featured in her PhD thesis, written under the supervision of Profs. Barbara Goff and Amy Smith. Luca, who is a part-time PhD candidate, competed in the research image competition, with his digital reconstruction of the Temple of Bel in the ancient city of Palmyra. Palmyra is a case study for his PhD thesis that he is writing under the supervision of Prof. Amy Smith and Dr. Ian Ewart (School of Construction Management and Engineering). As well as meeting new people who shared their interests, both of them found the conference a welcome opportunity to think about ways in which to communicate their research to broader audiences. The Classics Department is proud to now display Nathalie’s poster in its hallway in the Edith Morley building, while Luca’s photograph is displayed with some of his 3D prints of Palmyrene architecture in the Ure Museum.
This weekend, 20-22 July 2018, the International Society for the Study of Greek and Roman Music and its Cultural Heritage, a.k.a. MOISA, held its 11th international conference at UoR’s Museum of English Rural Life, organised by UoR Classics’ Professor Ian Rutherford and James Lloyd, working with 
Donatella Restani (University of Bologna). The three-day conference, themed Music and Materiality, began with a keynote speech from Rupert Till (University of Huddersfield) on ‘An introduction to Archaeoacoustics’. Another highlight was a Saturday night concert at Christ Church, Reading, with performances from Barnaby Brown on a reconstruction aulos (reeded pipe) and Steph Connor on a reconstruction barbitos (a.k.a. ‘Lydian lyre’) and vocals.
The research topics of papers by 27 scholars—representing academic institutions from Austria, Brazil, France, Germany, Greece, Italy, Spain, UK, and USA—ranged from the instruments themselves (auloi and percussion), archaeological evidence of music in Rome, Apulia and Attica, to exciting new approaches and finds. Particularly touching was Prof. Stelios Psaroudakes’ dedication of his paper to the memory of Dr John Gray Landels, his PhD supervisor during his own studies at University of Reading. Dr Landels was instrumental in UoR Classics’ acquisition and study of antiquities relevant to the study of music in the Ure Museum of Greek Archaeology, such as the Reading Aulos.
The event culminated with a visit to the Ure Museum, where visitors viewed a special exhibition of these antiquities and others on loan from the University’s Special Collections as well as the British Museum: Music and Materiality, curated by James Lloyd (on display from May-July 2018) and a hands-on ‘How to make an aulos reed’ activity, led by Callum Rogers. Warning: it takes a high skill level both to make the reeds and play the auloi!
Portrait of J.J. Winckelmann by A. von Maron (1768)
Today marks the 250th anniversary of the untimely death of Johann Joachim Winckelmann, a pioneering scholar of antiquity and arbiter of taste in 18th-century Europe. As part of the Winckelmann anniversaries 2017-2018 (we celebrated the 300th anniversary of Winckelmann’s birth 9 December 2017) we are pleased to launch a special online exhibition curated by Connell Greene, currently a third year student in our BA in Classical Studies: Longing for what we have lost: An influential explorer’s pursuit of classical antiquity. This exhibition considers how, since his death, Winckelmann’s life and scholarship have continued to fascinate artists, writers and thinkers, and thus elevate his significance within European cultural history in general and LGBTQ history in particular. Connell worked on this exhibit as part of his UROP, under the supervision of Dr Katherine Harloe and Prof. Amy C. Smith.
On our Winckelmann research project web pages you can also explore upcoming events and our other exhibitions, From Italy to Britain. Winckelmann and the spread of neoclassical taste and Winckelmann and Curiosity in the 18th-century gentleman’s library. These latter exhibitions, which explore Winckelmann’s influence on the reception of the taste for classics in Europe, are the fruit of collaborations between the Ure Museum of Greek Archaeology and partners at UoR and beyond. The latter exhibit, hosted by Christ Church Library, Oxford, a
nd curated by our Dr Katherine Harloe and Prof. Amy Smith, together with Dr Cristina Neagu (Christ Church), will be launched 29 June 2018 and displayed until 26 October 2018. It is launched simultaneously with a workshop, organised by the Faculty of Medieval and Modern Languages, University of Oxford, in collaboration with Christ Church, Ideals and Nations: New perspectives on the European reception of Winckelmann’s aesthetics. This is the third and last of a trilogy of workshops we have organised on the theme, Under the Greek Sky: Taste and the Reception of Classical art from Winckelmann to the present, with colleagues at London (KCL and Warburg) as well as Reading and Oxford.
Our collaboration with Christ Church is particularly appropriate, since it recalls the University of Reading’s origins as an extension college—University Extension College, Reading—founded by Christ Church in 1892.
Undergraduate Penelope Faithfull describes how she and fellow-student George Upfield are using radio to bring the ancient world to a wider audience within the University.
Viva!
Salvete (Or shall we say chairete?)!
Over the Christmas Holidays, I thought it would be fun to do a Classics themed radio show on the University’s radio station, Junction11. The show, called Viva!, aims to help promote Classics (hence the title) – and to prove that, although the inhabitants of the ancient world are no longer around, they’re still just as fun and fascinating! Whilst trying to cater for a wide range of song and musical tastes, a diverse range of features and topics each week are included with a Classics theme. Special features include: songs with a Classics reference, recent Classics related news items for discussion and also a Classics ‘word of the week’ spot. I am really trying to encourage audience participation by discussing topics or questions from listeners. I would very much like to have a guest spot for lecturers to come on the show to talk about their research, to describe how they were introduced to Classics, to choose a song, and there may also be a surprise question for them each week…! So if any lecturers would be happy to come on the show, then please get in touch through the email below.
If anyone has any questions they want answered, or would like to hear more about the show, please don’t hesitate to get in contact at p.f.e.faithfull@student.reading.ac.uk.
Welcome to ‘Viva!’ hosted by Penelope Faithfull and co-host George Upfield. Tune in on Thursdays between 10-11 am on Junction11 to hear more; the link for the show is here: https://www.junction11radio.co.uk/listen-live/.
We hope you enjoy listening!
Penelope Faithfull.
Photo: Alex Wickenden
This year’s edition of the Reading Ancient Schoolroom ran for two weeks and welcomed several hundred schoolchildren to campus. Led by a team of specially-trained volunteers, some of them Reading students and others coming from as far away as Edinburgh to participate, the children experienced first hand what life was like in a Roman school. This year there was a focus on Roman mathematics (pictured above: maths teacher Dom O’Reilly with children from Dolphin School), but children also practiced reading from papyri, writing on ostraca and tablets, using quill pens, memorizing poetry, and studying Latin and Greek the way ancient children would have studied them. They also had the opportunity to sample Roman food made by our magnificent Roman cook, Reading undergraduate Charlotte Edwards, and special object handling sessions in the Ure Museum. For more information (and lots more pictures) see https://readingancientschoolroom.com/2017-schoolroom/. Schoolroom director Professor Eleanor Dickey was interviewed about the event on UKEd chat; you can listen to the interview at https://ukedchat.com/2017/07/17/ukedpodcast-episode-12/.
