Typography tops the bill in the REF

Typography & Graphic Communication is proud to have achieved the highest GPA score (3.51) in UoA 34 (Art and Design: History, Practice, Theory), and the best REF result at the University of Reading.

Our overall score was: 56 per cent 4*; 39 per cent 3*; 5 per cent 2*.

Typography’s research covers the history, theory and practice of ‘design for reading’, with particular emphasis on information design, typeface design and book design. Research submitted to the REF included monographs, papers in refereed journals, type design and book design practice, and exhibition design and curation: 46 per cent was given the highest grade, described as ‘world leading’, and a 46 per cent was thought to be ‘internationally excellent’.

Typography’s high-scoring impact result (70 per cent assessed as 4*) reflected Departmental strategy of developing research projects with direct input from research users or with a clear view of the potential public benefit of the research.

Enriching communities of literacy, on the design of typefaces for world scripts traced how Departmental research has been used by organisations including Adobe, Microsoft and Nokia to create access to communication for large language communities, many of which have not, previously, had access to technology using their own scripts.

Designing information for everyday reading demonstrated how wide-ranging Departmental research into the design of functional documents, both historically and in current applied contexts, provided a knowledge base for collaborative projects with government departments (National Offender Management Service, the Cabinet Office and HMRC) which influenced their practices and brought benefit to the public they serve. Public exhibition of some of the Department’s research has changed perceptions of the development and role of communication in civic society.

Typography student winner of University MA prize

We’re very pleased that Tomoko Yamamoto, who recently completed the MA in Information Design, was awarded the University’s Outstanding Taught Postgraduate Student award at her graduation on Friday.

To be eligible for the prize, a student must achieve distinction-level grades in every one of the modules they study as part of their Master’s programme. The award is then made to the student with the highest mark for their dissertation, and the highest overall weighted average mark. This year competition was fierce, with 20 students from subjects across the University achieving distinction marks in every module.

The award was presented to Tomoko by the Chancellor, Sir John Madejski. Ole Lund, programme director for Information Design, said ‘This award is a wonderful recognition of Tomoko’s hard work and we are very proud of her achievement.’ Professor Peter Miskell, Taught Postgraduate Recruitment Project Leader, commented ‘This clearly reflects well not just on Tomoko’s outstanding performance, but also on the Department more widely, and the calibre of students Typography & Graphic Communication is able to recruit.’

Tomoko, whose dissertation topic was the communication of tsunami evacuation procedures, joined the MA programme to consolidate professional experience she had gathered in medical research communication. She is planning to continue her career in information design research.

Successful undergraduate summer research project

Mel and Peter

Congratulations go to Part 3 students, Mel Towriss and Peter Loveland (pictured above) who, over the summer, took part in the University’s Undergraduate Research Opportunity Programme (UROP) and worked with Centre for Information Design Research. Their project examined how on-screen text format affected people’s reading speed and comprehension, as well as people’s views on which text formats were most appropriate for different purposes. The texts used for the study dealt with employers’ responsibilities to run a payroll and were drawn from the GOV.UK web site. Mel and Peter found strong agreement among study participants regarding the text formats; for example, what might be appropriate for beginner or professional readers of the information. Reading times for the different formats did not differ significantly across format but there were differences in comprehension of the information they presented. Mel and Peter were runners up in a research poster  competition for all students taking part in the UROP scheme and will be taking their poster to the 2015 British Conference of Undergraduate Research.

Branding workshop with Part 3 students

Chris Washington-Sare and students working on the brand proposition for There4Reading.

Chris Washington-Sare and students working on the brand proposition for There4Reading. 

Alumnus Chris Washington-Sare (1985-89), from Pentatonic Marketing, joined us this week to deliver an all-day workshop on ‘How to help charities develop their marketing proposition’ for Part 3 students, as part of their current practical project, ‘Not-for-profit branding and design thinking’.

Learning through a series of short presentations, group work and practical exercises, students were able to develop a marketing strategy for real charity clients ‘More than Food’ (a Trussell Trust food bank initiative), Team Berkshire (a initiative of Get Berkshire Active), There4Reading (Youth Volunteering in Reading) and Kileva (Helping communities in Kenya).

Students gained marketing insights on brand values, the importance of a vision and mission, how to understand and present the functional and emotional benefits of an organisation, how to identify the points of differentiation, and the brand personality. The day ended with a session on social identity and the use of semiotics in branding.

Our students loved it:

“I found the branding workshop very informative and worthwhile. It was useful to look at the project from a marketing perspective rather than as a designer. This gave me and my team a clearer understanding of our competitors, target audience and our charities vision.”

“The day was structured well, as we went through the process right from the beginning to the end. This gave chronology and a greater clarity to how the brand develops from initial research to a vision/mission/values which begin to hint at the imagery of the brand.”

Typography has a special relationship with many of our alumni. We very much value their contributions to ensure that our current students can see where their experience at Reading might lead.

Student competitor analysis for ‘More than Food’ looking at Points-of-Parity and Points-of-Difference.

Student competitor analysis for ‘More than Food’ looking at Points-of-Parity and Points-of-Difference.

‘Time(less) signs’ at Austrian Cultural Forum London

Showcase_1

The exhibition ‘Time(less) signs: Otto Neurath and reflections in Austrian Contemporary Art’ runs from 30 September 2014 to 9 January 2015, at the Austrian Cultural Forum London. It features a selection by curator Maria C. Holter from the ‘Zeit(lose) Zeichen’ exhibition first staged at Vienna’s Künstlerhaus in 2012, supplemented by original material from the Department’s Otto and Marie Neurath Isotype Collection (see image above). As part of the public programme accompanying the exhibition, co-curator Christopher Burke will give a talk on Isotype at the Austrian Cultural Forum on Tuesday 14 October 2014.

See also:

Interview with Maria Holter, exhibition curator

Zeit(lose) Zeichen

Isotype: design and contexts, 1925–1971

Reading presence at the New York & London Art Book Fairs

MoMA

Last week saw the annual, simultaneously programmed, Art Book Fairs at MoMA PS1 in New York and the Whitechapel Gallery in London. Contributors from the Typography Department’s Art Information symposium, first staged in April at London’s ICA, presented again in New York and organiser Ruth Blacksell was invited to talk at NYCUs Artists Institute space in Manhattan. John Morgan, who will follow on at the Artists Institute this Autumn, presented live at the London Fair with his sell-out Whitechapel event ‘I will not make any more boring books’. Amongst the plethora of conference presentations and events across locations, other highlights included AA Bronson in conversation (London), the ‘Unbinding the book’ projects (London), ‘Publishing as research and development’ featuring the web-based magazines Triple Canopy and East of Borneo (NY), Norway’s Kunstnerbøker focus (NY), David Reinfurt of Dexter Sinister on Bruno Munari (NY) and Emily McVarish from California College of the Arts on the book designs of Phil Zimmerman (NY).

NY Art Book Fair

The London Art Book Fair at the Whitechapel Gallery

Xerox

Printed Matter

Launch of dementia carers’ handbook

Dementia Handbook

Last week saw the launch of the Berkshire Healthcare handbook for carers of people with dementia. The handbook is the product of a joint research project between Centre for Information Design Research and Berkshire Healthcare Foundation Trust to understand the information needs of carers of people with dementia and respond with an appropriately designed resource. Once the handbook itself has been launched our research will continue, to examine how it is used; and the complete process of initial research, design development and user feedback will be made public so that it can be used by other healthcare organisations, in the UK and elsewhere. The project has been commissioned by Berkshire West Confederation of Clinical Commissioning Groups as part of their response to the Prime Minister’s Dementia Challenge which was set up to encourage innovative approaches to dementia care.

Although there has been increased media coverage of dementia over recent years, it is still a poorly understood condition, and most people have no idea of the medical and social support services that are available to help someone with dementia stay independent. The handbook aims to fill gaps in people’s understanding and provide practical tools that will help family members and friends who are looking after someone who has dementia.

The handbook has been developed with the input of scores of carers, who have contributed to interviews about their experience, reviewed drafts of the handbook content and commented on design prototypes. Similarly, professionals from Berkshire Healthcare’s dementia services have also given their input, helping shape the handbook from the beginning of the project. Involving people who will use information resources in their development is standard practice at Centre for Information Design Research and the Cochrane Review has recently cited evidence for the effectiveness of health information that is developed with the input of its potential users.

The collaboration between CIDR and Berkshire Healthcare started with the development of a pain assessment questionnaire for carers to complete, to help doctors understand the pain symptoms of people with dementia who were admitted to hospital and to adjust their pain medication accordingly. This questionnaire has been trialed successfully at the Royal Berkshire Hospital and is now being presented at geriatric medicine conferences as an example of the positive impact of empowering dementia patients’ carers to contribute to the process of care.

Centre for Information Design Research is now carrying out a range of projects relating to health care, including tackling medicines waste, increasing the detection and treatment of acute kidney injury in hospitals and documenting assessments of patients’ capacity to make decisions about their treatment.

The Dementia handbook for carers has been designed as a paper resource, which is what research showed carers needed. The boxes of copies taken to the launch were snapped up, with comments from carers that it was just what they had been looking for.  But it can also be accessed on-line at www.berkshirehealthcare.nhs.uk/dementiahandbook.

The Handbook has featured on Meridian TV, BBC Radio Berkshire and Jackfm.

A very special ATypI

Jan Tschichold's corrections

As students were settling into their Halls for Welcome Week and the start of the new academic year, Sunday marked the return of several members of the Typography family from the annual ATypI conference, a highlight in the calendar of international type professionals. Held in Barcelona’s impressive new Museu del Diseny by MBM Arquitectes the conference was especially significant for Typography: to celebrate the award of the Sir Mischa Black Medal to Michael Twyman, the Association invited him to deliver the Keynote lecture on the topic of  “Typography as a university study”. (The image above, of visuals marked up by Tschichold for a facsimile edition of Vespasiano’s 1572 writing manual, is from Michael’s collections – and seen by postgraduates who join his seminars.)

Forty years after the foundation of the Department of Typography & Graphic Communication (and a few more since the inception of the original course, in the late 1960s), Michael’s integration of history, theory and practice continues to define typographic education. These ideas have proven not only resilient, but prescient: graphic communication education worldwide is moving towards these ideas, holding Reading as a model for both new courses and institutions realigning their design studies.

Fiona Ross and Michael Twyman

(Above: Fiona Ross and Michael Twyman in Barcelona. Photos by Elena Veguillas)

Reading’s presence at the conference was notable. Eric Kindel and Gerard Unger delivered presentations, as did no less than ten MATD alumni, with two more taking part in panel sessions (Azza Alameddine, Nathalie Dumont, Paul Hunt, William Montrose, Toshi Omagari, Michele Patane, Dan Reynolds, Dan Rhatigan, Alice Savoie, Liron Lavi Turkenich; and Veronika Burian and Nadine Chahine respectively). Fiona Ross co-curated (with the regrettably absent Vaibhav Singh) the exhibition “Making news: type technologies in transition in newspapers across the world”. The selection of items from the Department’s Collections & Archives are a source of fascination and discussion by type designers, and reflect the growth of interest in global scripts.

Making News exhibition

Borna Izadpanah and Behdad Esfahbod reviewing the Urdu section of the exhibition.

ATypI president (and Reading alumnus) José Scaglione’s announcement that ATypI 2015 will take place in São Paulo, the first South American location for the Association, which will bring the conference closer to the substantial community of Brazilian alumni.

Web designers go for typefaces

slide from SmashingConf

Kicking off a busy week for Typography staff, Gerry Leonidas spoke to a full hall at Smashing Conference in Freiburg. The new talk focused on typefaces from a web designer’s perspective, and included key notions for evaluating typefaces. Web design professionals are increasingly interested in typography and typeface design, where the Department’s expertise has many contributions to make. By way of a reminder, Marko Dugonjić (amongst many other things, SmashingConf reporter on Twitter) noted:


Crossing Borders in Antwerp

typosium 2014

The ninth Typosium, organised by Initiaal, took place at the Museum Plantin Moretus in Antwerp on 30 August, with the theme Crossing Borders/Genze(n)loos. Our own Jo De Baerdemaeker, Fiona Ross and Gerard Unger were amongst the presenters. Gerard spoke about his Alverata project, a contemporary typeface drawing on romanesque sources and employing a wide range of historically-inspired alternate shapes. Fiona wand Jo conducted a Dialogue on type, looking at a range of projects for global scripts.  Pictures on Jan Van der Linden’s photostream.