Buried Treasure on Campus? A closer look at the Overstone Library

Currently working at the University of Reading as Staff Engagement and Communications Officer, Jeremy Lelean previously worked as a dealer in antiquarian and collectable books. In today’s blog, Jeremy takes a closer look at the Overstone Library, the foundation collection of the University Library. 

I work in science communication, most recently with research into soil, and when looking at the Overstone Library I was struck by a certain similarity. Both are somewhat ignored but just as there is treasure in soil there is treasure in the Overstone Library. This is clearly seen in this stunning (and surely longest ever) illustration of Trojan’s Column from Colonna di Trajano e di Antonio Pio (1770). Or more obviously valuable items like Jules Goury’s Alhambra (1842-1845) or David Roberts’ The Holy Land, Syria, Idumea, Arabia, Egypt, & Nubia. But, there is also a less obvious significance to the Overstone Library. I love books but when I say this, people often confuse this with liking literature. It is the books themselves that interest me: every library or collection is a treasure trove waiting to be discovered.

How the Overstone library was created can be clearly followed in the two bookplates seen in many of the volumes. Though fallen out of fashion now, bookplates were commonly used from the days of early printing into the mid twentieth century. We know, therefore that this library was collected by two people: that is John Ramsay McCulloch and, subsequent to his death, Samuel Jones Loyd, Baron Overstone. Using bookplates as a sign of ownership was important to the sort of collecting that led to the creation of these libraries in the nineteenth century. Having a library was a great sign of being solidly middle class, a notoriously important thing in Victorian England. Once one had made a fortune, showing one’s wealth was important but also one’s knowledge and culture. The books in the Overstone Library demonstrate this well but the significance is that it is still intact and all together.

Many of the books the library contains are not that remarkable and certainly none are very rare. There are many eighteenth and nineteenth century editions of books and poetry we could recognise today, as well as standards of the time that might have been forgotten like The Fables of Aesop or the Decameron (The Ten Days) by Giovanni Boccaccio. In my previous work as a dealer in antiquarian and collectible books I would often see odd volumes from such collections but never saw an intact library like this. Most of these libraries had been broken up post-First or Second World War (this library came to the University in 1920). So, to see such a collection as a whole tells us a lot about the aspirations of Overstone and the wider Victorian middle class.

More social history can be unearthed by looking at the books as objects rather than for what they contain. Until paper tax was abolished in 1846, books were the preserve of the wealthy and were sold as paper text blocks, without covers, so the owner would have them bound, if not uniformly, then sympathetically. This can be seen in these two French reference books (see above) showing Overstone’s choice in binding and decoration. As well as this we can see the Victorians’ love of decoration, for example, in the Decameron (see below). The gilt decoration on the cover is perhaps enough but, if it wasn’t, open the book to see how it continues inside and the beautiful marbled endpapers. You may not agree with the Victorians’ idea of taste but have to admire their commitment to it in all things, even their books.

So the next time you hear the word library, think less of a building or even a collection of books, but of treasure waiting to be discovered!

 

Click here for more information on the Overstone Library. If you have any further queries, or wish to view items from the Library, email specialcollections@reading.ac.uk. 

Celebrating 50 Years of Bringing Children and Books Together

The Federation of Children’s Book Groups is celebrating its 50th anniversary this year. Founded in 1968 by parent, teacher and television producer Anne Wood CBE, the organisation is passionate about bringing children and books together, working at both national and local levels.

 

 

 

 

 

 

This exhibition traces the history of the Federation of Children’s Book Groups including the Children’s Book Award, which is the only national book award voted for entirely by children. It has been co-curated by the University of Reading Special Collections and Getting Reading Reading, which is one of the Federation’s local children’s book groups. They are one of the twelve Testing Groups for the award.

The exhibition features some of the past winners of the award displayed alongside books and objects from The Museum of English Rural Life and the University of Reading’s Special Collections. There is a particular focus on the theme of animals in children’s literature. The associated trail will lead you around the exhibition and beyond into The MERL, where you will also find the Ladybird Gallery.

 

 

 

 

 

 

 

 

 

 

 

You can find out more about the work of the Federation of Children’s Book Groups by clicking here. The FCBG have also posted a blog about the exhibition on their own website.

The exhibition will be on display at the Special Collections Service until Tuesday 31 July 2018.

Book Covers and Robinsonades: Exploring the Crusoe Collection

This month’s blog post was written by Chloe Wallaker, a final year BA English Literature and Film student at the University of Reading. Chloe has been researching our Crusoe Collection as part of her Spring Term academic placement based at Special Collections. 

Today marks the 299th anniversary of the publication of one of our favourite novels – Daniel Defoe’s Robinson Crusoe. It is one of the most popular and widely published books today. The University of Reading Special Collections holds hundreds of editions and imitations of the novel as part of their Crusoe Collection, so I decided to visit and explore what the archives have to offer.

For a novel that was intended for adult readers, it was striking to discover the vast number of publications of Robinson Crusoe that were aimed at children. Different editions emphasise different aspects within the story and aim at children of different ages. I have chosen to showcase some of my favourite modern editions of the text that are aimed at children and published in the twentieth century.

A red book cover including pirates, dragons, Alice in Wonderland and a Knight.

The Rand-McNally edition of Life and adventures of Robinson Crusoe (1954)– CRUSOE COLLECTION–A1954.

I came across the edition published by Mcnally and Company (above), which includes the modernised text of Robinson Crusoe, with minor abridgements. The cover includes different illustrations referencing classical children’s literature, including Lewis Caroll’s Alice in Wonderland, that was also published in the eighteenth century and forms a part of popular culture today. The edition categorized Robinson Crusoe amongst famous children’s fairy tales and recognised it as an adventure story for young readers.

A book cover showing an island and the sea, with Robinson Crusoe and Man Friday sat together.

Nelson (1960), Robinson Crusoe – CRUSOE COLLECTION–A1960

There are many adaptations of the novel that are shortened for younger children. I discovered Nelson’s adaption of the text. The edition is published to be told to children by adults, demonstrating how the story is constructed for very young readers as well as older children. This edition stood out to me as the cover focuses on the more mature and violent themes of the novel, including slavery and death, than the covers intended for older children. This made me question the appropriateness of the story in challenging its young children

The adaptation published by Hunia (above, left) encourages young children to read the story for themselves, instead of being read to. The cover suggests the story focuses on the relationship between Crusoe and Friday, as opposed to focusing on the adventure story which most of the publications adopt to appeal to children. This demonstrates how Robinson Crusoe not only appeals to children through entertainment, but teaches moral lessons, highlighting the pedagogical value of the novel.

Most of the children’s adaptations use illustrations to appeal to children. Wilkes’s edition (above, right) seems to construct the text to resemble a picture book. As well as focusing on the adventure aspects of the text, the publication focuses on the spiritual themes embedded within the novel, with its cover illustration resembling the biblical story of Noah’s Ark.

The publications I found most interesting were the imitations of the text, commonly described as ‘Robinsonades’, which reveal how Robinson Crusoe was not just a popular novel, but became an identifiable piece of popular culture. Crocket’s imitation of the text constructs Crusoe as a child figure, creating an identifiable protagonist for children. The edition takes the themes of adventure from the original text and constructs a version of the novel that is perhaps more suitable for children.

Perhaps the most interesting imitation of the novel is Ballantyne’s edition. This edition focuses on the relationship between a dog and his master, resembling the relationship between Crusoe and his man Friday. The edition removes the mature and violent themes of slavery, which could be considered inappropriate aspects of the novel, and constructs a pet-master relationship, which would appeal to children and in terms they could understand.

Some of the editions that stayed more true to the novel seemed to present problematic themes for children. This made me question the appropriateness of a novel that was intended for adults, being read by children. I found it interesting how each edition focused on different aspects and themes of the novel, demonstrating the number of ways in which the novel can be read and used to educate and entertain children. This investigation into the children’s editions of Robinson Crusoe has reminded me why the novel has remained a favourite read for people of all ages and continues to be published today.

For more information on our Crusoe Collection, visit the Special Collections website, or email us at specialcollections@reading.ac.uk.  

References:

 

Ballantyne, R.M (1970), The dog Crusoe, London: Abbey Classics, CRUSOE COLLECTION–A1942-2013 [BOX].

Crockett, S.R (1905), Sir Toady Crusoe, London: Wells Gardner, Darton & Co. Ltd, CRUSOE COLLECTION–A1905.

Defoe, Daniel (1954), Life and adventures of Robinson Crusoe, New York: Rand McNally & Company, CRUSOE COLLECTION–A1954.

Defoe, Daniel (196-), Robinson Crusoe, London : Thomas Nelson and Sons Ltd., CRUSOE COLLECTION–A1960

Hunia, Fran (1978), Robinson Crusoe, London: Collins, CRUSOE COLLECTION–A1954.

Wilkes, Angela (1981), The adventures of Robinson Crusoe, London: Usborne Publishing, CRUSOE COLLECTION–A1981.

Adventurous of Mind, Young at Heart: Herbert Leader Hawkins

Written by Louise Cowan, Trainee Liaison Librarian

Herbert L Hawkins Signature

The University of Reading’s Special Collections Service is home to the fascinating papers and unique library of Herbert Leader Hawkins, Professor of Geology at the University from 1920 to 1952.  According to his biographer, Allen (1970), Hawkins was, “Adventurous of mind, kindly, young in heart, vividly imaginative and telling a superb tale, he radiated a genuinely joyful dedication to geology.”  This passion for geology is evident in his collection which includes over 700 maps, letters to and from noted geologists and a book collection featuring classics in the field, such as Rondelet Libri de piscibus marinis, (1554) and Phillips’ Illustrations of the Geology of Yorkshire (1874).

Hawkins established the strong foundations of the University’s Geology Department and enabled it to

One of the fantastic illustrations from Rondelet Libri de piscibus marinis, (1554)

One of the fantastic illustrations from Rondelet Libri de piscibus marinis, (1554)

flourish in the early 1900s by gathering together the much needed, but often hard to acquire teaching

materials and collections for the course.  Allen (1970) teases that there are many intriguing stories of, “how Hawkins “acquired, annexed

or just stole” (his words) the rich collections,” though sadly the tale behind the acquisition of Rondelet and Phillips’ work (above) seems to remain unknown.

Some of my favourite pieces from the collection however, are not ones acquired by Hawkins but those which feature the Professor himself, notably a small number of photographs from geology fieldtrips.  Although the geology students didn’t venture far, with labels indicating trips to Dorset, Frome and Shropshire, the images provide a lovely snap shot of Hawkins in his element.  Allen (1970) reports one of Hawkins’ students, Professor P.C. Sylvester-Bradley, recalling that Hawkins’ strength as a professor was in his ability “to fire the imagination, and it was especially in the first year and in the field that he was so successful.”

Geology Field Trip 1920

Geology Field Trip 1920

In the photographs we see Professor Hawkins amongst his students, often with pipe in hand, perfectly matching the description of him given by Allen (1970):

Physically and sartorially Hawkins was the epitome of a contemporary geologist: nimble of gait, wiry, walrus-moustached, unfashionably long- haired, brown-booted and attired in brown tweed hat, jacket and baggy trouser.

Geology Field Trip to Frome 1925

Geology Field Trip to Frome 1925

These field trips often involved demonstrations using Hawkins own hand drawn, large-scale maps, which are also stored as part of our collections and some were even “topped off by Hawkins’s accomplished playing on the piano.”  (Allen, 1970)

Geology Field Trip Shropshire 1919

Geology Field Trip Shropshire 1919

Sources and further information:
Allen, P. (1970) Herbert Leader Hawkins. 1887-1968 Biographical Memoirs of Fellows of the Royal Society, Vol. 16 pp. 314- 329 URL: http://www.jstor.org/stable/769592
Hawkins Collection
Papers of Herbert Leader Hawkins

Topsell’s Fantastic Four-Footed Beasts

Written by Louise Cowan, Trainee Liaison Librarian

Edward Topsell, a Church of England clergyman, was born in Kent in 1572 and managed the parish of St Botolph in Aldersgate, London from 1604 until his death in 1625 (Lewis, 2004).  Although he wrote several books, his most celebrated work is, ‘The History of Four-footed Beasts and Serpents’ (1607), a wonderful bestiary that describes all manner of creatures from Elephants to Bees to the Bear Ape Arctopithecus (or the three toed sloth as we know it today (University of Houston Library, 2013)).  Each entry describes the creature in detail, giving commentary from ancient, medieval and contemporary sources.  In particular, Topsell relied heavily on sixteenth century encyclopedia, ‘Historia Animalium’ by Conrad Gesner, reusing his work to the point where he could almost be accused of plagiarism (Lewis, 2004).  This makes Topsell’s following claim a little dubious:

I cannot say that I have said all that can be written of these living creatures, yet I dare say I have wrote more than ever was before me written in any Language

However, even though he was not a naturalist by any means and borrowed much of this work from others, ‘A History of Four-footed Beats and Serpents’ remains a fascinating text. One of my favourite things about the beastiary is that includes not only the familiar and common animals but also the fantastical and frightening!  Manticore, Satyr and Unicorn are all considered alongside cat and dog and horse and the descriptions provided are wonderfully detailed and perfectly illustrated.

Below are some of my favourite mythical monsters from the book:

manticore

Of the Mantichora

A terrifying monster residing in India that has earned the fearsome title of ‘man eater’, the Manticore is described by Topsell as a deadly combination of man, lion and scorpion:

a treble row of teeth beneath and above, whose greatness, roughness, and feet are like a lyons, his face and ears unto a mans, his eyes grey, and colour red, his tail like the tail of a Scorpion, of the earth, armed with a sting, casting forth sharp pointed quils; his voice like the voice of a small Trumpet or Pipe, being in course as swift as a Hart; his wildness such as can never be tamed, and his appetite is especially to the flesh of man.

The manticore uses its tail to attack hunters and prey and is able to grow back any quills lost in the fight.

 

 lamia

Of the Lamia

Topsell initially describes what he believes to be the fabled accounts of the Lamia, which show her as a ‘phary’ (fairy) or shape-changer who wishes to steal away children and tempt beautiful men.  As such creatures do not exist in the Bible, these tales originated, according to Topsell, from poets who use the term Lamia as an allegory for a harlot.

The true Lamia, instead hails from Libya and is known in Hebrew as the creature ‘Lilith’.  It is described as:

having a womans face, and very beautiful, also very large and comely shapes of their breasts, such as cannot be counterfeited by the art of any Painter, having a very excellent colour in their fore-parts without wings, and no other voice but hissing like dragons.

The Lamia is said to enchant men with its body before overthrowing and devouring them.

 

Unicorn

Of the Unicorn 

Although Topsell consults many ancient sources, he finds their accounts of the descriptions of Unicorns so divergent that he can only assume there are many varying kinds of the creature, much as there are types of dog or mice.  However, he confirms that they can be found in both India and Ethiopia, that they have a single horn in the middle of the forehead, are roughly the size of a horse, and tend toward a solitary life.

Of course the most fascinating part of a Unicorn is its horn and Topsell recounts an interesting story from the life of Apollonius of Tyana by Philostratus:

the Indians of that horn make pots, affirming that whosoever drinketh in one of those pots, shall never take disease that day, and if they be wounded, shall feel no pain, or safely pass through the fire without burning, nor yet be poisoned in their drinks, and therefore such cups are only in the possession of their Kings.

Although Apollonius discounted some of the effects of the Unicorn horn, he seemed to accept that it may have some medicinal properties.

 

dragon

Of the Dragon

Like Unicorns, dragons are also said to be bred in India and Africa and are diverse in size and colour.  The dragon illustrated above is the Winged Dragon whose wings are described as being of “a skinny substance, and very voluble, and spreading themselves wide, according to the quantity and largenesse of the Dragons body.”

More generally, dragons are beautiful to behold, despite their terrifying treble rows of teeth.  They have bright and clear seeing eyes, “dewlaps growing under their chin and hanging down like a beard[…] and their bodies are set all over with very sharp scales, and over their eyes stand certain flexible eye-lids.”

They also have very keen senses of seeing and hearing, making them the perfect watchful keepers of treasure and unmarried maidens.

According to Topsell (affirmed by Aristotle), dragons are specifically offended by eating apples and lettice and will eat the latter to vomit up any meat they find does not settle well in their stomachs!

To kill a dragon, Topsell recounts that Indians will,

take a garment of Scarlet, and picture upon it a charm in golden letters, this they lay upon the mouth of the Dragon’s den, for with the red colour and the gold, the eyes of the Dragon are overcome, and he falleth asleep, the Indians in the mean season watching and muttering secretly words of Incantation; when they perceive he is fast asleep, suddenly they strike off his neck with an Ax

Our edition of ‘The History of Four-Footed Beasts and Serpents’ is a later revised version to which is attached the ‘Theatre of Insects’ by T. Muffet.  Lewis (2004) suggests that Topsell had originally intended to produce his own third and four volumes on birds and fishes but these unfortunately were never completed.

Sources:
Topsell, E. (1658) The History of Four-footed Beasts and Serpents. London: Printed by E. Cotes, for G. Sawbridge at the Bible on Ludgate-Hill, T. Williams at the Bible in Little-Britain, and T. Johnson, at the Key in Paul’s Church-yard [COLE–004Q – available upon request]
Lewis, G. (2004) ‘Topsell, Edward (bap. 1572, d. 1625)’, Oxford Dictionary of National Biography, Oxford: Oxford University Press
University of Houston Library (2013) Topsell’s The History of Four-footed Beasts and Serpents Woodcuts.  Available from: http://digital.lib.uh.edu/collection/p15195coll18

Travel Thursday – The Great New York

Written by Louise Cowan, Trainee Liaison Librarian

Front cover of The Great New York - Pennell (1911)

The Great New York – Pennell (1911)

One of the world’s top tourist destinations, New York has been attracting travellers for many years.  This week’s Travel Thursday looks at the Big Apple from two uniquely different perspectives; that of a poet and that of an artist.

Australian born critic and poet, W.J. Turner (1889-1946) moved to London to pursue writing in 1907 and alongside friend, Siegfried Sassoon, became a member of the Georgian poets group when his work was published as part of a Georgian Poet anthology (Hawkes, 2004).  Turner visited New York in the 1920s and penned a short travelogue detailing his time there, giving his thoughts on the city and all manner of related topics including, the wonderful character of American women, the Americanisation of Europe and advice on the perfect piece of luggage, the American trunk:

a trunk which stands upright, can be pushed along on rollers, fits in beside the driver of a taxi […] so easily accessible that he need never unpack during his whole journey.

American artist, Joseph Pennell (1857-1926) was an eminent etcher and lithographer, who championed and revived the art of print making in the early 20th Century (Encyclopedia Britannica, 2016).  Although he travelled widely, Pennell lived in New York from 1918-1926 (Library of Congress, 2016) and created several beautiful drawings of the city.

For Pennell, New York was the ‘Unbelievable City’, a marvel of the modern world owing to its immense size and towering buildings, which are beautifully captured in his sketch of the city’s magnificent skyline.

New York Skyline by Pennell

New York Skyline by Pennell

Turner too is immediately in awe at the sight of New York on the horizon; on his arrival he proclaims:

There is no thrill at the end of any voyage upon this planet like the thrill at the first sight of New York rising like a bed of rock crystals out of the sea.

However, on closer inspection, Turner’s opinion of the city is not always the most enthusiastic, the smell he ascribes it for example is, “a blending of ice-cream and patchouli – a sickly mixture,” and he describes the general atmosphere as a terrifying mixture of noisy traffic and towering sky scrapers

Building a Skyscraper - Pennell

Building a Skyscraper – Pennell

that vomit, “from six to ten thousand people into the street,” all accompanied by a constant series of explosions caused by the underground work on subways and building foundations.  The heavy building programme in New York during the 1920s was also captured by Pennell, though instead of complaining about the noise he marvels at the speed at which the skyscrapers are completed:

The work goes on by night as well as by day. A few months will see a skyscraper in place, equipped and occupied.

Statue of Liberty - Pennell

Statue of Liberty – Pennell

Both men also differ on their views of the iconic Statue of Liberty; for Pennell it is an “effective feature,” which “greets the incoming ships from the sea” while for Turner, the statue is decidedly, “stumpy and ungraceful.”

Turner further complains about his subway journey, describing the carriages as, “small, cheaply fitted, sordid, and uncomfortable,” whereas Pennell praises the linked elevated railway as a “pleasant mode of conveyance outside the rush hours.”  However, despite his spirited complaining, Turner does give some interesting insights into the New York of the 1920s, for example although he dislikes the experience; he does explain how the subway system works:

The Elevated - Pennell

The Elevated – Pennell

To get quickly up-town it is necessary to take the subway.  You go underground.  There is an office where you can get change and then, putting in a nickel (five cents), you pass through clanging turnstiles on to the platform.  There are no ticket collectors nor porters.

and he provides this description of the newly implemented, modern marvel – traffic lights:

Red and green lamps are placed on pillars at these intersections and by them traffic is regulated.  In broad daylight up until 2a.m. these green and red lights are flashing in the streets.  All the accidents – as a taxi driver explained to me – take place after 2 a.m.

Also, according to Turner, one of the advantages of such a large city that swarms with people is the anonymity and indifference afforded to its visitors:

There is in New York no public opinion, no curiosity.  The complete impersonality of the big hotel and the big store where no one watches you to see that you spend something is very soothing.

Although only small details, you begin to get a vivid impression of a busy, crowded city that is full potential and growth.  It is a city of the future and indeed it inspired Turner to philosophise about progress and the future of cities and civilisation.  In his musings Turner even predicts the invention of mobile phones:

it is possible for me to predict that in much less than a hundred years from now one will be able to speak to any person in any part of the world by just taking a wireless receiver and transmitter out of one’s coat pocket.

Overall, regardless of its traffic and noise, both Turner and Pennell recognised that it is the architectural beauty of New York that really shines, it is a city designed to inspire and amaze and delight:

sketch of Cortland Street Ferry and the Brooklyn Bridge by Pennell

Cortland Street Ferry and the Brooklyn Bridge by Pennell

The sky-scrapers were slender pinnacles of light, across the river crawled in every direction ferry-boats that were just many-tiered electric palaces, and Brooklyn was one vast blaze netted with dark lines glittering beside the water.

 

Sources:
  • Pennell, J (1911) The Great New York. London: T.N. Foulis [Reserve 917.47 PEN]
  • Turner, W.J. (1929) A trip to New York and a Poem. London: Mandrake Press [Reserve 821.912 TUR]
  • Jacquetta Hawkes, (2004) ‘Turner, Walter James Redfern (1889–1946)’, rev. Sayoni Basu, Oxford Dictionary of National Biography, Oxford University Press, 2004 [http://www.oxforddnb.com/view/article/36589, accessed 24 Aug 2016]
  • Library of Congress, (2016) Drawing (Master). Available from:http://www.loc.gov/pictures/collection/drwgma/pennell.html
  • Encyclopedia Britannica (2016) Joseph Pennell.  Available from: https://www.britannica.com/biography/Joseph-Pennell

 

Ready, Set, Bake: Recipes from the 18th and 19th Century

Front piece from Henderson's 'The Housekeeper’s Instructor' c.1800

Front piece from Henderson’s ‘The Housekeeper’s Instructor’ c.1800

Written by Louise Cowan, Trainee Liaison Librarian

In honour of the return of much loved T.V. show ‘The Great British Bake Off’ we’ve pulled together some wonderful recipes and baking tips from our favourite 18th and 19th century cookbooks.  Despite their popularity and the handy tips provided by the authors, I have to admit, some of these recipes seem trickier than a Bake-Off Technical Challenge but if you do brave tackling one or two, let us know how you get on!

There are several things necessary to be particularly observed by the cook, in order that her labours and ingenuity under this head may be brought to their proper degree of perfection.

(Henderson, c.1800)

 

Cakes

The author of the following recipe, Maria Eliza Rundell, became a household name in cookery when she published, ‘A New System of Domestic Economy’ in the early 1800s.  The title became an instant best seller, “with almost half a million copies sold by the time of Mrs Rundell’s death and remaining in print until 1886,” (Holt,1999).

Although this recipe suggests baking the cakes in tea-cups, Queen Cakes were often baked in a variety of shaped tins, one of the most popular shapes being that of the heart (Day, 2011).

Queen Cake Recipe - Rundell, 1822

Queen Cake Recipe – Rundell, 1822

Queen Cakes – (Rundell, 1822)

Mix a pound of dried flour, the same of sifted sugar, and of washed clean currants.  Wash a pound of butter in rose-water, beat it well, then mix with it eight eggs, yolks and whites beaten separately, and put in the dry ingredients by degrees; beat the whole an hour; butter little tins, tea-cups, or saucers, and bake the batter in, filling only half.  Sift a little fine sugar over just as you put it into the oven.

 

Biscuits

Our next recipe from Kettilby (1719) is the Ratafia Cake, a macaroon like biscuit that takes its name from the flavourings used.  The word Ratafia, meaning liqueur, “came to denote almost any alcoholic and aromatic ‘water.’” (Boyle, 2011)

To make Ratafia-Cakes – (Kettilby, 1719)

Ratafia Cake Recipe - Kettilby, 1719

Ratafia Cake Recipe – Kettilby, 1719

Take eight ounces of Apricock-Kernels, or if they cannot be had, Bitter-Almonds will do as well, blanch them, and beat them very fine with a little Orange-Flower-Water, mix them with the Whites of three Eggs well beaten, and put to them two pounds of single-refin’d Sugar finely beaten and sifted; work all together, and ‘twill be like a Paste; then lay it in little round Bits on Tin-plates flower’d, set them in an Oven that is not too hot, and they will puff up and be soon baked.

 

Bread

Maria Eliza Rundell suggests that her bread roll recipe is just as good as that found at Sally Lunn’s in Bath, which is quite the claim as Sally Lunn’s highly popular bun achieved legendary status in its day, (Sally Lunn’s, 2016).  You can judge for yourself however, as Sally’s buns can still be enjoyed at her old house in Bath.

Excellent Rolls – (Rundell, 1822)

Bread rolls recipe - Rundell, 1822

Bread rolls recipe – Rundell, 1822

Warm one ounce of butter in half a pint of milk, put to it a spoonful and a half of yeast of small beer, and a little salt.  Put two pounds of flour into a pan and mix in the above.  Let it rise an hour; knead it well; make into seven rolls, and bake in a quick oven.  If made in cakes three inches thick, sliced and buttered, they resemble Sally Lumm’s, as made at Bath. The foregoing receipt, with the addition of a little saffron boiled in half a tea-cupful of milk, makes them remarkably good.

 

Desserts

In the preface to, ‘A Collection of above Three Hundred Receipts in Cookery, Physick and Surgery,’ Kettilby laments the unintelligible nature of many of the recipe books that came before hers, “some great Masters having given us Rules in that Art so strangely odd and fantastical, that it is hard to say, Whether the Reading has given more Sport and Diversion, or the Practice more Vexation and Chagrin, in spoiling us many a good dish, by following their directions.”  Hopefully, her recipe for ‘the best orange pudding ever tasted’ will be a piece of cake to follow!

The best Orange-Pudding that ever was tasted – (Kettilby, 1719)

Orange Pudding Recipe - Kettilby, 1719

Orange Pudding Recipe – Kettilby, 1719

PARE the Yellow Rind of two fair Sevil- Oranges, so very thin that no part of the White comes with it; shred and beat it extremely small in a large Stone Mortar; add to it when very fine, half a pound of Butter, half a pound of Sugar, and the Yolks of sixteen Eggs; beat all together in the Mortar ‘till ‘tis all of a Colour; then pour it into your Dish in which you have laid a Sheet of Puff-paste. I think Grating the Peel saves Trouble, and does it finer and thinner than you can shred or beat it: But you must beat up the Butter and Sugar with it, and the Eggs with all, to mix them well.

 

 

Pastries

When it comes to tackling pastry, William Augustus Henderson had a number of great tips in his bestselling guide from the late 18th century, ‘The Housekeeper’s Instructor’, including how to avoid the dreaded ‘soggy bottom’:

One very material consideration must be, that the heat of the oven is duly proportioned to the nature of the article to be baked.  Light paste requires a moderate oven; if it is too quick, the crust cannot rise, and will therefore be burned; and if too slow, it will be soddened, and want that delicate light brown it ought to have.

Once you’ve mastered the oven temperature you’ll be ready to bake this delicious treat:

Rasberry Tart – (Henderson, c.1800)

Raspberry Tart Recipe - Henderson, c.1800

Raspberry Tart Recipe – Henderson, c.1800

ROLL out some thin puff-paste, and lay it in a patty pan; then put in some rasberries, and strew over them some very fine sugar.  Put on the lid, and bake it.- Then cut it open, and put in half a pint of cream, the yolks of two or three eggs well beaten, and a little sugar.  Give it another heat in the oven, and it will be fit for use.

And finally, just in case you need to know how to get that thin puff-paste for your raspberry tart, here’s Maria Eliza Rundell to the rescue:

Rich Puff Paste – (Rundell, 1822)

Weigh an equal quantity of butter with as much fine flour as you judge necessary; mix a little of the former with the latter, and wet it with as little water as will make into a stiff paste.  Roll it out, and put all the butter over it in slices, turn in the ends, and roll it thin: do this twice, and touch it no more than can be avoided.  The butter may be added at twice; and to those who are not accustomed to make paste, it may be better to do so.

 

What makes these cookbooks particularly lovely is evidence that they were well used and well loved.  The

Autograph inscription in 'A Collection of above Three Hundred Receipts in Cookery, Physick and Surgery.' Kettilby, 1719

Autograph inscription in ‘A Collection of above Three Hundred Receipts in Cookery, Physick and Surgery.’ Kettilby, 1719

autograph inscriptions hidden inside ‘The Housekeeper’s Instructor,’ (Henderson, c.1800)  show it was a treasured family heirloom; given first to Helen Leachman by her Aunt Jane in 1879 then to Emma Leachman by her mother, June in 1825.  Sophia Ann Leachman’s name also appears on top of the first page.  Meanwhile ‘A Collection of above Three Hundred Receipts in Cookery, Physick and Surgery.’ (Kettilby, 1719) proved such a hit with Martha Kerricke, that she married the man who gifted it to her!

It’s lovely to see that baking and great recipes are things we continue to treasure and share- happy baking all!

 

Sources:

National Allotment Week: Top tips for green fingers!

Wright, and Wright (c.1909) The Vegetable Grower’s Guide.

Wright, and Wright (c.1909) The Vegetable Grower’s Guide.

Written by Louise Cowan, Trainee Liaison Librarian

 

It is not uncommon for inexperienced people to be guilty of omissions in providing for the establishment of a garden which strike horticulturists as almost ludicrous.

(Wright and Wright, 1909)

In honour of National Allotment Week we have dug up some handy horticultural tips from our collections to help turn us all into green-fingered gardeners!

 

 

Let’s start with some basics:

Tip #1: Setting out your plot the right way can make a big difference:

“All kitchen garden students should be taught the simple rule of arranging their plots so that the rows of vegetables run north and south.  This permits of sun rays getting free access to the rows.  When they run east to west the sun is kept from the inner rows by the outer ones in the case of tall crops.” (Wright and Wright, 1909)

Wright and Wright (1909) also suggest that a parallelogram shaped plot is best and emphasise not to forget planning in space for paths when designing your allotment garden!

 

Gardening Tools (Wright and Wright, 1909)

Gardening Tools (Wright and Wright, 1909)

Tip #2: Always have the right equipment for the job!

“Garden equipment cannot be provided without expense, and it is wise to face what is entailed resolutely.” (Wright and Wright, 1909)

There certainly is a lot to consider but this helpful illustration (right) should help you know your dibble from your bill-hook!

 

Tip #3: Make sure your plants get enough water at the right time:

When it comes to watering plants, Moore (1881) cautions that, “it is a wrong though common practice to press the surface of the soil in the pot in order to feel if it is moist enough, this soon consolidates it, and prevents it from getting the full benefit of aeration.”

While Garton (1769) helpfully adds, “whilst the nights are frosty water your plants in the morning; in warm weather water than in the evening, before the sun goes down.”

 

Now we have the hang of the fundamentals, how do we go about growing some vegetables?

Carrots (Wright and Wright, 1909)

Carrots (Wright and Wright, 1909)

Tip #4: Getting the soil right is very important!

According to Moore (1881) the enrichment of soil is often overlooked so when planting onions for example, remember, “a portion of good soil should be provided for each plant, and heavy mulchings of manure should be placed upon the surface as soon as practical after planting to prevent the soil becoming dry and parched.”

While for carrots, Wright and Wright (1909) suggest that, “the land best suited […] is unquestionably a deep, sandy loam. […] They are best grown after celery or some other fibrous-rooted crop for which the ground was manured the previous year.”

 

Tip #5: Not any old carrot will do, make sure yours are the cream of the crop with this advice from Wright and Wright (1909):

“Thinning is of the first importance, as on it turns not only the question of getting shapely roots, but also of baffling the maggot.  […] Carrots should always be thinned twice; the first time a few days after they have come through, the second when they are about the size of radishes.”

To make sure your carrots are a rich bright red, try mixing soot and wood ashes “into the drills when the seed is sown.” (Wright and Wright, 1909)

 

Tip #6: Protect your plants and keep garden enemies at bay:

To fight against an attack by slugs and snails, Wright and Wright (1909) suggest that as, “they are principally night feeders, […] an attack can be stopped by looking over the beds at night with the aid of a lantern, dropping any slugs into a jar of brine.  Lime dusted round the outsides of the bed will stop the approach of fresh hordes.”

 

Onions (Wright and Wright, 1909)

Onions (Wright and Wright, 1909)

Tip #7: Harvest your crops with care:

You have chosen the right soil, fought off the slugs, tended your plants with care and it’s finally time to reap your rewards but while some vegetables can be easily pulled up Wright and Wright (1909) suggest a different method for large onions:

“The authors find it a good plan to gently heave the best bulbs from side to side with the hands day after day for a week, breaking a few roots each time, and thus bringing growth to a standstill by degrees.  This answers much better than forking them straight out of the ground at one operation.”

 

Great advice, now what should we be doing in our allotments during August?

In his, ‘The Practical Gardener and Gentleman’s Directory, for Every Month in the Year,’ Garton (1769) makes some useful suggestions:

  • “Cauliflower-seed to produce an early crop next summer must be sown between the 18th and 24th of this month, which will be ready to plant under frames in the last week in October, to remain there till the latter end of February, or beginning of March.”
  • “Weed and keep clean the asparagus beds, and the plants sown in the spring. Do this work with the hand only.”
  • “Sow carrots for spring use. Do this in the 3rd or 4th week of this month, and don’t sow this seed too thick.”
  • “This being the season for pickling cucumbers; they must be well watered in dry weather, three or four times a week; and be gathered at proper sizes three times a week.”

Finally, according to Mrs Loudon (1870), August is “about the best time of the year to visit famous gardens, one of the best ways of improving our knowledge of the art of gardening.”

Frontpieve from 'The Complete Gardener' by Thomas Mawe and John Abercrombie, 1854 [MERL LIBRARY RESERVE--4756-MAW]

Frontpieve from ‘The Complete Gardener’ by Thomas Mawe and John Abercrombie, 1854 [MERL LIBRARY RESERVE–4756-MAW]

You can find more advice on allotments and growing your own food at the National Allotment Society webpage.

 

Sources:

Moore, Thomas (1881) Epitome of Gardening. Edinburgh: Adam and Charles Black [MERL LIBRARY RESERVE–4756-MOO]

Wright, J. and Wright, H. J. (c.1909) The Vegetable Grower’s Guide. London: Virtue and Co. [MERL LIBRARY RESERVE–4752-WRI]

Garton, James (1769) The Practical Gardener and Gentleman’s Directory, for Every Month in the Year.  London: E and C Dilly [RESERVE– ]

Mrs Loudon (1870) The Amateur Gardener’s Calendar.  London: Frederick Warne and Co. [RESERVE–635-LOU]

All items are available upon request.

Travel Thursday: Thomas Thomson in Sweden

Sweden map smWritten by Louise Cowan, Trainee Liaison Librarian

This week’s Travel Thursday takes us to Sweden with eminent scientist Thomas Thomson.  As the first teacher of practical chemistry in a British university and an elected fellow of the Royal Society of Edinburgh (Morrell, 2004) it is no surprise that much of Thomson’s travelogue has a scientific focus.

In particular, Thomson devotes a considerable amount of his work to mineralogical observations and detailed descriptions of the mines he visits on his journey.  One such mine is the copper works at Fahlun, one of the oldest in Sweden, which Thomson describes as being 200 fathoms deep and constructed, “according to very scientific and sound principles.”  The maps accompanying his description are wonderfully detailed and were “copied from a very accurate set of charts of this mine, constructed by Baron Hermelin.”  Interestingly, the mine remained open until 1992 and is now a Unesco World Heritage site

Perpendicular section of the copper mine at Fahlun

Perpendicular section of the copper mine at Fahlun

(Falu Gruva, 2014) meaning travellers to Sweden today are still able to tour the mines as Thomson did over one hundred years ago!

 

Thomson’s scientific interests were also piqued during his time in the Swedish capitol, Stockholm.  In particular, he remarked that the Academy of Sciences, “deserves to be visited by every scientific foreigner who goes to Stockholm.”  It does indeed sound like a fascinating place with an interesting variety of objects. For example, among their collections could be found a piece of bread which in “some parts of Norway and the north of Sweden is made of the bark of trees.”

Elsewhere in Stockholm, Thomson also marvelled at the curious collections in the Arsenal, especially the “the clothes and hat worn by Charles XII when he was shot in the trenches before Frederickshall,” which remained bloodstained from the fatal wounds. He visited most of the churches the city had to offer but did “not consider it as worthwhile to give a particular description of them,” and finally found the perfect spot to view the city – a magnificent bridge joining the central island of Stockholm to the main continent:

When you stand upon this bridge and look south, the King’s palace immediately strikes the eye, a building of immense extent, and seen with peculiar advantage from the bridge.  Toward the east, the inlet of the Baltic stretches itself before the eye covered with ships, and thick scatted with barges plying from place to place under the direction of women; for the boats in Stockholm are all rowed by women.

stockholm map sm

Map of Stockholm, 1812

Again Thomson provides a beautifully detailed map to help illustrate his descriptions.  This map of Stockholm was copied from one published by Fr. Akiel in 1795 and although it had been updated and was considered one of the most accurate maps of the town, Thomson believed, “the style is somewhat blameable, as not sufficiently distinguishing between what is town and what fields.  His object seems to have been to swell the town as much as possible, and conceal its real dimensions from the eye.”  Thomson therefore made several corrections in his own copy.

Overall, Thomson travelled more than 1200 miles in a short seven weeks and though his descriptions of the sights and collections he encounters across Sweden are full of lively detail and interest, it is of course the human stories that provide the colour and character to the narrative; from the wily Olof Essen, a spoke-maker who treated Thomson very ungenerously “with regard to the rate at which he let us have horses from Lilla Oby to Oby;” to the group of English sailors in Stockholm who “had all got quite drunk and had fallen together by the ears, to the number of ten or twelve in the middle of the street, and raised a clamour that was quite diabolical.” Thomson was so mortified by this particular scene that he went so far as to claim:

In most Englishmen who travel, as far as I have had an opportunity of observing them, there is an unaccountable wish to let foreigners, with whom they associate, know that they despise them.

On a lighter note, one of my favourite pieces of the human story in Thomson’s travelogue comes at the end, in an appendix chart showing the population and professions of Sweden:

chocolatemaker

Total number of chocolate makers? One – but he is a master of his art!

 

Sources:

Thomson, Thomas (1813) Travels in Sweden during the autumn of 1812. London: Robert Baldwin [Overstone 26F/23 – available upon request]

Jack Morrell, ‘Thomson, Thomas (1773–1852)’, Oxford Dictionary of National Biography, Oxford University Press, 2004; online edn, Oct 2006 [http://www.oxforddnb.com.idpproxy.reading.ac.uk/view/article/27325, accessed 6 July 2016]

Falu Gruva (2014) Welcome to Fahlun Mine http://www.falugruva.se/en/

Delightes for Ladies

Written by Louise Cowan, Trainee Liaison Librarian

Originally published in 1602, ‘Delightes for Ladies’ by Sir Hugh Plat is one of the earliest cookery and

Delights for Ladies to Adorne their Persons, Tables, Closets, and Distilatories, 1628

Delights for Ladies to Adorne their Persons, Tables, Closets, and Distilatories, 1628

household recipe books produced in England.  It contains a fascinating array of recipes, instructions and advice on everything from making almond butter and preserving roast beef to creating candles for ladies tables and dying hair a lovely chestnut colour.

The little book was a perfect companion for the wealthy Elizabethan housewife who owned her own Still Room; a place in the house, usually linked to kitchen and garden, where the ‘still’ was kept for “the distillation of perfumes and cordials,” (Oxford Dictionaries), it was also where food was preserved and stored and where medicines, cosmetics and alcohol could be made.

The author began writing shortly after graduating from Cambridge University in 1572 (Plat, 1955), publishing a number of books which similarly offered advice and new ideas on the topics of agriculture, food preservation and gardening.  Plat’s ‘Delightes for Ladies’ however, was one of his most popular works, having at least thirteen editions produced before the middle of the seventeenth century (Plat, 1955).  The work was more recently reprinted in 1948 amidst post-war austerity by G.E. & K.R. Fussell with the hope that “we may be able to use some of the simpler and less recondite recipes for the zest they may add to our plain, wholesome diet.”

Although ‘Delightes for Ladies’ was often bound together with another similar work, ‘A Closet for Ladies and Gentlewomen, or the Art of preserving, conserving, and candying,’ believed by most to be by the same author, our edition contains only the ‘Delightes’.  The book itself features a poetical preface and is divided into four sections with the table of contents acting as an index.  The sections cover, ‘The Art of Preserving, conserving, candying, &c’; ‘Secrets in Distillation’; ‘Cookery and Huswifery’ and ‘Sweet Powders, Oyntments, Beauties, &c.’  Below are some of my favourite pieces of advice from the book:

A 29. To make gelly of Strawberries, Muberries, Raspisberries, or any such tender fruite.

Gelly of fruits

Gelly of fruits

 

 

 

 

 

 

 

C.40 How to hang your candles in the aire without candlestick.

Candles hanging in the aire

Candles hanging in the aire

 

 

 

 

 

 

 

 

D.20 How to take away any pimple from the face.

Face full of heate, helped

Face full of heate, helped

 

 

 

 

 

 

 

 

D. 37 How to colour the head or beard into a chestnut colour in halfe an houre.

Hair black altered

Hair black altered

 

 

 

 

 

 

 

It is probably best not to try some of these at home…

Sources

Plat, Hugh (1628) Delightes for Ladies to Adorne their Persons, Tables, Closets, and Distilatories with Beauties, Banquets, Perfumes and Water.  Read Practice, Censure. London: H.L and R.Y. [Stenton B/G27 – available upon request]

Plat, Hugh (1955) Delightes for Ladies. Reprint of Delightes for Ladies by Sir Hugh Plat, 1609.  Introductions by Fussell, G.E. and Fussell, K.R. (ed). London: Crosby Lockwood and Son LTD. [MERL LIBRARY NUPTO NH10 – available upon request]

Oxford Dictionaries (2016) http://www.oxforddictionaries.com/definition/english/still-room OUP.