Interview in the Haaretz

Earlier in the year Reading alumnus Adi Stern, now the Head of the Visual Communication department at Bezalel Academy of Art and Design, invited Gerry Leonidas to give two lectures and work with students of the academy. One lecture was for a wide audience in the academy and visitors (entitled “Where is type now?”) and one for the annual staff meeting of the Academy, on the approach taken at Reading in integrating research and teaching in design. Haaretz reporter Yuval Saar interviewed Gerry during the trip, and the interview is now online (in Hebrew).

MATD project work in Instapaper

FF Tisa on a first generation iPad

The latest update to Instapaper (AppleStore link) includes six new typefaces, including two that started as MATD student projects: FF Tisa by Mitja Miklavčič (2006) and Elena by Nicole Dotin (2007). Instapaper, a 4+ rated app, allows the user to collect content for reading in a highly user-friendly environment on an iPhone, iPad, or a personal computer.  Extended commentary (and an image of Elena on the iPad) over at Typenotes.

Greek typography and typeface design in New York

GL critique 1 small

Five years after the first Greek Week-End in New York, Gerry Leonidas will return to the TDC. Already in 2007 Greek was becoming a central part of most large typeface projects, especially international branding applications. In the intervening years Greek has become a key aspect of professional designers’ skills, and a regular expectation in job postings. Just as importantly, Greek represents a particularly rewarding challenge for designers, combining a long and complex development with a relatively wide space for designers to experiment. The two-and-a-half day workshop will start with a hands-on research session, and include seminars on aspects of Greek typeface design, in-depth reviews of reference contemporary typefaces, and design critiques of work by the participants.

Gerry will also deliver a lecture at the TDC Salon on the deign of the forthcoming Greek-English Intermediate Lexicon, a major new publication by Cambridge University Press, now in its final stages. The Lexicon takes advantage of recent developments in typeface design, and offers insights into a particularly challenging typographic brief.