So long, farewell, auf Wiedersehen, adieu…

by Matthew Abel, Museum Studies Student at the University of Reading

Dissertations are done, exams are over, and, like the Von Trapp children (who we appear to be channelling in this photo), it is nearly time for me and my fellow Museum Studies finalists to say goodbye to the University of Reading. The last three years have definitely changed my life for the better, and in this post I thought I’d share a few thoughts for anyone thinking of applying for a Museum Studies course at Reading.

Yes, Museum Studies is a thing…

When I was looking for a course, I knew that Museum Studies existed as a subject and that I wanted to study it. But pretty much everyone outside the museum world doesn’t seem to know this, so be prepared for a lot of “You study museums?”, “What’s that all about?” and my personal favourite “Oh, that’s… different”.

… but it can mean different things

There are not many undergraduate Museum Studies courses out there (it’s usually a postgraduate subject), but their content can vary significantly. For example, Reading’s courses are combined with either Archaeology or Classics modules, while others have more of an Art History focus. So read the syllabuses thoroughly and think about your own interests. Having worked in museums for a few years before uni, I wanted a course that was practical, relevant and comprehensive (and wasn’t just Art History in disguise), so when I read the Museum Studies and Archaeology syllabus, I knew it was the one for me.

And it is very practical

If you are thinking of taking Museum Studies, it’s pretty likely that you want to work in museums, so the course is very much focused on trying to make that happen. There are lots of practical elements, ranging from object handling seminars, skills-based assignments and museum visits, to an assessed work placement in Part 2 and a group exhibition module in Part 3. If you take the Archaeology option, you also have the chance to attend the Field School over summer. I’m definitely an indoor person so the Field School wasn’t for me, but I’m very grateful I was offered the chance to go on a real archaeological dig! Field experience is essential if you want to be an archaeologist, yet many universities no longer run their own field schools, so Reading has a real edge here.

Image: Installing a display for the group exhibition module in Part 3.

Grab every experience

Because Museum Studies is such a vocational course, you will definitely get more out of it if you can do some museum work or volunteering while you study. This allows you to put what you learn in lectures into practice and network with other people in the sector. As well as the placements mentioned earlier, there are also lots of opportunities to get work experience outside the course. In Part 2, I got a summer job through the Reading Internship Scheme (RIS), which offers paid internships with local companies in various sectors, and is only available to University of Reading students. I spent eight weeks with the Curatorial department at the River & Rowing Museum in Henley on Thames, which was a wonderful experience. I helped install a temporary exhibition, learnt some new collections management skills, and even got taken on a “works outing” to Henley Royal Regatta!

Image: Installing a temporary exhibition at the River & Rowing Museum with Assistant Curators Caroline Brown and Chelsea Eves.

The staff are great

I probably should have mentioned them earlier, but the course lecturers, Rhi Smith and Nicola Pickering, are brilliant too! Rhi’s background is in archaeology and anthropology, and Nicola is an art and architectural historian, so their combined expertise provides a really broad insight into the museum world. Some of the staff at The Museum of English Rural Life (MERL), where the course is based, also deliver some of the content, such as object handling sessions and guest lectures. This is a real bonus as you are learning from people who actually do the kind of jobs you are hoping to do. And who better to learn from than the people who brought you such social media sensations as this surprisingly effective mousetrap and this magnificent woolly hero?

Reading is nicer than you probably think it is

Finally, if you like the sound of everything else but think Reading isn’t a very interesting place to live, think again! I was really surprised by how much cultural activity there is in Reading, and initiatives like Place of Culture and the Abbey Quarter are all about promoting this and trying to engage people with it. One of my highlights was seeing the cell where Oscar Wilde was imprisoned during the Inside project at Reading Prison. I also got to meet historian Dr Lucy Worsley when her father Peter did a book launch at The MERL (fun fact: Peter Worsley used to be a professor at Reading and Lucy herself was born here). The British Museum is even planning to open a new research centre in Reading in partnership with the University, so there is a lot to look forward to.

Image: Meeting Lucy Worsley at The MERL.

If you are considering a Museum Studies course at Reading, I hope this post has shown what a great opportunity it can be. As someone who dropped out of another uni at 18 and vowed never to go back, I never even expected to finish a degree course, let alone enjoy it so much. But this just proves that if you find the right course at the right uni, and do it at the right time for you, anything is possible. Auf Wiedersehen!

Being a culture vulture in Reading #3

An art historian friend visited recently and there was a concerted effort to show her the culture that Reading had to offer. Walking around Reading with an art historian you become much more aware of the buildings that you usually ignore. She had made the journey because of an exhibition at Reading Museum John Tweed: The Empire Sculptor, Rodin’s Friend. She had even got a copy of the catalogue in advance. It was great to see that the book was authored and the exhibition co-curated by a former University of Reading student, now art historian, Dr Nicola Capon. I couldn’t take photos in the exhibition but there are some in the link. Tweed is dubbed ‘The Empire Sculptor’ and archival documents provide a fascinating insight into how these kinds of projects were negotiated, and the role that they played in the expansion and expression of empire. His “ideal” statues are also just really gorgeous to look at.

The same weekend I made good on a promise to visit an open studio, after my post on ‘slack spaces’ and artist run initiatives in Reading. After tweeting on that subject, Reading-based photographer Salvo Toscano got in touch to mention his open studio. He has some beautiful photographs from further afield but I was really drawn to the images from around Reading. Salvo lives not far from the Museum of English Rural Life (where I am based) and seeing local streets transformed by a photographer’s eye demonstrated the need to look again at my surroundings. It may be dangerous for somebody as clumsy as me to walk around staring up at buildings but I’m going to make a more concerted effort to stop and (don’t laugh) admire the beauty of Reading.

The Royal Berkshire Medical Museum

Just back from the Royal Berkshire Medical Museum. I’ve been there before but I always seem to forget just what a hidden treasure it is. Tucked away in an old laundry room (Grade 2 listed), the museum is packed with fascinating stories and objects. The key ‘object’ is the glass jar of living leeches that are ‘fed’ by the team of volunteers.

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Live leeches

The museum is run by former members of staff on a voluntary basis. The current display was made possible by HLF funding in 2008 and the look is the result of a collaboration with local designer Martin Andrews. I know Martin from the 2005 Ure Museum redesign, and his ability to bring objects to life with a low key and low cost bit of theatricality makes him a really inspiring guy to work with. Take for example this low tech bit of reconstruction.

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Reconstruction of wartime injuries

However, the real stars are the objects. Weird, wonderful and a bit disturbing. One member of our group briefly looked up and started laughing at the faces everybody else was pulling. I love a museum that provokes a gut reaction (pun intended) and the universal subject of the body and medicine means that everybody has some kind of response.

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Scary pokey things (yes that’s a medical term)

The museum is hard to get to and has limited opening hours but try to get to it if you can. It’s often open on weekends and is to the left hand side of the Royal Berkshire Hospital’s neo-classical facade on London Road (NB no parking but good bus links). Rather than rabbit on about it I thought I would add some photos for those who might not get to see inside. Enjoy…

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Phrenology

 

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Tray of glass eyes

 

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The medicine cabinet

 

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A view through the museum (small but perfectly formed)