Echoing the themes of the last blog post on this topic, this example offers further evidence of the amazing and widespread enthusiasm that exists for Ladybird books. This time the impetus of the person acquiring this particular copy of a What to Look For book was not centred on a love of the work of Tunnicliffe but was based on a love of children’s literature. Indeed, this copy of the Spring volume has been kindly lent to the exhibition by children’s book enthusiast and collector Polly Harte.
Polly Harte works in the Department of Typography and Graphic Communication at the University of Reading. More specifically, she helps to run its commercial and printing section, the Design and Print Studio, and has therefore played a peripheral but nevertheless key part in administration running alongside the production of panels and printed content for use in this exhibition.
In response to the original call for loan copies of the Autumn book, Polly had hoped that she on her shelves a first edition of the volume we were keen to use. She was sad to discover that she only had a copy of the Spring volume to hand. However, her enthusiasm for the book biographies microproject and for the wider goals of the exhibition itself was so overwhelming that I felt it impossible to decline her offer to lend another season instead.
Nevertheless, in spite of it not being the Autumn volume, Polly’s copy offers yet another unique and fascinating glimpse into the mulitfaceted stories that such items can tell. It was acquired at a car boot sale or in an informal second hand context. Polly collects these kinds of books because she has a longstanding interest in them and harbours the desire to return to researching them in greater detail.
Many thanks to Polly for kindly lending this book and for sharing her story. I hope she does decide to return to studying children’s books and that the exhibition lives up to her initial enthusiasm!