Travel Thursday: Farthest North

Written by Louise Cowan, Trainee Liaison Librarian

In honour of Christmas and the annual travels of Santa Claus, this week’s Travel Thursday features an expedition to the North Pole!

maps

The explorer in question is Fridtjof Nansen; scientist, adventurer and humanitarian who was awarded

Fridtjof Nansen

Fridtjof Nansen

the Noble Peace Prize in 1922.  Having previously survived a dangerous trek across the uncharted interior of Greenland in 1888, Nansen was keen to further explore the arctic regions and set out in 1893

with his strong and cleverly designed ship the ‘Fram’.  Sailing into the ice pack off Siberia, the Fram re-emerged 35 months later without its lead explorer.

Intending to reach the North Pole, Nansen and one companion had departed from the crew with, “thirty days’ rations for twenty-eight dogs, three sledges, two kayaks, and a hundred days’ rations for themselves,” (The Nobel Foundation, 1922).   Although they covered only 140 of the 400 miles to the Pole, they reached closer than anyone had previous achieved.

The two volume, “Farthest North : being the record of a voyage of exploration of

Arctic Landscape Painting by Nansen

Arctic Landscape Painting by Nansen

the ship “Fram” 1893-96 and of a fifteen months’ sleigh journey”, published in 1897 features Nansen’s personal diary of the journey, alongside his beautiful sketches of the landscapes and events along the way.

 

Nansen’s journal provides a fascinating insight to life in the far north, including descriptions of the beautiful aurora borealis, dangerous encounters with polar bears and a slightly more humorous first attempt at driving a dog sledge:

 

Having harnessed the dogs to the Samoyede sledge, the animals promptly took off at lightning speed and ran dizzying rings around the ship.

 

Nansen's sketch of his first sledge ride.

Nansen’s sketch of his first sledge ride.

I got out and tried to hold the sledge back, but was pulled off my feet and dragged merrily over the ice in my smooth sealskin breeches, on back, stomach, side, just as it happened.

In the end, Nansen loses the sledge seat, his whip, gloves, cap and his temper…not to mention his dignity…

I inwardly congratulated myself that my feats had been unobserved.

 

 

 

On Christmas Day, Monday 25th December, Nansen records a chilly temperature of -36 °F (-38 °C) and recounts how he took a beautiful moonlit walk – only to have his leg go straight through a crack in the ice -completely soaking him.  However, his Christmas dinner more than made up for the accident:

Christmas Dinner Menu

He ended his Christmas, with some card-playing, reading books and…

then a good sound sleep-what more could one wish?

 

Sources:

Nansen, F (1897) Farthest North. Westminster : Archibald Constable

[Available on request from Special Collections – RESERVE–919.8-NAN Vol.1 & Vol.2]

The Nobel Foundation 1922

Travel Thursday: John Arrowsmith

Written by Louise Cowan, Trainee Liaison Librarian

Born in 1790 in County Durham, John Arrowsmith moved to London at the age of 20 to work under the tutelage of his uncle, Aaron Arrowsmith, a cartographer known for his outstanding accuracy.  Having learned the arts of map making, engraving, and printing, Arrowsmith set up his own business in 1824 and ten years later established his reputation with the ‘London Atlas of Universal Geography’.

A beautiful tome, hand-coloured and created with original materials, ‘The London Atlas’ was considered to be the best large scale atlas available at that time.  Below is a 1842 edition, which was designed with useful tabbed pages:

 

London Atlas Photo 25-11-2015, 16 42 18 (1)

 

 

 

 

 

 

 

 

 

The original atlas consisted of 50 plates of maps but Arrowsmith regularly added to the collection and as such there is no firm collation for any edition.  However, this does mean that the later editions are especially important as they include a greater number of maps, particularly of countries such as Australia.

Map of Australia (1835 edition)

Map of Australia (1835 edition)

Map of Australia (1842 edition)

Map of Australia (1842 edition)

 

 

 

 

 

 

 

 

 

 

 

In ‘The London Atlas’ Arrowsmith states that in the creation of the atlas he examined more than ‘ten thousand sheets of printed maps’, gained insights from surveys and also drew on the knowledge of travellers who ‘were particularly acquainted with the districts.’  Indeed, Arrowsmith was friend to a number of explorers and was often responsible for converting their sketched out drawings and surveys into more accurate maps.  This example from Livingstone’s ‘Narrative of the Expedition to the Zambesi’ shows a map created by Arrowsmith in 1865 that was based n the ‘Astronomical observations and skecthes’ of the explorer:

Photo 07-12-2015, 14 37 17

The explorers showed their appreciation of his work by naming after him mountains, plains, and lakes in Australia, New Zealand, and Canada.

(Baigent, 2004)

In 1830, Arrowsmith helped found the Royal Geographical Society and was awarded the society’s Patron Medal in 1862 for his outstanding contributions to the field.

 

 

 Sources

Elizabeth Baigent, ‘Arrowsmith, John (1790–1873)’, Oxford Dictionary of National Biography, Oxford University Press, 2004 [http://www.oxforddnb.com/view/article/701, accessed 7 Dec 2015]

Elizabeth Baigent, ‘Arrowsmith, Aaron, the elder (1750–1823)’, Oxford Dictionary of National Biography, Oxford University Press, 2004 [http://www.oxforddnb.com/view/article/698, accessed 7 Dec 2015]

Arrowsmith’s Australian Maps

Crouch Rare Books

Christmas Cards – The John Lewis Printing Collection

Written by Louise Cowan, Trainee Liaison Librarian

Our lovely John Lewis Printing Collection comes complete with a fabulous and fun range of Christmas cards dating to their origin in the Victorian period.

xmascardsAccording to Lewis (1976), Charles Dickens had a heavy influence on the initial themes of Christmas cards. Published seven years before the first card in 1836, ‘Pickwick Papers’ encouraged, ‘pictures of stage coaches, snowclad landscapes, robin red-breasts and rosy-cheeked children sliding on the ice.’ (Lewis, 1976)

Lewis describes many of the Victorian cards he discusses as having come from the collection of a Miss Cissie Crane, whose album included nearly 200 cards (Lewis, 1976). Our favourite kittens with moveable heads came from this collection too:

output_aq6oxE

Chromo-lithography was commonly used to create early Christmas cards, but there was a boom in ‘do-it-yourself’ creations after the Second World War (Lewis, 1976). For example, this card by Richard Chopping and Denis Wirth-Miller from roughly 1955 uses an old postcard from the early 1900s:Photo 19-11-2015, 15 11 57 - Copya

Lewis (1976) recounts another amusing way to reuse Christmas cards that he discovered in the 31 December 1948 issue of The Spectator: simply add your name to the bottom of the card you receive, send it on to your friends and let them ponder the mystery of the original sender’s inscription!

You’ll find more of our John Lewis Christmas cards featured in the # calendar on Twitter and in our #12DaysOfChristmas count down on Instagram.

Merry Christmas!

TreeCard3

Sources:

Lewis, J (1976) Collecting Printed Ephemera. London: Cassell and Collier Macmillan

Travel Thursday: Wish you were here…

Written by Louise Cowan, Trainee Liaison Librarian

This week’s Travel Thursday feature focuses on postcards and in particular, the postcards in our John Lewis Printing Collection (Group XII 2)

postcard box

An early form of postcards were in circulation from the middle of the eighteenth century and the introduction of the penny postage stamp in 1840 made mail delivery easier and more affordable in Britain but it wasn’t until 1870 that the first official, plain postcard was issued by the Post Office, selling over 500,000 on its first day!

One Penny Stamp

One Penny Stamp

However a number of restrictions slowed the rise of the picture postcard in Britain and it wasn’t until the 1890s that regulations relaxed and privately published cards could be sent via the Post Office.  By 1902 the popularity of postcards was soaring and the British Post Office were the first to introduce the postcard design we are familiar with today; splitting one side for address and written message while leaving the other side free for illustration or photographs.

 

split

The postcards collected in our John Lewis Printing Collection span the globe, with images from New York, to Rouen to Cairo:

New York, Cairo, Rouen

New York, Cairo, Rouen

And although not technically postcards this little collection of photographs from Oxford are stunning:

oxfordjoined

The majority of postcards in the John Lewis Printing Collection were not intended for use and as such were never sent. However, we do have a couple of messages dating from the early 1900s:

postcard1

Don’t you like the look of the lonely thatched cottage? I wish it was mine!

postcard2

I have been awfully busy, will visit you from Colorado when all the rough weather will be over I hope.

postcard3

Arrived safely on June 17th am leaving again July 14th. I trust you are well

 

While the postcard may have enjoyed its heyday in the first two decades of the twentieth century, they are still a highly collectable item.  Developments in digital photography and advances in communications technology have  superseeded this older method of sending greetings but postcards remain available for sale in many tourist destinations around the world, perhaps proving that, for holiday purposes, postcards remain a fun way to share a ‘I wish you were here…’

 

Sources:

Brady, T.J. 1969, POSTCARDS AND HISTORY, History Today Ltd, London.

Art History Archive: The History of Postcards

Postcard Pages

Visit the Past: History of the Postcard

Explore your Archive: Ducks

Written by Louise Cowan, Trainee Liaison Librarian

Jemima Puddle Duck - Children's Collection 823.9-POT

Jemima Puddle Duck – Children’s Collection 823.9-POT

Today the theme of Explore Your Archives is  Archive Animals so we’re going to have a look at some of our wonderful archive Ducks!

 

Let’s start with perhaps our most famous duck, Jemima Puddle-Duck! UMASCS holds a 1908 edition of the tale, beautifully illustrating the adventures of Jemima who gets into trouble with a fox when leaving the safety of the farm to hatch her eggs. Jemima was based on a real duck that lived at Hill Top farm, the home of author Beatrix Potter.

 

According to the charmingly illustrated ‘Ducks: Art, Legend and History’ by Anna Giorgettii, [Merl Library 4534 GIO] ducks belong to the Anatidae Family, a word derived from the Latin ‘anas’ meaning ‘to swim.’ The book goes on to give all kinds of interesting facts and stories about ducks, including the idea that in ancient China a prospective lover would send a live duck or goose to the woman he desired.

John Lewis Printing Collection, Group XII 1

John Lewis Printing Collection, Group XII 1

 

Our modern term of endearment ‘duck’ was even used by the Romans in the form of ‘aneticula’ or ‘duckling’ (p82). It’s unsurprising then that this sweet Valentine’s Day greeting from our John Lewis Printing Collection (Group XII 1), dating to 1858, features a little duck!

 

 

 

 

 

 

 

In the beautifully designed ‘A Book of Ducks’ by Phyllis Barclay Smith, we learn that it was King Charles II in 1661 who first formed a collection of wild birds in St James’ Park, so setting a precedent for the creation of collections in parks, lakesides and ponds across the country.

Printing Collection 082 Kin/58

Printing Collection 082 Kin/58

 

Engravings by T. Bewick, MERL LIBRARY RES--1840-HIS

Engravings by T. Bewick, MERL LIBRARY RES–1840-HIS

The great range of birds within the ‘Anas’ genus is explored in ‘A History of British Birds’ vol. II (1805) alongside beautifully detailed wood engravings by T. Bewick. For example, the rather cute ‘Scaup Duck’ (bottom centre in the picture to the right) is described as having a broad, flat bill , a black head and neck glossed with green and fan shaped brown tail feathers.

 

Finally we have ‘Ploof – the wild duck’, number 3 of the Père Castor wild animal books series, written principally by Lida Durdikova.  Originally published in Paris in 1935 by Flammarion as ‘Plouf, canard sauvage,’  it tells the story of the duckling’s birth, his first visit to the pond, a frightening attack by a hawk and his adventures out on a big lake before finally describing his migration south for the winter.

Russian illustrator, Feodor Rojankovsky, is quoted describing his artistic beginnings developing from a trip to a zoo being followed by a gift of colour crayons. His beautifully intricate drawings of Ploof and his friends show that animals must have continued to fire his imagination!

Photo 11-11-2015, 13 59 39

Ploof, Children’s Collection FOLIO–598-LID

Ploof, back cover. Children's Collection FOLIO--598-LID

 

 

 

 

 

 

 

Sources:

Peter Rabbit

Miami University Special Collections and Archives

Thesantis

Robert Louis Stevenson

Written by Louise Cowan, Trainee Liaison Librarian

Today celebrates the 165th birthday of Robert Louis Stevenson, most famous for his classic novels ‘Treasure Island’ and ‘Dr Jekyll and Mr Hyde’.

 

Dr Jekyll & Mr Hyde, XReserve 823.89 STE

Indeed it is ‘Dr Jekyll and Mr Hyde’ that is credited with the accolade of having initially established Stevenson’s reputation as a writer of great talent, (Daiches.)

 

Quiet minds cannot be perplexed or frightened but go on in fortune or misfortune at their own private pace, like a clock during a thunderstorm.

― Robert Louis Stevenson, The Strange Case of Dr. Jekyll and Mr. Hyde

 

However, in his life-time, Stevenson wrote a vast number of works, including over 20 novels, short stories and poems. He frequently experimented with a range of genres and styles also producing essays, travel writing, plays and biographies!

 

Robert Louis Stevenson books on a shelf

Robert Louis Stevenson, Children’s Collection 823.8STE

UMASCS holds examples of each of these genres, ranging from his 1982 history of Samoa, ‘A Footnote to History: Eight Years of Trouble in Samoa’ (XReserve –996.13-STE) to a fifth edition of his poetry collection, ‘A child’s garden of verses’ (Children’s Collection, 821.8-STE).

 

 

 

 

Some of our favourite editions however, are of his most well-known publications, including this beautifully designed copy of ‘Kidnapped’ from the 1920s:

Book cover for 'Kidnapped' featuring a ship design

Kidnapped, Children’s Collection 823.8 STE

 

Our Children’s Collection also hosts a fantastic range of illustrated book covers of ‘Treasure Island.’

treasure island

Sir, with no intention to take offence, I deny your right to put words into my mouth.

― Robert Louis Stevenson, Treasure Island

 

Although it was originally published in book form in 1883, after appearing in ‘Young Folks’ as: The Sea Cook, one of our oldest copies of ‘Treasure Island’ is a 1893, Cassel and Company Ltd, illustrated edition. Beautifully illustrated, it comes complete with a lovely map of Treasure Island itself.  A handwritten note inside the book shows it was originally a Christmas gift to one Francis Gore from his father in 1894.

Map of Treasure Island, 1893

Treasure Island, 1893. Caption reads: Francis C. Gore from my Father Christmas 1894.

 

 

Daiches describes ‘Treasure Island’ as, ‘an adventure presented with consummate skill, with atmosphere, character, and action superbly geared to one another.’ As such it is no wonder that it remains a favoured classic even today.

 

Sources

Daiches, David, “Robert Louis Stevenson.” Encyclopaedia Britannica. Britannica Academic. Encyclopædia Britannica Inc., 2015. Web. 11 Nov. 2015. <http://academic.eb.com.idpproxy.reading.ac.uk/EBchecked/topic/565977/Robert-Louis-Stevenson>.

Robert Louis Stevenson.org

Travel Thursday – Thursday’s Child Has Far To Go

Written by Louise Cowan, Trainee Liaison Librarian

On alternate Thursdays for the next few months we will be exploring some of UMASCS collections’ fascinating atlases, maps and travel journals.

To start us off, I present ‘Coxe’s Travels’, a three-volume journal account of ‘Travels into Poland, Russia, Sweden and Denmark.’

Book spine

Coxe’s Travels – Reserve Folio 914.8 COX

The author, William Coxe, a historian and Church of England clergyman, who was born in London on 6 March 1748, travelled frequently during the period of 1775 – 1788. His first trip, with the future eleventh earl of Pembroke, took place from 1775-1779 and formed the basis of this particular travel journal. Coxe is described in the Oxford Dictionary of National Biography as being:

…of medium height, erect and active, and was known for his genial character. In later years he became stout, and his love of good food was well known among his friends.

 

The books feature beautiful maps of each country, such as this one of Norway, alongside some interesting insights into local culture:

IMG_7213

Wilf, a native of Norway, informs us, that the gentry and inhabitants of the principal towns, allowing for a few provincial expressions, speak purer Danish than is usual even in Denmark, not excepting Copenhagen… – p133

…many of the peasants pretend to be descended from the ancient nobles, and some even from the royal line: they greatly pride themselves upon this supposed descent…  – p134

In his ‘Travels into Poland, Russia, Sweden and Denmark’ Coxe also comments on such diverse things as geographical features, population statistics, royal families, tombs, and chance encounters… one such tale tells of the dangers of travel but also the kindness of strangers:

IMG_7214

On September 11 – Having narrowly missed overturning their transport, Coxe and his companion arrive at their destination after midnight to find that the town of Fossum is only a small collection of villages with no obvious place for them to rest. Taking a chance, they knock at the nearest door and are happily received and welcomed by the inspector of the cobalt works nearby:

the gentleman, who had so kindly received us at so undue an hour, and without the least of previous acquaintance, was Mr Bornstein, a native of Germany, lately appointed inspector of the cobalt-works. – p164

 

Of course, Coxe does not neglect the rare books he finds on his travels, noting, “a most beautiful Cicero’s Rhetoric on Vellum, and a no less beautiful Virgil on vellum, of the eleventh century,” that he finds in the King’s Libraries in Copenhagen.

 

Volume II and volume III of this 1790 edition of Coxe’s work are located in our Store at Reserve Folio 914.8 COX. A later 5th edition of five volumes is located in our Store at OVERSTONE–SHELF 24E/3 1. Both are available upon request.

 

Sources:

Knight, Jeremy. “Coxe, William (1748–1828).” Jeremy Knight In Oxford Dictionary of National Biography, edited by H. C. G. Matthew and Brian Harrison. Oxford: OUP, 2004. Online ed., edited by Lawrence Goldman, May 2009. http://www.oxforddnb.com.idpproxy.reading.ac.uk/view/article/6540 (accessed November 5, 2015).

Siegfried Sassoon: The hell where youth and laughter go

Written by Louise Cowan, Trainee Liaison Librarian

Each year on the second Sunday in November, the Sunday closest to 11th November or Armistice Day, we remember and honour the achievements and sacrifices of those who fought in the two World Wars and later conflicts.

I was rewarded by an intense memory of men whose courage had shown me the power of the human spirit – that spirit which could withstand the utmost assault

Memoirs of An Infantry Officer, p247

Book cover for Memoirs of an Infantry Officer

Memoirs of an Infantry Officer – Printing Collection 821.912

Siegfried Sassoon, a solider during the First World War, is remembered as one of the great War Poets, known for his ferociously realistic yet compassionate writing. The title for this post is taken from his poem ‘Suicide in Trenches’ which bluntly describes the suicide of a young soldier and scolds the ‘smug-faced’ crowds who watch the troops march by, warning them to be glad they will not have to endure the same horrors.

Although Sassoon served with the Royal Welch Fusiliers and was given the nickname ‘Mad Jack’ for his brave but dangerous actions in battle, he also protested against what he viewed to be an unnecessary prolonging of the conflict by those in power.

 

Although the war has been described as the greatest event in history, it could be tedious and repetitional for an Ordinary Infantry Officer like myself.

‘Memoirs of An Infantry Officer’ p177

 Contemporary reaction to his poetry was divided, with some readers finding his vivid descriptions too extreme and unpatriotic:

Photograph of book spine

The War Poems – Finzi Book Room–Shelf 22D/33

…his rampant grief/Moaned, shouted, sobbed, and choked, while he was kneeling/ Half naked on the floor. In my belief/ Such men have lost all patriotic feeling.

‘Lamentations’ – The War Poems

However, Sassoon’s work endured; it captured at its heart, the truth of trench warfare and the sacrifices made by the soldiers of the Great War.   In 1951, Sassoon was appointed CBE and he received an honorary degree of DLitt at Oxford in 1965.

 

 

 

If you would like to know more about the WW1 materials held at UMASCS you’ll find a list of our archive records and library collections here.

 

Sources:

Sassoon, S. (1919) The War Poems of Siegfried Sassoon. London: Heinemann

Sassoon, S ( 1931) Memoirs of An Infantry Officer. London: Faber and Faber

Rupert Hart-Davis, “Sassoon, Siegfried Loraine (1886–1967),” Jon Stallworthy in Oxford Dictionary of National Biography, ed. H. C. G. Matthew and Brian Harrison (Oxford: OUP, 2004); online ed., ed. Lawrence Goldman, October 2009, http://www.oxforddnb.com/view/article/35953 (accessed November 5, 2015).

The Poetry Foundation – Siegfried Sassoon

BBC Historic Figures – Siegfried Sassoon

Delightful and Useful Verities: Rider’s British Merlin

Written by Louise Cowan, Trainee Liaison Librarian

The Rider’s British Merlin is a charming almanac featuring a variety of ‘delightful and useful’ information.  Important calendar dates; notes on the weather, phases of the moon and advice on farming and health are noted by month, while historical timelines and lists of members of the house of peers and house of commons feature as additional reference material.

UMASCS have a collection of Rider’s almanacs dating back to the early eighteenth century:

Shelf of copies of Rider's British Merlin

Rider’s British Merlin

The 1790 edition is depicted below; it has a beautiful red binding with metal clasps:

Rider's British Merlin, 1790. A red book with metal clasps.

Rider’s British Merlin, 1790

In early November 225 years ago, people were anticipating ‘Cold and frosty mornings and evenings’ and a bit of apple pruning on the farms…

Calendar page for November 1790

Calendar page for November 1790

…meanwhile the monthly health advice suggests partaking in ‘Good exercise, warm clothes and a wholesome diet,’ alternatively, you could just get some rest until March.

Calendar page for November 1790

Calendar page for November 1790

Interestingly, the blank pages between monthly dates and advice were meant for use as diary pages.  Although this copy is note free, the University of Glasgow’s Special Collections copy has been annotated by its owner, George Langton (1647-1727), a Lincolnshire landowner and businessman.

If you would like to know more about almanacs take a look at the exhibition UMASCS held earlier this year.

UMASCS also have a catalogue and handlist of almanacs held at the University of Reading that was produced as part of the UROP project.  It is held in our open access reference collections at call number 528.2-LIN.  There are several books on the topic, also available in the open access book reference collections:

  • Perkins, M. (1996) Visions of the future : almanacs, time, and cultural change, 1775-1870.  Oxford : Clarendon Press. [Call Number: 032.02-PER]
  • Capp, B.S. (1979) English almanacs, 1500-1800 : astrology and the popular press. London : Faber & Faber.  [Call Number: MARK LONGMAN LIBRARY–133.50941-CAP ]

Magic and the Occult – Agrippa: De Occulta Philosophia

Written by Louise Cowan, Trainee Liaison Librarian

Happy Halloween!  To celebrate the spookiest day of the year here is a special find from our collections:

RESERVE--189.5-AGR

De Occulta Philosophia, Reserve -189.5-AGR

The ‘De Occulta Philosophia Libri III’ or ‘The Three Books of Occult Philosophy’ was written by Henrich Cornelius Agrippa von Nettesheim (Agrippa), a German writer, famous for his works on magic and the occult.   According to Copenhaver (2008), “Agrippa recognised that magic was an art, a practical technique, but he also insisted on a theoretical content in magic, an analytic basis in the study of nature.”

‘De Occulta Philosophia’ explores a range of magical concepts including magic, astrology, demonology, divination, witchcraft and numerology.

Astrological Charts

Astrological Charts

Symbols showing the characteristics of evil spirits.

The characteristics of evil spirits.

Although Agrippa eventually wrote a retraction to his work, it remains an important resource for those studying magic and Renaissance philosophy today.  Agrippa even features in J.K.Rowling’s ‘Harry Potter’ Series as a collectable chocolate frog card!

 

References:

Copenhaver, B.P. (2008) ‘Natural Philosophy: Astrology and Magic’,in Schmitt, C.B., Skinner, Q., Kessler, E. and Kraye, J. (eds) The Cambridge History of Renaissance Philosophy. [online]Cambridge: Cambridge University Press,pp 264-266.

Nauert, C.G. (2015) ‘Agrippa von Nettesheim’. Oxford Bibliographies. [Online]Oxford: Oxford University Press