Explore Your Archive: Introducing Reading Readers

Our Reading Room Supervisor, Adam Lines, introduces a new feature for the MERL and Special Collections blogs, finding out how readers explore archives.

On a daily basis, members of the public, students and academics from around the world use our extensive and varied collections. In the reading room at one time, researchers can be consulting manuscripts from the Samuel Beckett archive, looking at engineering drawings as part of an engine restoration project, or exploring our photographic collections as part of a local history study. They play such a key role in our understanding of the things under our care. They bring specialist subject knowledge and shed light on aspects of archives that enriches our understanding of them.

The view of the Reading Room from the supervisor's desk.

The view of the Reading Room from the supervisor’s desk.

With this in mind, I decided it was time we shared some of the fascinating research carried out in our reading room. My colleagues and I hear about the research taking place on a daily basis, but a lot of it is too interesting not to share.

As part of ‘Explore Your Archive’ week, we will be sharing some examples. This will be the start of a regular feature on the Museum of English Rural Life and University of Reading Special Collections blogs, and through the eyes of our researchers we hope to share the potential for discovery in our collections.

Look out for more Reading Readers posts this week, and in the future.

To find out more about accessing the archives, click here.

#readingreaders

Explore Your Archive: People Stories – Emily Eavis

Audience Development Manager, Phillippa Heath, introduces a project in which local school students discovered how archives can be used to research fascinating lives. 

As part of the Museum of English Rural Life’s redevelopment, we are keen to reveal the hidden stories behind our collections. Over the Summer we were fortunate to welcome sixth form History students from The Abbey School to MERL on a two week placement. Working in groups, the students were set the challenge to explore the stories behind five fascinating women with connections to our collection. Using museum archives and objects, students researched into their lives and from this research wrote blogs which we are delighted to publish throughout this week. Our first blog written by the students presents the story of Emily Eavis.

Abbey reading room

Glastonbury, do you want to know what’s behind it? Or should I say who?

Emily Eavis is the daughter of the founder of the famous Glastonbury festival. She has lived on the working farm which has been in her family for six generations and even to this day has 500 friesian cows, so please don’t drop your litter! Her early life consisted of living on her farm and attending Wells Cathedral school – I bet she did well there!  Later on she went to Goldsmiths college, then worked with Oxfam and Greenpeace doing various charitable work before training to become a teacher.

When she was younger, she had a love- hate relationship with the festival. Emily herself said “I couldn’t understand why so many people were in our garden. It was like an invasion” and in 1990, when she was 10 “a row of people were hurrying towards the window with telegraph poles that were on fire. It was horrific.” However, now she is older she loves working creatively with the festival especially “the frilly bits […] It’s exciting. It’s the best bit.” Evidence of this is also present in Park Stage which she has curated since 2008 which has seen performances from artists such as Adele, Biffy Clyro and The xx.

She dropped out of her teaching training course to care for her sick mother (who she believed was the backbone of the festival), who died in 1999. To commemorate her death she threw herself into the festival with her father which began two months later, ensuring that she maintained the legacy her mother created. Since then she has not left and is more involved than ever and to this day she is the co-organiser of Glastonbury. Her charitable roots still shine through; in 2007 she donated 2million to various charities including Oxfam, Greenpeace and Wateraid along with local hospitals and schools and this to her “makes [the festival] worthwhile”.

Glastonbury has changed significantly since Emily Eavis’ early years. The festival attracts 150,000 people nowadays but in her time there was only 100’s of people. Furthermore, the acts have changed, security has increased and it is as eco-friendly as ever. There is still some hostility towards Emily; who was sent death threats following the booking of Kanye West.

The festival is very much a family affair. Emily Eavis grew up in a farmhouse and now lives there with her husband and two sons, George and Noah. FUN FACT: George was born just weeks before the festival in 2010. She wants her children to have the same upbringing she had, saying “maybe one day it will be George living with his family in the farmhouse.”

Explore Your Archive: Let there be drawers…

Deputy University Archivist, Caroline Gould, has spent a huge amount of time exploring the MERL archives and photographic collections to select the items which will help tell the stories in our new museum galleries. Faced with such a wealth of fascinating archive material, this hasn’t always been the easiest of exercises! 

For the last two years we have all been researching which objects, archives, library material should appear in the new galleries as part of the Our Country Lives project.  It has been a key aim of this project to include in the displays more of the archives which are held by the museum.

The Museum of English Rural Life is a major national repository for archives of agriculture and rural life. The strengths of the collection include: records of major agricultural manufacturing firms; historic archives of agricultural organisations and cooperatives; large collections of personal records and journals of farm workers; company accounts of farms across England; and films relating to the countryside and agriculture.

One of the characteristics which makes MERL unique is the wealth of the archives which enrich the museum’s collection. The new museum galleries will feature many special archives items, giving depth to the new displays. During the museum’s closure period, the reading room has remained open and researchers have continued to access the huge resources, so this seems like a good time to shout about this fascinating aspect of our collections.

We started thinking about different stories and collections that we hoped would feature in the interpretation in November 2013. The stories and key messages have not remained fixed over the two years but have changed and developed which means the selection of archives has also changed to reflect the new messages. We now feel we are close to the final selection of images, archives and films that will appear in the galleries next year.

The archives and photographs will help interpret the objects, provide context and explain how the objects were used graphically. The images vary in size from A4 to a full wall. Gallery 2, A year on the Farm features an Eric Guy photograph entitled “Their midday ration on a Winters day. ”

P DX289 PH3_4618

One section of Gallery 3 which focuses on ‘Grow your Own’ features this Sutton Seeds poster from around 1890 advertising vegetables.

Poster advertising vegetables c1890 Sutton Seeds Collection

Poster advertising vegetables c1890 Sutton Seeds Collection

At times, as a team it has been difficult as some items that have selected and we are really keen for a wider audience to see have not been selected for the final display. Sometimes there is not enough space in the gallery to display the items or other items fit with the wider interpretation of the gallery so the archives have not been selected.

However, in the galleries there are 10 cases in the galleries that have drawers! The intention is to display original archives in the drawers. The selection will change two or three times a year so we can display a range of items and visitors will see new collections the next time they visit. There has been quite a lot of discussion within the curatorial team working on Our Country Lives about whether visitors will open the drawers. I remain positive I think visitors will enjoy discovering the archives. Let there be drawers!

 

Explore Your Archive: 16 to 22 November

explore-your-archive-primary-message-smallNext week is the launch of this year’s Explore Your Archive campaign, which is coordinated by The National Archives and the Archives and Records Association (UK and Ireland). The Explore Your Archive campaign is encouraging people to discover the stories, the facts, the places and the people that are at the heart of our communities. Archives across the UK and Ireland are taking part to raise awareness of the value of archives to society and of the rich variety of content that is held, preserved and made available to users.

Throughout next week we’ll be joining in the campaign to bring to life the archives of the Museum of English Rural Life and the University of Reading’s Special Collections, revealing the variety of the collections, highlighting our favourite items, and showing what the collections mean to the people who work with and study them.

At 11am on Monday , we’re hosting a very special event ‘History on TV’ with Reading historians Professor Kate Williams and Dr Jacqui Turner who will chat about the effect of the media on public history. Is history now just another commodity? Can archives really be described as entertainment? How accurate is the new Suffragette film? And what’s the inside track on the Great British Bake Off? You can book to attend by emailing merlevents@reading.ac.uk or call 0118 378 8660, or if you can’t make it, tune in to our very first live broadcast via Periscope. (You can find our Periscope account here: @UniRdg_SpecColl. We’ll also be tweeting links to the live feed on the day from the @MERLreading and @UniRdg_SpecColl Twitter accounts)

There’ll be features on the MERL and Special Collections blog. Caroline Gould, Deputy University Archivist, will be looking at how archives will be an integral part of MERL’s new displays. We’ll also be featuring research carried out by local sixth form students for the ‘People Stories’ which will be a part of the new MERL galleries. We’ll be launching a new regular feature, Reading Readers, highlighting the research being carried out by academics, students and volunteers in our reading room, and exploring the fascinating work of our archive staff through a series of interviews.

Over the week on Tumblr we’ll be focussing on some favourite items, selected by staff and volunteers, and featuring some unusual and surprising items!

On Twitter, you can follow the daily hashtags including #explorearchives #archiveselfies #yearinarchives #archivesrock and #archiveanimals

We hope you’ll join us and share what you love about archives!

 

Rip Roaring Reading Room News: Full opening from Monday 28 September 2015

Our Reading Room

Our Reading Room

Great news everyone! We have extended our Reading Room opening hours. Up until now, although you have been able to visit our wonderful Reading Room Monday-Friday, 9-5, we have operated a restricted service on a Monday. This meant that, on a Monday, we opened later (10am) and we were unable to retrieve material from our store.

But we are delighted to say that from (and including) Monday 28 September – our Reading Room will be ready for your visit and fully accessible, open and with staff making trips to the store to retrieve material throughout the day:

Every Monday to Friday – 9am to 5pm!

Retrievals take place until 4.15pm, and we collect all closed access material in at 4.45pm.

(Allowing for a brief hiatus in retrievals from the store while our Reading Room staff take a hard earned lunch break between 1-2pm)

Our Reading Room

Our Reading Room

So why not pay us a visit?  You can find more information on using our Reading Room here.  If you have any queries or would like to order up material in advance, you can contact us at merl@reading.ac.uk.

Discovering the Landscape #16: Jellicoe’s JFK memorial at Runnymede

Written by Claire Wooldridge, Project Senior Library Assistant: Landscape Institute

Images of JFK memorial at Runnymede, showing Geoffrey Jellicoe on the right viewing his JFK memorial gardens, from Susan Jellicoe photographic collection, P JEL PH2 L 8

Images of JFK memorial at Runnymede, showing Geoffrey Jellicoe on the right viewing the gardens, from Susan Jellicoe photographic collection, P JEL PH2 L 8

As the world marks the 800th anniversary of Magna Carta, Runnymede in Surrey (a water meadow alongside the Thames and the site at which King John sealed the charter as a peace treaty with rebellious barons) has understandably received a lot of media attention.

Due to Runnymede’s ideological association with democracy and freedom under the law as the site of the sealing of Magna Carta – Runnymede also became the site of several high profile memorials.  This gives us the opportunity to explore our collections relating to Geoffrey Jellicoe’s J. F. Kennedy memorial gardens at Runnymede.

Images of JFK memorial at Runnymede, showing the granite setts being laid, from Susan Jellicoe photographic collection, P JEL PH2 L 8

Images of JFK memorial at Runnymede, showing the granite setts being laid, from Susan Jellicoe photographic collection, P JEL PH2 L 8

In 1963 Geoffrey Jellicoe was commission by the Crown to design the British memorial garden to J. F. Kennedy, which was constructed at Runnymede and was dedicated by the Queen in 1965.  Through the design of the gardens, Jellicoe explored ideas relating to how art and landscapes can be subconsciously and symbolically connected through modern art.

The visitor enters Jellicoe’s memorial gardens for JFK through a gateway, which leads to a pathway and set of steps constructed using some 60,000 individual granite setts.  The uneven nature of the path symbolises the ‘pilgrimage’ of those who visit to commemorate the life of JFK.

Images of JFK memorial at Runnymede, showing the granite path leading to the memorial stone, from Susan Jellicoe photographic collection, P JEL PH2 L 8

Images of JFK memorial at Runnymede, showing the granite path leading to the memorial stone, from Susan Jellicoe photographic collection, P JEL PH2 L 8

Upon reaching the top of the flight of steps in the garden, the visitor is presented with a Portland stone memorial tablet, designed by English sculptor Alan Collins, which is inscribed with text from JFK’s inaugural address:

“Let every Nation know, whether it wishes us well or ill, that we shall pay any price, bear any burden, meet any hardship, support any friend or oppose any foe, in order to assure the survival and success of liberty.”

Images of JFK memorial at Runnymede, featuring the memorial stone, from Susan Jellicoe photographic collection, P JEL PH2 L 8

Images of JFK memorial at Runnymede, featuring the memorial stone, from Susan Jellicoe photographic collection, P JEL PH2 L 8

Our Geoffrey Jellicoe collection (handlist here) features images of the memorial at Runnymede, as does our Susan Jellicoe photographic collection (handlist here), from which the images used in this blog post are taken.

For more information, see Harvey, Geoffrey Jellicoe (Landscape Design Trust: 1998) and Geoffrey Jellicoe’s entry in the Oxford Dictionary of National Biography.  If you would like to visit us to view our collections in our reading room, or for any other queries, please contact us on: merl@reading.ac.uk.

Huntley & Palmers and the MERL shop

Claire Smith, Visitor Services Assistant, looks at MERL’s links with biscuit company, Huntley & Palmers, and the development of new related products for the MERL shop

MERL has very strong links with Huntley & Palmers. Not only do we look after their archives, we’re based in Alfred Palmer’s former home!

The University of Reading Special Collections Services and the Museum of English Rural Life are housed in a Grade II listed building, which was originally known as East Thorpe, the home of Sir Alfred Palmer of the Huntley and Palmers biscuit company.

East Thorpe was designed and built by the architect Alfred Waterhouse between 1880–1882. Many original aspects remain, such as the beautiful stained glass in the Staircase Hall and Reading Room.

East ThorpeThe building was given to the University in 1911, when it became St Andrew’s Hall. MERL has been based here since 2005. More information is available in the online exhibition on our website .

The records of Huntley & Palmers  cover the period 1837-1995, the collections consists of documentary materials from all areas of the business, including financial records, correspondence, sales records, promotional material, production records, packaging designs and specimens, photographs, published material and audio visual items. The recipes in the archives inspired our Biscuit Bake-off competition launched earlier this yearThe archives are accessible to the public, via the Special Collections reading room.

Some of the artwork for the Huntley & Palmers packaging is absolutely beautiful and it is such a shame that it is hidden in the archives stores. Last year we were delighted to be able to use some of the stunning images to create items which we now stock in the MERL shop, such as notecards, invitations, mirrors and wrapping paper. Read more in a previous post Some of these are now available in the MERL online store

H&P thank you

We have recently extended the Huntley & Palmers range to include  striking biscuit tins, also based on original designs. We also have packets of biscuits currently made by the company, now based in Suffolk, some of which are based on century-old recipes. 

H&P shop latest

We are currently working with Reading Museum on an Arts Council funded project entitled Reading Engaged, part of which will focus on new products for both museums’ shops. Huntley & Palmers seemed like a natural place to start, as both the University of Reading’s Special Collections and Reading Museum have such extensive collections. We will also be investigating other shared ground, for example our Waterhouse-designed buildings, and other local companies such as Suttons Seeds. The aim of the retail-focussed part of the project is to pool our resources to develop new bespoke product ranges which compliment both museums.

MERL archive contributes to US National History Day

Written by Guy Baxter, University Archivist.

MERL, along with academic colleagues at the University of Reading, has contributed to a documentary film made by a middle school student for the US National History Day. The film, entitled “Operation Pied Piper: Balancing Parental Rights and Government Responsibility”, drew on the Evacuee Archive, the Humphrey Fisher Archive and also featured interviews with Dr Jacqui Turner (History) and Dr Martin Parsons (retired from the Institute of Education, who founded the Evacuee Archive).

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We are proud to announce that student Hayley Hocking achieved fourth place overall in the Junior Individual Documentary category and won the California State prize for an outstanding entry. Everyone at MERL would like to congratulate Hayley, who is a student at the Frank Augustus Miller Middle School in Riverside on her achievement. President Obama attended the awards ceremony.

US National History Day aims to “make history come alive for students by engaging them in the discovery of the historical, cultural and social experiences of the past. Through hands-on experiences and presentations, today’s kids are better able to inform the present and shape the future.” For more details see the National History Day website.

The Evacuee Archive at MERL contains written memoirs, oral history interviews and some research material relating to former evacuees and war-children gathered by the Research Centre for Evacuee and War Child Studies at the University of Reading. The collection mainly relates to evacuation schemes within Britain and the British children who were sent overseas to Canada, the USA, South Africa, and Australasia during the Second World War. Operation Pied Piper (the evacuation of children from British cities) was the most prominent of these operations. For more details see this link.

Discovering the Landscape #4: Inaugural Meeting of the LI Friends Group

Guest post written by Penny Beckett, Chair of the LI Archive Friend’s Group

As followers of this blog will be aware, the Landscape Institute transferred its archive to MERL in October of last year and is currently supporting MERL financially to work on the Institute’s collections and make them accessible.

As part of the terms of the transfer, it was agreed that a separate friends group should be established to support and advise either party when asked to do so. We held our inaugural meeting at MERL in February this year but chose the worst possible week to do so – a combination of flooding, high winds and travel disruption meant that some had to put off even attempting to travel to Reading while from others we received messages such as: ‘at the airport  in Belfast, delayed by snow’; ‘the car broke down in Yorkshire’,  ‘my apologies…heavily involved with flood issues…I serve on the Thames flood and coastal committee’. Despite the travel difficulties we still had a sufficient turnout to make the day a great success. Guy Baxter, the University’s Archivist, gave us a talk about work in progress and the mutual benefits derived from having our archive at Reading.  The MERL staff laid out a wonderful display in the MERL reading room of some choice items from the Institute’s archive.

Friends Inaugural AGM RR display

Reading Room display

LI Royal Charter seal

Landscape Institute Royal Charter Great Seal

On the day a further important collection was brought to Reading. Hal Moggridge of Colvin and Moggridge donated the Brenda Colvin collection to the LI’s archive at MERL. Brenda Colvin, who died in 1981, was a founder member of the Institute of Landscape Architects (as the Landscape Institute was then known) and elected its first female President in 1951. Currently, she is less well known by the general public than her contemporaries, Sylvia Crowe and Geoffrey Jellicoe, but her influence was just as great on a whole generation of landscape professionals. Her collection will be a wonderful additional source of primary material for researchers at MERL.

Drawing of Trimpley Reservoir, Brenda Colvin collection

Drawing of Trimpley Reservoir, Brenda Colvin collection

Photograph album compiled by Brenda Colvin, Brenda Colvin collection

Photograph album compiled by Brenda Colvin, Brenda Colvin collection

Focus on Collections #4: Tools & Trade History Society Library

written by Tony Waldis, the Librarian of the Tools and Trades History Society (TATHS) Library, a special collection kept at MERL for use by visitors and readers. This collection reflects the encompassing knowledge of rural craft and industry kept at MERL, and which we hope to continue to pass down through our displays, outreach and events after our redevelopment.

Among the specialist subject collections at MERL is the library of The Tools and Trades History Society, with over 1,100 books, catalogues, videos and pamphlets.

P FW PH1/54/11/18/3 - A welder at work.

P FW PH1/54/11/18/3 – A welder at work.

It is not just about ‘old tools’; the library also has Young Farmers’ Club Booklets and English Industries of the Middle Ages too. There are numerous trade catalogues that would help to identify most hand tools you are likely to come across, but there is also a wealth of information on the tradesmen of the past and the conditions they worked and lived in. Spare a thought, for instance, for the 18th-century apprentice tied to his master for seven years, during which he could not, marry, leave his master, play at cards, dice or other unlawful games, haunt taverns or play-houses, or absent himself from his master’s service day or night. Worse still, the Xbox and iPad had yet to be invented.

A wide variety of trades and crafts are covered by the collection, from the village blacksmith (who usually doubled as the dentist too because he had the strongest grip for pulling teeth) to the local hat maker. Did you know that the chemicals used in hat making could literally send the workers insane? Hence the saying ‘as mad as a hatter’.

Come along to the MERL Reading Room and see what strange facts you can find in the TATHS collection; a catalogue of material is available online on the TATHS website. There are recipes for cleaning and polishing everything under the sun and for making everything from puddings to poisons. Just don’t mix them up!