This workshop, based around the printing press collection in Typography, attracted postgraduate students, academic staff, museum and library professionals, and members of the public interested in the materiality of text, books and ephemeral documents.
Participants used the presses under craft supervision, and had a go at casting metal type.
They printed a page from the Gutenberg bible on a reconstructed one-pull wooden press that Gutenberg would have used, as well as 19th century woodblocks on another.
Alan May demonstrated printing of a Fust and Schoeffer 2-colour initial.
The workshop culminated in a fascinating talk by Dr Elizabeth Savage (British Academy Postdoctoral Fellow, Centre for Material Texts & Research Fellow, History of Art,Cambridge University) ‘Deciphering the First Colour-Printed Images in England: The Book of St Albans, 1486’
Making an impression: printing presses, type and colour: https://t.co/JntwPZ4cim
RT @UniRdgTypoColls: Making an impression: printing presses, type and colour: https://t.co/JntwPZ4cim