Siegfried Sassoon: The hell where youth and laughter go

Written by Louise Cowan, Trainee Liaison Librarian

Each year on the second Sunday in November, the Sunday closest to 11th November or Armistice Day, we remember and honour the achievements and sacrifices of those who fought in the two World Wars and later conflicts.

I was rewarded by an intense memory of men whose courage had shown me the power of the human spirit – that spirit which could withstand the utmost assault

Memoirs of An Infantry Officer, p247

Book cover for Memoirs of an Infantry Officer

Memoirs of an Infantry Officer – Printing Collection 821.912

Siegfried Sassoon, a solider during the First World War, is remembered as one of the great War Poets, known for his ferociously realistic yet compassionate writing. The title for this post is taken from his poem ‘Suicide in Trenches’ which bluntly describes the suicide of a young soldier and scolds the ‘smug-faced’ crowds who watch the troops march by, warning them to be glad they will not have to endure the same horrors.

Although Sassoon served with the Royal Welch Fusiliers and was given the nickname ‘Mad Jack’ for his brave but dangerous actions in battle, he also protested against what he viewed to be an unnecessary prolonging of the conflict by those in power.

 

Although the war has been described as the greatest event in history, it could be tedious and repetitional for an Ordinary Infantry Officer like myself.

‘Memoirs of An Infantry Officer’ p177

 Contemporary reaction to his poetry was divided, with some readers finding his vivid descriptions too extreme and unpatriotic:

Photograph of book spine

The War Poems – Finzi Book Room–Shelf 22D/33

…his rampant grief/Moaned, shouted, sobbed, and choked, while he was kneeling/ Half naked on the floor. In my belief/ Such men have lost all patriotic feeling.

‘Lamentations’ – The War Poems

However, Sassoon’s work endured; it captured at its heart, the truth of trench warfare and the sacrifices made by the soldiers of the Great War.   In 1951, Sassoon was appointed CBE and he received an honorary degree of DLitt at Oxford in 1965.

 

 

 

If you would like to know more about the WW1 materials held at UMASCS you’ll find a list of our archive records and library collections here.

 

Sources:

Sassoon, S. (1919) The War Poems of Siegfried Sassoon. London: Heinemann

Sassoon, S ( 1931) Memoirs of An Infantry Officer. London: Faber and Faber

Rupert Hart-Davis, “Sassoon, Siegfried Loraine (1886–1967),” Jon Stallworthy in Oxford Dictionary of National Biography, ed. H. C. G. Matthew and Brian Harrison (Oxford: OUP, 2004); online ed., ed. Lawrence Goldman, October 2009, http://www.oxforddnb.com/view/article/35953 (accessed November 5, 2015).

The Poetry Foundation – Siegfried Sassoon

BBC Historic Figures – Siegfried Sassoon

Keats: A thing of beauty is a joy forever

Written by Louise Cowan, Trainee Liaison Librarian

This weekend sees the 220th birthday of English Romantic poet John Keats.

The title of this post, perhaps made famous more recently by Mary Poppins, is taken from Keats’ work ‘Endymion’.  The poem is based on the Greek myth in which the eponymous young shepherd attracts the attentions of moon goddess Selene.  Although ‘Endymion’ was one of Keats’ more infamously criticized poems, it can also be considered a landmark in his career.  Keats himself described Endymion as, “a test, a trail of my Powers of Imagination and chiefly of my invention which is a rare thing indeed…”  (Gittings, 1971, p209)

The UMASCS library holds a rather lovely (and large!) edition of the poem from 1873 containing detailed engravings on steel by F. Joubert from paintings by E.J. Poynter:

Engraving from Keats' Endymion

Engraving from Keats’ Endymion

 

Another beautifully illustrated edition of Keats’ work is this 1903 text, part of the Red Letter Library series, published by The Gresham Publishing Company.  It features delicate Art Nouveau illustrations by Talwin Morris:

Photo 28-10-2015, 16 15 58

Art Nouveau illustrations

The book is stored in our Printing Collection as an example of the ‘Glasgow Style’ which flourished at the end of the nineteenth century.  For more information about Talwin Morris visit our exhibition page here.

To find out more about Keats, Gittings’ biography is available in the UMASCS open access book reference collections at call number: Mark Longmann Library 821.78 KEA/GIT

Sources: Gittings, R. (1971) John Keats.  Harmondsworth: Pelican Books