Monthly Archives: December 2018

Reading Readers: Lost in Translation in George Bell and Macmillan Publishers Archives

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This month’s blog comes from one of our ‘Reading Readers’, Anna Strowe, who’s been looking at the archives of the publishing companies of George Bell & Sons and Macmillan. George Bell & Sons consists of A woman is sat in the Reading Room, surrounded by documents, and a laptop. correspondence, ledgers & miscellaneous records from 1813–1976. The Archive of Macmillan at the University of Reading is vast and mainly consists of around 60,000 incoming letters, covering the period 1875 to 1967 with material also held at the British Library. We asked Anna about her research and about some of her favourite things she had found within the collections.

I’m working on translation in the archives of George Bell & Sons, covering items from 1890-1900. I started out initially just wanting to know what kind of materials there might be that would address issues of translation, and narrowed down pretty quickly to looking mostly at correspondence in and out. This is part of a larger project, where I’m also looking at Macmillan records in the same period.

Within these materials, I’m particularly interested in a couple of things. First, I want to know very generally what kinds of conversations happen around the issue of publishing translations. Who is involved and what do they write about to each other? What do proposals look like? What do reviews look like? How do translators and texts get chosen? Unsurprisingly, a lot of conversation is about whether things will sell, and about pricing and payment, but there’s also a lot of conversation about other issues: why people think a particular book would do well in translation, how people know the translators they are recommending, what various readers think is good or bad about particular translations.

I’m also interested in particular stories that come out of the archival materials. I’ve started to focus on one that involves a Dutch-born professor of English literature in Germany, his three-volume history of English literature and another volume of essays on Shakespeare, three publishers, seven translators (some just hopeful for more work!), a particularly harsh book review, some miscommunication about what the actual problem is, the professor’s wife, and an infringement of international copyright law… That story plays out over the course of around 50 letters back and forth between these various people, and 21 letters that must have existed but that I haven’t found. I’m also interested in the stories of particular translators who come up in the documents repeatedly. I’m trying to find out more about these translators through both their letters and outside research; they can be a bit hard to track though!

A table showing a pile of letters. Two letters are brought to the front.

Just some of the letters Anna worked with. In the forefront – MS 1640/223/255 and MS 291/255.

I love working in archives because there’s so much that is interesting or surprising. Things that are relevant to the work that you’re in the archive for in the first place, and just wonderful things you come across. So a few of each:

One of the things I like the most about the material that I’m getting on my topic is the sense of personality and the intimacy that you get from working with these types of materials. You get to follow people in so many ways: their work, their family lives, their travels. There’s a little of everything in the documents. A lot of the time in translation studies, we work with the texts themselves and maybe with a little biographical information. But holding in your hands a letter that someone wrote over a century ago is just so much more personal. And you start to feel like you’re meeting people: the business-like, the chatty and friendly

And then there are the random little things that you find: a rant from an outraged author who believes his work to be revolutionary, in which he suggests that they probably didn’t even read the manuscript, and offers as evidence the fact that they had misspelled his name in their reply (his signature in the previous letter was almost illegible!); a hint that several of the translators whose names keep coming up in the archives actually knew each other, when one of them writes that she saw “Miss Whoever” at a dinner party the other evening.

Maybe my favourite find (not relevant to my research) so far is a little card from 1921, from

A table showing a letter with a painting of some scenery.

The letter from the Tompkins’ sisters. MS 1640/49/1

two sisters in New Jersey. They write to George Bell & Sons essentially just to thank them for having published so many lovely books that the sisters own, and include a tiny watercolour done by one sister. The picture is a little scene with a meadow and a river with a couple little houses and some birds, and hills in the background. It’s about 4 x 6.75 cm, and it’s been sewn to the card (which is also quite small- about 8 x 9 cm) with six little stitches in white embroidery floss, in the corners and top and bottom centre. It’s signed by the sister, Abigail Brown Tompkins, and titled “A Misty Summer Morning in New Jersey U.S.A.” I don’t really know anything about it or the sisters, and it’s not actually part of what I’m supposed to be working on, but it’s such a wonderful random gesture.

 

I still have a huge amount of work to do though; my time in the archive was really just collecting images of all of these documents, so I’m only just starting to read through them in more detail and get a better sense of what’s there. I’m sure I’ll find many more interesting and surprising things.

To find out more about the above collections get in touch via email at specialcollections@reading.ac.uk or visit our website https://www.reading.ac.uk/special-collections/.  Follow us on twitter @UniRdg_SpecColl and @unirdg_collections on Instagram for updates on services, events and collections.

John and Griselda Lewis Postdoctoral Fellowship: Invite for applications

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Applications are invited for the John and Griselda Lewis Postdoctoral Research Fellow at the University of Reading. The Fellowship is available from March 2019, or a mutually agreed date and for a period of up to 12 months (we estimate this would equate to 2-3 months full time equivalent) and will attract a stipend of £5,000.

A page from a journal article, decorated with red flowers.

An Illustration from Le Journal de la Decoration c.1906 (JGL 23 23)

We are seeking an exceptional postdoctoral researcher with an ability to exploit this opportunity to build on the legacy of the Lewis’s pioneering work in relation to the history and development of type and letterforms. They will have a demonstrable interest in printing history, ephemera or the history of typographic design and preferably a strong track record of archival and collections research experience in a relevant area.

The successful candidate will be part of the University’s growing interdisciplinary community of scholars working with its distinctive collections and will be supported and advised by colleagues from the Departments of Typography and Graphic Communication, the Department of English Literature, and the HCIC (Heritage and Creativity Institute for Collections). The Fellowship will be based at the University Museums and Special Collections Services.

John Lewis (1912-1996) was one of the most influential figures in the study of printed ephemera, who combined his role as a lecturer in graphic design at the Royal College of Art with the authorship of several publications on printing and book design. His 1962 publication ‘Printed Ephemera: The Changing Uses of Type and Letterforms in English and American Printing’ is considered pivotal in giving credence to the notion of paper ephemera as a subject for research. He married Griselda Rideout, who as Griselda Lewis was a noted writer, designer and ceramics collector, best known for her publication ‘A Collector’s History of English Pottery’.

A black and white magazine cover of a woman, with the words Wendingen on the cover.

Cover from a 1924 edition of Wendingen magazine of art and architecture (JGL 29-4 -15)

The role of the fellow will be to complete in draft a project funding bid focused on the John and Griselda Lewis Collection, to be submitted to one of the UK Research Councils. The bid preparation will itself involve new research into the collection and, if the bid is successful, there may be an opportunity to continue it as an early-career researcher attached to the project. The project funding bid would aim to support the production of:

  • a new critical edition of Lewis’ 1962 publication ‘Printed Ephemera: The Changing Uses of Type and Letterforms in English and American Printing’ to be accompanied by a collection of essays or articles exploring different aspects of the collection, the work of the Lewis’s;
  • a further publication on the role and influence of private collectors in relation to the growth of print and ephemera studies, as a special edition of a journal such as Printing History, or as a small book or, by agreement, an appropriate alternative research project drawing on the collection.

 

SUBMISSION DETAILS

Applicants should submit:

  • a CV
  • written proposal (of up to 1,500 words) indicating how you would approach this project and apportion time to developing the bid and other related research.
  • Applicants should also ensure that references have been provided by two referees by (see submission details below).

 

Applicants are responsible for ensuring that references reach Kate Arnold-Forster (k.arnold-forster@reading.ac.uk) by the closing date of 28th February 2019. References should be submitted by email, with the applicant’s name added clearly to the subject line. Applicants should ensure that referees are familiar with the content of their proposal and are able to comment directly on their ability to deliver the work outlined. In instances where the applicants have an institutional affiliation, applicants should seek references from external sources.

 

Applications should be submitted by email, with the applicant’s name added clearly to the subject line. We would strongly encourage applicants to contact us in advance for an informal discussion. For an informal discussion in the first instance, please contact Dr Rhi Smith (r.smith@reading.ac.uk) or Guy Baxter (g.l.baxter@reading.ac.uk).

 

You may find it useful to make use of the web-based catalogue at http://www.reading.ac.uk/adlib/Details/archiveSpecial/110412306

 

Assessment of applications will be by a process of peer review and by an expert panel, with the successful candidate being expected to submit a report on completion of their Fellowship.