Food archaeology at Reading Classics

At the Ure Museum we’ve been celebrating Heritage Open Days for a long time: our events usually included opening the museum on a Saturday and hosting activities for adults and families, but during the pandemic we had to go virtual. Thus, in 2020, we launched a much-successful series of short videos created by our staff and our colleagues at the Department of Classics on ‘9 lives of the Ure’s mummified cat’s head’. You can watch the videos here. You can read more about it in one of our previous blogs.  

Our approach received great feedback and thus, we decided to hold our 2021 HOD Events virtually once again. In addition, our museum was just reopening in September with a much-anticipated joint exhibit with the British Museum, and we preferred those two events not to clash. If you missed our British Museum Spotlight Loan or if you wish to visit it again, please follow the link for an online version of it: https://collections.reading.ac.uk/ure-museum/https-collections-reading-ac-uk-ure-museum-troy/

This year’s HOD theme was “edible England” and reminded us of the importance of food – well more than food itself, of the habit of eating and drinking together – in antiquity. Through a series of videos by our members of staff who have examined the relevant area of research from various points of view, we explored ancient diet, depictions of food in our collections, how people used to share food with gods (sacrifices and libations) and their communities (banquets), how important food was in funerary contexts, and even created cook-along videos to eat like an ancient Egyptian, Greek or Roman. All videos are available on our YouTube channel and website https://collections.reading.ac.uk/ure-museum/home/whats-on/hod-2021-eat-pray-love-in-antiquity-at-the-ure-museum/

Poster of the event, provided by Dr Claudina Romero Mayorga 

Although museums and galleries have noticed certain virtual fatigue in the last months of lockdown, people were becoming more and more anxious to visit the real places and interact face to face, and thus, we can happily claim that our virtual HOD was a success! We had 412 views on our YouTube channel and our webpage visits increased a 84%; most of our audience came from the UK, but also from USA, Singapore, Australia and Europe!

It’s amazing how food – a topic that engages most of our senses – can be addressed from afar: by evoking the smells of burnt meat in a sacrifice, the delicious fragrances of baked pastelis, panis focaccias and cakes, the strength and energy provided by Spartan dishes, the beautiful representations of Egyptian food and Greek fish plates, all accompanied by sweet Greek wine. Let’s toast for more opportunities to come together.

The event was organised and held by the team of the Ure Museum under the guidance of the Curator, Prof. Amy Smith, and the Education Officer, Dr Claudina Romero Mayorga.

In fact, this year’s HOD topic was a great match for our Department’s long and strong record of research on the field of food archaeology. We are delighted to have been the academic home for various projects, among which an outstanding position is occupied by the work of Dr Jessie Feito, whose doctoral thesis focussed on the relevant area of expertise. Dr Feito was recently awarded her PhD by the Department of Classics at the University of Reading under the supervision of Prof. Annalisa Marzano, and she has been accepted as a postdoctoral fellow in…

Dr Feito has kindly provided us with a short introduction and summary of current research trends in food archaeology. We are truly thankful to her for sharing her knowledge, and we wish her all the best in the new and exciting steps of her career.

Recent decades have seen a notable increase in interest in the archaeology of food. Food was, and is, more than just a means of achieving the necessary caloric intake for survival; it had social and political significance in antiquity and was highly important culturally and economically. Food is at once a necessity to all, while also being unique to particular peoples and populations, shaped by preferences and cultural practices. This makes the study of food an exceptionally interesting and versatile research topic.

PhD students at the field. Picture retrieved from https://www.reading.ac.uk/classics/phd/department-life-for-phd-students. Dr Jessie Feito is at the front. 

Scholars of the ancient world have explored food and dining habits in a variety of ways. Ancient literature describes food and dining events with texts such as Petronius’ Satyricon, for example, satirising lavish Roman dinner parties, and Apicius’ De re coquinaria providing a glimpse into recipes used in antiquity. Archaeological evidence also offers significant insight into dietary practices. This can be in the form of structural remains of kitchens and dining rooms, such as those famously preserved at Pompeii, or in artistic representations of food and dining in frescoes as well as in mosaics. Ceramics and vessels associated with food preparation and consumption can reveal how meals were cooked and eaten, while the remains of transport containers such as amphora, can shed light on the production and transport of important commodities such as wine, olive oil, and garum. Archaeologists also study the remains of the foodstuffs themselves: zooarchaeology, or the study of animal bones, can be used to explore the consumption of animal products and archaeobotany focuses on the plant remains.

My research utilises the latter, examining plant remains in order to explore food production and consumption in two parts of the Roman world: Italy and the Near East. In using regional case studies, I am able to explore the ways that the Roman Empire impacted diet and agricultural practices in regions of different historical, socio-cultural, political, economic, and even environmental contexts.

The potential for archaeological evidence to shed light on food in the ancient world is vast, and, despite the significant advances that have been made, there is certainly room for our understanding to be improved with further research—this only serves to makes the archaeology of food more exciting! We now know that while dietary practices and preferences varied across the ancient world, just as they do today, the importance of food was universal.

Reading Classics Spring Term Seminar Series 2022

We are pleased to announce the launch of our Reading Classics Seminar Series for SpringTerm 2022, which will boost our Wednesday afternoons with constructive and stimulating lectures and discussions on various aspects of Classics research!

In this series of lectures, starting on 26 January, we welcome a diverse group of speakers from both the UK and abroad in our Departmental seminars, which will explore a variety of topics and periods of Classical studies. All seminars will be livestreamed on MS Teams; tune in every Wednesday at 4pm! Attendance is free and open to all! To attend please follow this link: bit.ly/33Ym1ty! Below you can find a poster with all titles and a QR code leading to the attendance link! 

For our first Reading Classics Spring Term Seminar, we are delighted to welcome Ergün Läfli, Professor of Classical Archaeology at the Dokuz Eylül University, Izmir, who will speak on ‘Ancient lamps from southern Turkey’. All welcome thisWednesday 26th January 2022 at 4pm! 

For more information, please contact hod-classics@reading.ac.uk. 

Full list of titles

26 January 

Ergün Läfli (Dokuz Eylül University, Izmir), Ancient lamps from southern Turkey

2 February 

Marco Fantuzzi (Roehampton), Realism becomes Electra (and Euripides) 

9 February

Ioannis Mitsios (Athens), Boreads and Oreithyia or not? Re-examining figures P, Q and R from the west pediment of the Parthenon

23 February 

Çiğdem Maner (Koç), Adaptation, Subsistence and Political Geography in Southeastern Konya from the 3rd to the 1st Millenium BC

2 March

Hana Navratilova (Reading/Oxford), New graffiti season at Dahshur, Egypt, 2021: mapping ancient appraisals of the pyramid complex of Senwosret III

9 March

Hella Eckhardt (Reading), Bridge over troubled water – new approaches to Roman river finds

16 March

Maria Mili (Glasgow), Divine things: Greek gods and objects

 

We look forward to welcoming you at Reading Classics Research Seminars once again! 

 

Bring in the Artists

Discerning visitors to the Classics@Reading and the Ure Museum will have seen more and more art gracing our department’s home since the pioneering Head of Departmentship of Prof. Emma Aston, who persuaded the University Arts Collection to lend us some of the late Eric Stanford’s stone sculptures — Protesilaus and a Head of Helen of Troy — and excellent facsimiles of Minnie Hardman’s beautiful drawings of ancient sculptures.  At the same time a private donor lent us Stanford’s Memnon who also graces our department hallway in the Edith Morley building on the Whiteknights campus. Stanford’s Helen sparked our interest in Troy which led to the current British Museum Spotlight Loan.*

In 2022 we will welcome another internationally recognised artist to the Ure Museum. Through Meeting Point, an Arts&Heritage scheme funded by Arts Council England that brings artists to small museums to bring their collections to new audiences, we have now commissioned Chisato Minamimura, a Deaf performance artist originally from Japan, to create an artwork that responds to the Ure Museum’s collection. Chisato, who has taught, created, and performed internationally, including at Paralympic Opening Ceremonies, approaches choreography from her unique perspective as a Deaf artist, creating what she calls ‘visual sound/music’. Just before lockdown in 2020 the Ure Museum was chosen as one of six museums and heritage sites to work in partnership with artists as part of the Meeting Point programme. Chisato’s explorations with dance and sound chime perfectly with our recent research on music, dance, and sensory archaeology. We are very excited that this opportunity has brought us together with Chisato and we eagerly anticipate her exploration of our collections, to celebrate the Ure Museum’s 100th anniversary, coincidentally in the bicentenary of the Greek War of Independence. 

You can read more about the commission on the university press release at https://www.reading.ac.uk/news-and-events/releases/PR861332.aspx. There you can find the statement made by the Curator of the Ure Museum, Professor Amy Smith, along with a note from Chisato.

We look forward to this collaboration and its exciting outcomes! 

Follow Reading Classics on social media for the latest blogs and news:

Facebook: @UoRClassics

Twitter: @UniRdg_Classics

Instagram: @classicsuor

YouTube: UnivRdgClassics

*Troy: Beauty and Heroism will remain on display in the Ure Museum until 12 December so please rush in if you hadn’t had a chance already (even in tonight’s Being Human museum late ‘Live Forever: Welcome to the Underworld’.   duly will have noticed n international performance artist is set to work with the University of Reading’s Ure Museum of Greek Archaeology to design a piece of contemporary art inspired by the Museum’s unique collection.

Photo credit: photographer Mark Pickthall

Black History Month in Reading Classics

Author: Prof. Barbara Goff 

Date: 18 October 2021 

Reading Classics celebrate Black History Month with a visit from Shivaike Shah, co-creator and producer of the first global majority Medea produced by students at the University of Oxford, in 2018. This interactive event will be delivered online via MS Teams on 27th October at 2pm. Do join us in this talk to discuss the aims, challenges and successes of such an adaptation of one of the most famous Classical Greek tragedies. To register your interest to attend, please write to us at hod-classics@reading.ac.uk or visit our Facebook event page: https://fb.me/e/27eXLAIL2.

Please keep an eye on our social media and the event page as we shall circulate a joining link there closer to the date. You can also find more information about the event on our Facebook event page and social media. 

All welcome! 

In the run-up to this exciting event, here are some resources to get you thinking about some related issues.

  • Listen to our former colleague Professor Katherine Harloe on Detoxifying the Classics. Why are white nationalists and the far right so fond of Ancient Greece and Rome? Katherine looks at the ways in which the classical world is both used to lend respectability to the politics of hate, and distorted to give the false impression that it was an all-white space. Katherine was Professor of Classics at the University of Reading until the 1st October 2021, when she left to become Director of the Institute of Classical Studies in London. Go Katherine!
     
  • Listen to the many fascinating lockdown talks on the Everyday Orientalism site. This site, cofounded by our colleague Professor Rachel Mairs, seeks to offer a platform through which students, academics, and citizens can reflect on how history and power shape the way in which human societies define themselves through the “Other”.  Talks and other posts often focus on classical antiquity, ancient Egypt, and the ancient Near East, as well as looking at how those societies have been interpreted and reinterpreted by modern Western culture.
     
  • Check into the podcasts by Khameleon Classics, the team who will be talking about the all-BAME Medea later on this month. Podcast no.4 is by our colleague Professor Barbara Goff, talking about classics in the British colonies of West Africa.

In addition, on 25th October, Prof. Goff will be part of an interview with Femi Osofisan about his new production of Medaye, an adaptation of Medea.  The interview will also include Prof. Olakunbi Olasope of the Department of Classics at the University of Ibadan, who has visited Reading Classics a few times and given seminars on the reception of Greek and Roman theatre in West African drama. The interview will be available via the Archive for Performances of Greek and Roman Drama in November. Stay tuned for a link to listen to this exciting interview! 

Shivake Shah’s presentation, which will be delivered online on Wednesday 27th October at 2pm, comes as a culmination in the long devotion of Reading Classics in contributing to research approaches revolving around decolonisation, inclusivity, and diversity in Classics. To find out more about Medaye, its preparation, production, performance, and social engagement, you can read the following blog on Femi Osofisan’s Medaye in Ibadan by Olakunbi Olasope: https://classicalreception.org/african-blog-takeover-9/ .

A recent testament for our contribution to research and public engagement in plurality and diversity in Classics is the Inclusive Classics Initiative, led by Professor Barbara Goff (University of Reading) and Dr Alexia Petsalis-Diomidis (University of St Andrews). Over two days the workshop covered a range of subjects: barriers to inclusivity, current projects and approaches aimed at making Classics more inclusive, and priorities for future work. Bringing together multiple perspectives within the discipline, including Classics in higher education and secondary schools, the workshop provided space for discussion about marginalised groups, both during antiquity and as experienced in the subject today. Among other topics, the final panel of the workshop was a conversation among Professor Kunbi Olasope, Dr Idowu Alade, and Dr Monica Aneni from the University of Ibadan, whose discussion focussed on recent increase in Classics admissions in the university in Nigeria as well as on the significance of Classical education in pursuing a variety of careers. Read more about their latest online, international workshop ‘Towards a More Inclusive Classics II’ in our blog post about it at t.ly/8YLj.  

To find out more on the long-standing commitment of Reading Classics in promoting inclusivity, diversity, and decolonisation in Classics, visit https://www.reading.ac.uk/classics/

We look forward to seeing you all in this exciting BHM event on 27th October 2021.  

Follow Reading Classics on social media for the latest news on Reading Classics and our events: 

Twitter: @UniRdg_Classics

Facebook: @UoRClassics 

Instagram: @classicsuor

YouTube: UnivRdgClassics 

 

Reading Classics Autumn Term Research Seminars 2021

We are pleased to announce the launch of our regular Reading Classics Seminar Series for Autumn Term 2021, which will boost our Wednesday afternoons with constructive and stimulating lectures and discussions on various aspects of Classics research!

This series of lectures, starting on 29th September, run alongside the Ure Museum seminars ‘Troy in 21st Century’ in alternate weeks. In this accessible and inclusive environment—with some talks online and others in person—we welcome a diverse group of speakers from both the UK and abroad in our Departmental seminars, which will explore a variety of topics and periods of Classical studies.  

For our first Reading Classics Seminar, we are delighted to welcome Professor Sheila Murnaghan from University of Pennsylvania, who will speak on ‘Her own troubles: women writers and the Iliad’. Tune in on Wednesday 29th 2021 at 4pm. The lecture will be delivered online in MS Teams. To register your interest in attending please email Professor Amy C Smith, at HoD-Classics@reading.ac.uk.

You can find a full list of titles below.  

29 September

Sheila Murnaghan (University of Pennsylvania) Her own troubles: Women writers and the Iliad 

13 October (in person)

Emma Aston (University of Reading) The Aggressive Thessaly Reconsidered 

17 November

Judith Mossman (Coventry University) Tragedy in Plutarch 

1 December

Çigdem Maner (Koç University) Adaptation, subsistence, and political geography in South-Easter Konya from 3rd to 1st millennium BC

We look forward to welcoming you at Reading Classics Research Seminars once again! 

 

WHAT’s IT LIKE? Episode 6: Ms. Roberta Dainotto – A PhD Researcher Specialising in Ancient Greek Philology.

Interviewee: Ms. Roberta Dainotto. Interviewer: Bunny Waring.
Date: 16th July 2021

Welcome to the Classic Department’s series What’s it Like? During these episodes staff, volunteers and students who specialise in all fields of Classics, Archaeology and Museums, will share with you the realities of their jobs. What to be a Linguist? Museum Curator? Archaeologist? Lecturer? Well Travelled Researcher? A Barrier-Breaker? Have No Idea? Then read on!

This week: Ms. Roberta Dainotto.

A PhD Researcher Specialising in Ancient Greek Philology.

 

Name: Ms. Roberta Dainotto
Area of Specialism: Classics.
Topics of Interest: Ancient Greek Rhetoric.
Job Title: PhD student in Classics, specializing in ancient Greek Philology.
Job Responsibilities: I am finalising my PhD studies and this is my current -and only- occupation! This means that I am trying to finally put together a few years in what I wish it will be a good output (fingers crossed). In the meantime, I am also trying to face new challenges and open up new possibilities, since doing just one assignment for months is quite weary some days. Moreover, I aim to prepare the ground for my future steps. Recently, I have succeeded in a selection to a pre-doctoral fellowship at the Harvard University’s Centre of Hellenic Studies (CHS), which will allow me to work simultaneously on a new project for the next year. I am extremely glad of this appointment which will allow me to approach a different subject under the supervision of a new team of professors – a priceless opportunity to consolidate my field of study.

Introduction 

 I am a PhD candidate in the Department of Classics at the University of Crete. I have earned BA and MA degrees in Classics at the University of Catania, which is where I come from. I decided to move to another country because I wanted to approach my subject of study from a different perspective, to enhance my knowledge and skills with the guide of Professors from different backgrounds to mine. The desire of facing new challenges has always lead me to achieve the highest scores, and with the same intention, during my doctorate, I have spent a couple of semesters abroad, respectively at the University of Edinburgh and the University of Reading. I would say that these were the best choices for me, both for my study and my personal growth.

What is your daily life really like?

I actually spend most of my days sitting in front of my laptop, working. This answer may sound banal and monotonous to those who do not do research or deal with more dynamic subjects than ancient texts -although in recent times remote working seems to be the constant for everyone! My life is filled with continuous appointments and deadlines that I try to respect by organising and managing my time in detail. In Greece, we generally do not pursue teaching activities during doctoral research, so much of my daily work often focuses on the same set of activities for long periods. During ‘normal periods’ however, I combine my research routine with seminars and lectures in various fields. I really like to attend these because they help me to look at things from different perspectives and most of the time they give me food for thought for my work or other disparate subjects that I would like to scrutinise further. I dedicate a great amount of time to the University. I like being there as I have immediate access to the library and I can share some pleasant conversations with other colleagues of mine to attenuate the anxiety of writing.

In contrast, under pandemic restrictions, I have stayed home every day, using my desk as my workspace, with lots of folders scattered all around the room. In the long term, such a timetable can be demanding. For this reason, I try to vary my days – alternating my study with long walks in the open or exploring my local area, restoring myself and recharging my batteries or dedicating myself to my friends and family, the best balance to start afresh!

What is the best part of your job?

There are so many things I could mention to answer this question. I will try to list them but I am already pretty sure I will forget something. I have always loved the idea of doing research and dedicating my time to my greatest hobby, which is the study of the ancient world. I think I am blessed with the great opportunity I am benefitting from, and I feel that I am doing what I was meant to. I started studying ancient Greek and Latin back in High School, and after many years, I am still fascinated by learning aspects of the Greek culture, which is so relatable to modern times – in the long run, that has shaped me. Thus, I would say that the first positive aspect of doing research is to explore further a subject you are already interested in. The pressure is high and constant in academia, but the task is stimulating and varied, and this is an excellent incentive, especially considering that PhD research requires a lot of time alone, dedicated to your study. Working on something you are really interested in compensates for all the endless nights and busy days.

One more reason for liking the study of the ancient Greek society is that it highlights the ideals which have founded the basis of western culture, such as democracy, ideals of equality, criticism, justice, acceptance or scrutiny of the other, going beyond unambiguous interpretations and offering plural ways to read an event. Indeed, the awesome thing about studying the past, is its feasibility against modern concerns, providing a great contribution to the modern way of thinking. Overall, Classics teaches you to be boundless in thoughts and respectful of others – two of the best qualities for a human being.

I have been, and still am, so lucky to be in contact with people who have open minds. I would say that this is doubtlessly another aspect to include, namely the chance to continuously enlarge your academic network, meeting many encouraging people who unreservedly give more than you ask for. I have had the opportunity to meet a lot of scholars and fellows during the conferences I have attended, the days spent at University or periods spent in offices other than mine, which have definitely changed my approach to my study and have helped me growing up as a student and as an individual.

The last aspect I think worth noting is the chance to travel a lot. The lack of a set routine, allows more flexibility in plans. Particularly, in my department, PhD students are not asked to work on anything but their specific dissertation so everyone can organise their time as conveniently as possible. Moreover, the participation in conferences or activities far from my department or the need to consult other libraries where some exclusive documents are hosted, results in the encouragement of mobility.

Why do you think your specialism is important?

I have always believed that any individual should spend a bit of their time learning about past cultures. This comes from the strong belief that understanding ancient societies (and more widely, other societies) helps greatly to develop an awareness of what we are surrounded by in contemporary times. Understanding other people’s reactions to specific concerns, serves as an example to our own and can offer solutions. Particularly, my field of study is extremely useful for this. I study the dicastic trials and how the methods of argument employed by individual speakers interfaced, evaluating the ways in which storytelling contributed to the shaping of each case. The importance of competing stories in Athenian courtroom practice, is directly relevant to the idiosyncrasies of Athenian cultural practices and helps to understand the society and its members, by transcending the limits of purely factual and legal questions. I focus specific attention on issues of citizenship, inheritance trials, liturgies and the perception of the self. The broadness of these topics ensures a detailed investigation on themes which are very close to the contemporary us, and it is fascinating to understand what has changed between the ancient ways of thinking and what still remains today.

If you didn’t have the job you do, what else could you apply your skills to?

If I had not had the chance to start a PhD, I rather think I would have become a teacher or, maybe, a publisher. Since I was a child my greatest desire was to write books, especially for use in schools. I had always loved the processes behind publishing, experiencing it as I grew up via my parents working in that field. This is one of the reasons for my choosing Philology as a topic. At some point, I had also wondered about studying either chemistry or engineering. I was very enthusiastic about the idea of producing and contributing to a tactile subject (if I may use this definition), through a more practical approach. In any case, I think that an analytical and critical spirit is also strongly required in the sphere of classical studies – the ingredients of these sciences and humanities are common, although differently applied, and I do not regret my choice!

Did you always want to be what you are today?

This is the toughest question of the form. I still wonder what I am today! A PhD is not an especially defining commitment in your career. You feel part of the University but you are no more a proper ‘student’ than you are a full member of the staff! It is such a liquid position! Overall, this is twofold. On the one side, it gives you all the possibilities at hand, an exciting platform of opportunities on which to build. On the other, the lack of definition and concerns for the future are worrying. This means that throughout the years you alternate stages of comfort and discouragement. But this is part of the game, so in the end you learn to live with this feeling.

However, to answer the question, I would say yes – I have always loved doing research, and I still feel the same enthusiasm as my first day as an undergraduate student.

Where do you hope to be in 5 years time?

I would like to withdraw what I said before. This is the most challenging question! I have really no idea of what is next. I am full of dreams but I need to stay focused on the immediate achievements. Within 5 years I hope my doctoral thesis will be published,  then I could focus on other aspects which really interest me. I hope I would have a position in one of my top universities as a postdoc or a lecturer (may I include the University of Reading, too?!). I assume these would be my next achievements, however, I know how difficult these are to procure, so I try to remain confident but with my feet on the ground. Whatever will happens as long as I am happy, then its convenient. Moreover, I have many other personal goals that I wish to pursue, but I would rather not say them out loud for superstition’s sake!

What 3 tips would you give to someone who wants to follow a similar path?

  • Work hard to gain your goals. It does not matter how long your path takes, how difficult the road would be. All efforts are worthy of the energy spent in the end!
  • Do not think that a success lasts forever. Of course, a good result carries joy and satisfaction, but the fact that you have reached it should incentivise you to go further!
  • Focus on the big picture. Do not be discouraged if something goes wrong and you have not been able to achieve what you have aimed for in one month. Take all opportunities you can, meet as many people possible, do not close your door to extra activities and stay open to academic life and chances. All these things are part of your Ph.D – Do not limit yourself.

A Final Note

I have spent only a short period at the University of Reading- which was meant to last longer, but the pandemic forced the city’s closure. Nevertheless, those months were significant to me. I have experienced many things, from the volunteering activities with the Ancient Schoolroom, to participating in some enlightening seminars. I met the members of a remarkable department and long chats with Professors and colleagues have helped me to produce considerable pieces of my thesis, developing some theories which are now under peer review for publication. I feel lucky to have been part of this great department, and I wish this experience could be followed with other opportunities in future.

A part of the work I have done during my studies at the University of Reading is now published in an article which you can read here and I have recently been awarded a fellowship in Hellenic Studies! 

WHAT’s IT LIKE? Episode 5: Prof. Amy Smith –- A Specialist in Art History, Ancient Greek Ceramics & Classical Antiquities.

Interviewee: Prof. Amy Smith. Interviewer: Bunny Waring.
Date: 18th June 2021

Welcome to the Classic Department’s series What’s it Like? During these episodes staff, volunteers and students who specialise in all fields of Classics, Archaeology and Museums, will share with you the realities of their jobs. What to be a Linguist? Museum Curator? Archaeologist? Lecturer? Well Travelled Researcher? A Barrier-Breaker? Have No Idea? Then read on!

This week: Prof. Amy Smith

A Specialist in Art History, Ancient Greek Ceramics & Classical Antiquities.

 

 

Name: Prof. Amy Smith.
Area of Specialism: I am a classical archaeologist, with a particular interest in: ancient Greek ceramics; ancient iconography; digital classics; ancient religion & politics; museology; reception of Classical antiquities.
Topics of Interest: All of the above, plus female goddesses (esp. Athena, Aphrodite), heroes (esp. Herakles); red-figure painters (esp. the Pan Painter); sensory archaeology (esp. music); materiality.
Job Title: Professor of Classical Archaeology; Joint Head of the Department of Classics; Curator of the Ure Museum.
Job Responsibilities:

Professor of Classical Archaeology: Teach and research Classical archaeology & related subjects (e.g. ancient Greek language, Greek history); encourage, recruit (i.e. find funding for) & supervise postdocs (currently Signe Barfoed, on a Norwegian Research Council Grant) & PhD students. I get a two new PhD students next year, namely Summer Courts, working on ‘The Archaeology of Hidden Identity’ & Caitlin Laurence, working on ‘Statistical and Digital analysis of 6th-4th c. BC Attic pottery found in Anatolia’; engage with the worldwide community of scholars incl. external examining undergrads (currently at KCL) & postgrads (currently external examiner to Leeds PhD); serving on advisory boards & committees (e.g. editorial board for New Classicists & Claros); outreach to schools & other national audiences); & much else!

Joint Head of Department: I share this job with Barbara Goff (which is a godsend) because both of us have other big administrative jobs that we can’t really get rid of—she’s Departmental Director of Teaching & Learning; I’m Curator of the Ure; we divided it along lines that fit with those roles. So while she does the student-facing things I do the outreach & research, incl. postgraduates for the most part. That entails amongst other things organising and hosting our department’s online research seminars, which we’re now (with the speakers’ permission) beginning to share on our Department’s YouTube account. This term I’ve been working with marketing partners on devising a new department website: fun finding pictures & stories but challenging like so many such projects that come from ‘above’ because fitting into the dreaded ‘template’ stifles our creativity.

Curator of the Ure Museum: Of all of my jobs this is the one that is most variable from day to day, week to week, year to year. I’ve been doing it for nearly 21 years now, during which time we’ve had major analogue and digital projects, like redesigning the Ure’s learning environment (i.e. restyling the place) in 2004-5, creating our own bespoke database (https://uremuseum.org/cgi-bin/ure/uredb.cgi), redesigning (twice) & maintaining our museum website, temporary exhibitions, e.g. our upcoming Spotlight Loan from the British Museum: ‘Troy: Beauty and Heroism’ (21 September-12 December 2021; already twice postponed!). Normal day-to-day stuff includes answering scholarly requests about visiting, studying & using our artefacts & archives for research; representing the Ure Museum at network meetings, conferences, etc.; supervising & supporting but not line-managing two part-time members of staff—Jayne Holly (Assistant Curator) & Claudina Romero Mayorga (Education Officer)—and with them recruiting & supervising (& seeking funding for) interns, volunteers, & other helpers; chivvying members of the department staff to help us out from time to time; seeking small and large pots of money to do pretty much everything; and running our own research activities including seminars etc. We have no internal funding, except for staff, & no external funding unless we go out & find it, so everything is on a shoestring, which means we’re very good at putting interns & volunteers to good use (e.g. on our Museum in a box projects & a forthcoming lesson in a box on democracy with Study Higher).

Introduction

I was born in Libya & my dad took credit for my becoming an archaeologist because he took my mum to Leptis Magna when she was pregnant. I think it more likely that my childhood in London inspired me: museums were free, we lived near them, & I ducked into them when it was raining! My English teacher in preparatory school loved the painter J.M.W. Turner so she developed my art historical interests, while my history teacher in secondary school told us all about Minoan civilisations! Shortly after that, I visited Corfu, which I still remember as my favourite childhood holiday (I was already a Gerald Durrell fan). Archaeology finally won out in university when I was lucky enough to be taught Greek mythology by a bronze age archaeologist (Jerry Rutter at Dartmouth). Before I pursued postgraduate studies at Yale, I took a detour into publishing & after a few years as Assistant Editor of the American Journal of Archaeology (a brilliant opportunity, and fun to live in Boston) I realised that I enjoyed the content of the articles slightly more than fiddling with the layout, proofreading etc. At Yale I got to work with Curator Susan Matheson at the Yale Art Gallery & was torn whether to pursue a university or museum career. So when Reading interviewed me in the Ure Museum I jumped at the chance to combine both.

I am very lucky to have a job doing lots of things I love: teaching, helping younger people develop skills, both in the classroom & in the museum, research & much else. Being an archaeologist I am genuinely interdisciplinary: (1) I like how a combination of sources—material culture, ancient texts, scientific analysis, etc.—help us piece it all together; (2) I don’t have to restrict myself to one time period, culture group, or place, because of course cultures have always bumped shoulders with each other and (3) the more I study antiquity the more I realise the importance of intellectual history, that is, understanding how and why our society has inherited perspectives gained from other cultures & societies that have responded to the ‘Classics’ since antiquity

What is your daily life really like?

Working from home during lockdown gives me more of a pattern than I used to have, but either way, I tend to wake up early, take a swim or a run or both, eat a big breakfast (I keep chickens!) and then settle down to my laptop, reading, answering and/or deleting the tonnes of emails I receive. This is all interspersed with meetings & classes in term time, checking my schedule for upcoming deadlines for grant applications, presentations or papers I’ve promised to give, references I need to write, teaching sessions to prepare and the associated marking. Summer term, which is never-ending in times of COVID19, is dominated by marking. If the sun is shining, I might try to take a midday break in the garden or take a walk/cycle ride to an errand, just to get me out of the house. For research, (that I prefer to do in a library), I try to block off time either a whole day or at least a whole afternoon to let me get in the right mindset, but there’s never enough time for research, especially during term time. If I’m doing research or writing at home sometimes a quiet evening might give me the chance to focus without noticing the time passing. I’m a big multitasker so I might cook at the same time (I’m a firm believer in slow cooking, including sourdough bread). Now that we’re allowed into the Oxford libraries again I’m booking as much time as I can—including weekends—to research there.

The Museum work is interspersed throughout my Professor work and often indistinguishable from it, visavis research. A lot of people both within & beyond the University treat me like I’m either Curator or Professor or Head of Department or even web editor, i.e. like I’ve only got one job! Since the first lockdown, I’ve had had weekly meetings with my Ure colleagues so that we can touch base with each other on our many initiatives & what the various interns/volunteers are doing with/for us. In many ways, my curatorial work is my most important ‘teaching’. I’m very proud of the huge number of assistant curators, interns & volunteers we’ve had in the Ure over the years: some have gone on to get their MAs or PhDs & become successful curators or other museum professionals, teachers, lecturers, researchers, editors, filmmakers. I’m just as proud of the others who have developed skills from time spent in museums & academia, such as event planning and marketing.

What is the best part of your job?

The best thing about my job is that no two days or weeks or years are the same: I have worked in lots of different & very wonderful places, with amazing & interesting people.  I have flexibility with my schedule, although—especially nowadays—our work is never done (and this is the worst part). Like most academics, I do maybe an average of 1.5 x more hours than my employers think.

Why do you think your specialism is important?

My work is important for 3 big reasons.
(1) Teaching, (i.e. helping young people learn about their world & how they might contribute to it), is an essential thing & a great privilege.
(2) We need to learn from the past! Archaeology helps us fill in the gaps provided by the biased texts, giving us perhaps a more honest glimpse at real people. To be fair, as an art historical archaeologist I tend to look at the stuff that richer people used, yet it still helps everyone to understand how it has been used, seen & understood by humble people too.
(3) Helping audiences young and old, academic & general to engage with museum content is a brilliant way to bring together teaching, learning about the past, & developing peoples’ interpretative confidence. Anyone can have a good and inspiring interpretation of an artefact that contributes to our understanding of (pre)history. In these three ways, I think I can, and do, make a difference.

 If you didn’t have your current job, what else could you apply your skills to?

If you’ve read this far you’ll know that I’ve dabbled in editorial & museum work; I was taught my proofreading skills when I worked as a paralegal intern! So I’m sure I could apply myself to all of those tasks, ‘tho my best friend in high school & I dreamed of opening a bakery, & I sometimes think that I might enjoy running a pub or café on the river.

Did you always want to be what you are today?

No, only since I watched Indiana Jones (Raiders of the Lost Ark). Actually, that film gave me the excuse to study ‘Classical Archaeology’ as an undergraduate, but throughout that degree, my MA, MPhil & PhD, I just thought I’d push it as far as I could (& as long as I could get funding for my studies—see below). Imagine my surprise when I actually got a job (at Tufts University) & started to think I might actually become a Classical Archaeologist!

Where do you hope to be in 5 years time?

I hope to be a Professor, still at Reading (perfectly situated between London & Oxford, with excellent access to airports), but perhaps not Joint Head of Department anymore. I hope that I’d have had the chance to visit China (I was scheduled to go there in March 2020!) & to take up my Visiting Professorship at University of Queensland (postponed since Autumn 2020) & much more in terms of travel to collections, conferences, etc. If universities go belly up then I’d like to be sailing around the world.

 What 3 tips would you give to someone who wants to follow a similar path?

Don’t pursue academia unless you’re doing it for the knowledge & fun; that is, don’t just do it for the career/job because that might not ever happen. So keep your eyes opened for other opportunities & don’t be afraid to jump out of your comfort zone. The best advice (which I’d like to pass on) was from a friend of a friend in the finance office at Boston University. She said ‘don’t bother with a PhD unless you get a fellowship’. The logic, that if you don’t rise to the top of the pile (of students) at that stage then it will be hard for you to rise to the top later in your career, is unfortunately true. That said, whatever you choose to do, put your all into it, make it work, and have fun: your own enjoyment will enthuse others & make everyone (including yourself) enjoy it that much more.

What to know more?

Head over to the Ure Museum for our new exhibition on Troy or read about the fascinating foot vase at the top of this article here.

MA Colloquim 2021: Current Research Including Identity, Irrigation and Infliction!

Author: Katherine Harloe. Edits: Bunny Waring
Date: 16th June 2021.

 

The Department of Classics welcomes all to the 2021 MA Colloquim, where current researching students give papers on their work in progress.

Join us for some fascinating seminars and discussions online via Microsoft Teams on

Tuesday 29 June 2021 between 10:00am – 5pm

 

ALL ARE WELCOME TO THIS FREE EVENT.

 

Please register by midday, 25 June at https://forms.office.com/r/a3vHf1wPTr
or by emailing execsupporthumanities@reading.ac.uk

 

PROGRAMME

10:00 am: Welcome (Katherine Harloe)
10:15 – 11:15: Session 1

Chairs: Rebecca Lightfoot, Aidan Richardson and Elliot Zadurian

Massimo Rossetti: To what extent did the Romans develop a state centralised water
policy in the late Republic and early Imperial eras?

Curtis Hill: The wealth of the Roman senatorial elite: a source of control or a catalyst for
conflict?
Klara Hegedus: The Catilinarian conspiracy of 63 BCE. The act of a degenerate individual,
or an almost inevitable by-product of the changing political order?

11:15 – 11:30: Break
11:30 – 12:30 pm: Session 2

Chairs: Sue Vincent, Dulcimer Thompson and Jess Wragg

Louis Hope: To what extent did a Panhellenic identity exist during the period from the
beginning of the Persian Wars to the invasion of Persia by Alexander the Great?

Aaron Cox: All roads lead to Rhodes? A brief look into the politics of the Hellenistic
Mediterranean.

Charles Stewart: Demos, aristocracy, and empire: power relations and political
institutions in the Greek cities of Asia Minor under Roman rule.

12:30 – 1:30pm: Lunch
1:30 – 2:30pm: Session 3

Chairs: Aaron Cox, Charles Stewart and Louis Hope

Dulcimer Thompson: Examining the presence and effect of internalised misogyny in the
female characters of Classical literature.

Jess Wragg: Breaking the boundaries: gender nonconformity in Ancient Greece.

Sue Vincent: Hecabe – from magnificent matriarch to murderous mother?

3:30 – 3:45pm: Break
3:45 – 4:45pm: Session 4

Chairs:tbc.

Elliot Zadurian: Unjust deliveries of justice: the implications of the agon and law-court
scenes in ancient Greek Drama.

Rebecca Lightfoot: ‘The Bad Place.’ an exploration of punishment and the afterlife in
Egypt, Greece and the Near East.

Aidan Richardson: Is Plutarch’s claim to be writing “not Histories but Lives” true?
4:45pm: Wrap up/closing remarks

AMPAL 2020-2021 is COMING! Registration is still open! Don’t miss our Keynote speech!

Author: Dania Kamini. Edits: Bunny Waring.
Date: 4th June 2021.

Only two weeks until AMPAL 2020-2021! The event will be held online on MS TEAMS from 17th -19th June 2021. This year’s theme is ‘Fear in Ancient Culture’. We are excited to invite you to this year’s keynote speech, which will be delivered by Professor Fiona McHardy of the University of Roehampton on 18th June at 5pm. 

Please note: Everyone is welcome to this free, online event, but you must register to receive access codes. To do so head to the AMPAL site here: https://ampal2020.wordpress.com/registration/

BEFORE 11th June 2021. 

Fear of Revenge in Euripidean Tragedy (abstract)

Young children in Greek literature are frequently shown as fearful, cowering in the arms of their mothers or nurses. Yet tiny infants such as these can strike fear into the hearts of even the most battle-weary and experienced warriors, and as yet unborn babies can make even mighty kings fearful. Within both political conflicts and wartime disputes, young children are perceived to pose a threat as the heirs of their fathers’ and grandfathers’ enmities. Though small and weak, young boys are the cause of such fear in grown men because of the expectation they will grow up to exact lethal revenge on the enemies of their families in the future. This expectation leaves the children vulnerable to murderous attacks in tragic plotlines. Consideration of extant and fragmentary plays reveals that this unsettling theme was one that Euripides returned to often suggesting that this concept of fear resonated with the fifth-century audience. Through exploration of contemporary ideas about young children and babies as avengers, underpinned by comparative anthropology and psychology, this lecture unravels the dynamics of fear associated with children within the plays of Euripides set within their literary and social context.

All welcome!  We look forward to welcoming you to AMPAL 2020-2021!

Registration for the AMPAL Conference is now open! (Until 10th June 2021)

Author: Doukissa Kamini. Edits: Bunny Waring.
Date: 2nd June 2021.

 

You are warmly invited to register to attend the Annual Meeting of Postgraduates in Ancient Literature (AMPAL) 2020-2021 to be held online at MS Teams from 17th to 19th June 2021! Registration will remain open until 10th June 2021.

The theme of AMPAL 2020-2021 is ‘Fear in Ancient Culture’, about which, Postgraduates from both the UK and abroad will provide a series of presentations on literary, interdisciplinary, and historical approaches. The event will be accompanied by a virtual tour of the Ure Museum, a presentation of a student-curated online exhibition entitled ‘Fear Beyond Words’, and a Keynote Speech by Professor Fiona McHardy (University of Roehampton) on fear of revenge in Euripidean tragedies. You can find a list of titles as well as more details on the Keynote Speech and other aspects of AMPAL on the official website, where a list of abstracts and a programme are available.

To register for this free, online event please click here.

Please contact us at lks19a@reading.ac.uk for any questions and/or special requirements.

Best wishes,

Dania Kamini

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Visit AMPAL website: https://ampal2020.wordpress.com/