Reading students live as Romans for a week

This blog was written by Alexa Wolff and Rebekah Marsh, second-year students in the Department of Classics at the University of Reading.

This year was the third year the ancient schoolroom came to Butser Ancient Farm to run a week of activities, and it was an incredible time and a great experience. It was our first time attending the week at Butser, and we both had just the most amazing time. A week of living like an ancient Roman may sound a touch daunting – I was a little apprehensive about having to eat like a Roman! – but it was a great week and we all had a lot of fun.

Reading Ancient Schoolroom team at Butser Ancient Farm

Figure 1: Reading Ancient Schoolroom team at Butser Ancient Farm

The Reading Ancient Schoolroom usually offers a day of activities in schools, but our week at Butser involved so much more. Beyond the usual schoolroom activities of reading and writing (including on wax tablets and with ink and pens made by participants!) and Roman arithmetic with beans and counting boards, the schoolroom team also ran a range of fantastic workshops and smaller activities, like spinning yarn and engraving magical gems.

Alexa in the Schoolroom

Figure 2: Alexa in the Schoolroom

Jacinta Hunter (BA Reading 2025) put on two fantastic plays, adapted for a younger cast – Aeschylus’ Agamemnon and Plautus’ Miles Gloriosus, a Greek tragedy and a Roman comedy. We were both able to act in Agamemnon – I played Cassandra, a tragic prophet; the herald; and Aegisthus, a sleazy interloper to the royal court. Rebekah did a fantastic job as Clytemnestra, the queen who took her revenge against her husband. Beyond just the play, we spent time rehearsing and developing acting skills, including going into depth about the characters from the ancient plays. The highlight of Agamemnon, as I’m sure the audience would agree, was our fellow ancient Roman Nicole Wellington getting brought out in a wheelbarrow as the corpse of Agamemnon himself. Miles Gloriosus was also a success and very well-loved by the audience of farm visitors and volunteers, and the children had a fantastic time – and did a great job remembering all the Roman names!

Other workshops included learning about Roman graffiti, having a deeper look into Roman maths and even investigating Roman currency, and getting the chance to create our very own Vindolanda tablet. We also ran some smaller activities during the day – third-year student Lucy French showed visitors how to use a drop spindle and sew their own small Roman purses and I wandered around the farm, ‘selling’ Roman curse tablets (and getting thrown out of the villa for my illegal practices!).

Rebekah in Costume

Figure 3: Rebekah in Costume

After the visitors left for the day, we continued to live as Romans – we ditched the tunics, but moved up to the Anglo-Saxon longhouse to prepare our Roman dinners. Rebekah stoked the fire every night that we used for our cooking, and we took recipes from the Gladiatoren Kochbuch and Sally Grainger’s recipe books, which use Apicius as a main source. Rebekah’s favourite Roman meal was the Roman pasta soup that PhD student Adel Ternovacz cooked (with an honourable mention going to Nicole’s mushroom patina and stuffed dates!), and I particularly enjoyed the Romano-British pork skewers that Jacinta made.

A garden breakfast

Figure 4: A garden breakfast

The schoolroom team stayed in the farm even overnight. We had ample sleeping spots to choose from, ranging from a Neolithic hut (which had a very welcoming skull over the door) to the Anglo-Saxon longhouse, but we both elected to spend as many nights as possible inside the Roman villa, which was remarkably similar to modern buildings. We were well sheltered from wind and rain, and even had the opportunity to sleep on Roman beds! The Bronze Age hut was a popular spot due to the family of swallows living in the roof, but we preferred to stay inside a building with a door.

Alexa in Costume

Figure 5: Alexa in Costume

The farm was all in all a very welcoming place to stay, and we made good friends with our neighbours the goats. Nutmeg tried at one point to eat Rebekah’s Roman bag, but we have elected to forgive her. The goats had to make space for us as well as a group of historical music specialists, so the days were certainly never dull, as we had the chance to meet so many visitors and volunteers.

We had a fantastic time – we were both apprehensive at first, but it was a really great experience, and we’re already looking forward to next year! The team were so welcoming and amazing, and getting the chance to learn from other people from all walks of life was incredible – Nicole flew all the way from Boston to help out, which definitely wins the award for furthest distance travelled! It was a brilliant opportunity and I hope to take part in many more activities with the schoolroom to come.

Roman arithmetic for all

Roman arithmetic at the Reading Ancient Schoolroom.

Figure 1: Roman arithmetic at the Reading Ancient Schoolroom.

Roman arithmetic has long been among the most popular offerings of the Reading Ancient Schoolroom, and visitors have often asked if help could be made available to learn or practice these fascinating techniques independently. Now two of the team members have produced videos with step-by-step explanations of some of our reconstructions of ancient methods, and posted them on the ancient schoolroom’s new YouTube channel.

The arithmetic teacher in these videos is Philomen Probert, Professor of Classical Philology and Linguistics at Oxford and the person who first created the ancient schoolroom’s arithmetic offerings. Philomen comments, “In the Reading Ancient Schoolroom, we’ve been experimenting with what we know about Roman equipment and methods for doing arithmetic. Our direct evidence is rather limited, and this is where experimenting comes in: how many ways of adding, subtracting, multiplying and dividing can we come up with on a Roman abacus, and which do we find work best? And do we all agree on which methods work best? And especially if not (actually we’re having some very interesting debates!), how much diversity might there have been in Roman practice: did Romans all have their own favourite tricks? And what about when they learnt the first steps at school…perhaps they started off learning one set of methods and branched out later, as they worked out their favourite short-cuts? We’ll probably never know for sure, but among the things we’ve been learning are that on a Roman abacus and counting board, it’s at least possible to do even quite complex calculations with much less mental arithmetic than has been thought. All this raises the question whether Roman children might have learnt to multiply and divide even quite large numbers before they learnt their multiplication tables, or while they were still learning them.”

Prof. Philomen Probert leading a Roman arithmetic session at the Reading Ancient Schoolroom.

Figure 2: Prof. Philomen Probert leading a Roman arithmetic session at the Reading Ancient Schoolroom.

The student in the videos is Eleanor Dickey, Professor of Classics at Reading and the person who originally created the ancient schoolroom. (Eleanor is also Philomen’s wife, which is how the two happened to be together at the Münchner Zentrum für antike Welten in Munich last year, where the videos were filmed with the assistance of camerawoman Nora Schwaabe. Thank you Nora!) Eleanor comments, “I am delighted that our schoolroom’s Roman arithmetic is now accessible to people all over the world. Philomen and Charles Stewart (the other pillar of the schoolroom’s arithmetic reconstructions and one of the Trustees of the Reading Ancient Schoolroom charity) have spent so much time and energy researching and debating and experimenting that it would be a great pity not to share the results with the rest of the world. I hope viewers have as much fun watching these videos as we did making them!”

For more information about the ancient schoolroom, see www.readingancientschoolroom.com.

Students, professors and alumni to offer hands-on experiences of ancient activities

Would you like to try learning Latin the way it was done 2000 years ago? Or would your child enjoy performing a Greek tragedy or Roman comedy, or experimenting with Roman magic, or learning Roman arithmetic? Or attending a Roman school for a few hours? If so, we have something for you this August! The Reading Ancient Schoolroom is teaming up with Butser Ancient Farm to offer a series of high-quality research-based workshops for adults and children in the idyllic setting of Butser’s reconstructed Roman villa (pictured). Highlights include:

Professor Eleanor Dickey FBA, the leading expert on how people learned Latin in ancient times, offers a one-day Latin workshop for adults. She will attempt to re-create the learning experience provided by the very first Roman schools in England, which were set up in the first century AD by the Roman general Agricola:

https://www.butserancientfarm.co.uk/whats-on/calendar/learning-latin

 

Charles Stewart, who graduated with a BA in Ancient History in 2018 and an MA in 2019, offers a half-day workshop for children on Roman arithmetic, in collaboration with Professor Philomen Probert of Oxford University. This arithmetic, done with counters on a board, is highly visual and feels very different from our own writing-based maths, making it a perfect way for children to explore arithmetical processes in a creative and non-threatening manner:

https://www.butserancientfarm.co.uk/whats-on/calendar/roman-arithmetic-kids-workshop

 

Jacinta Hunter, who has just graduated with a BA in Classical Studies, offers two one-day drama workshops for children, giving them the chance to act in (a shortened version of) an ancient play without having to memorise lines. The first workshop will culminate in a performance of Aeschylus’ Agamemnon and the second in one of Plautus’ Braggart Soldier:

https://www.butserancientfarm.co.uk/whats-on/calendar/youth-drama-day-greek-tragedy

https://www.butserancientfarm.co.uk/whats-on/calendar/youth-drama-day-roman-comedy

 

Adel Ternovacz, a current PhD student, offers a half-day workshop on Roman magic for children, in collaboration with Professor Eleanor Dickey FBA. Adel brings her research on magical gems to life with a charm against tummyache, while Eleanor shows participants how the Romans invoked divine help to recover stolen goods:

https://www.butserancientfarm.co.uk/whats-on/calendar/roman-magic-kids-workshop

 

And the whole team, including three current undergraduates, will offer a re-creation of a Roman school:

https://www.butserancientfarm.co.uk/whats-on/calendar/august-ancient-schoolroom-1

We look forward to seeing you there!

Classics Staff awarded for Teaching, Research, and Outreach

As we come to the end of the 2024-2025 academic year, we would like to take a moment to celebrate the recent successes of UoR Classics staff for their teaching, research, and outreach work.

 

RSU Teaching Excellence Award for the School of Humanities

Dr. Dania Kamini received this award from the Reading Student Union for the second year in a row in May 2025. Student testimonials attest that Dania has gone “above and beyond” for her students, supporting them with extra tutorials and accommodating their needs.

Prof. Emma Aston and Dr. Andrew Fox were also nominated for this award for their teaching work during the 2024-2025 academic year.

Dr Tim Penn, Prof. Eleanor Dickey, and Dr. Dania Kamini were nominated for the RSU Academic Tutor Excellence Award as well.

 

Collaborative Award for Outstanding Contribution to Teaching and Learning

The iGAIAS project team, lead by Jackie Baines and Dr. Edward A. S. Ross, received this award in April 2025 as recognition for their work exploring how generative artificial intelligence (AI) is impacting teaching and learning the ancient world and making AI ethics accessible to the broader public. This outreach work included their recent temporary exhibit at the Ure Museum of Greek Archaeology, “Distorted History: AI’s Skewed Visions of the Ancient World”.

The full collaborative team includes: Jackie Baines, Dr. Edward A. S. Ross, Prof. Amy Smith, Prof. Enza Siciliano Verruccio, Jayne Holly, Dr. Tim Penn, Victoria Stevens, Shona Carter-Griffiths, Hannah Gage, Jacinta Hunter, Fleur McRitchie Pratt, Nisha Patel, Eve Richards-Fowkes, and Henry Tandy.

 

ECR Output Prize (Heritage and Creativity)

Dr. Sam Agbamu received this award for his recent monograph Restorations of Empire in Africa: Ancient Rome and Modern Italy’s African Colonies in April 2025. This book is the first full-length study to investigate how modern Italian imperialism used the memory of the Roman empire in support of its colonial endeavours in Africa. It is available through Oxford University Press here.

 

Professional Services Award – Engaged University (Nominee)

Naomi Miller was nominated for this award for her work bringing Ancient Rome to school children across the Berkshire region. In just the past year, her work has successfully rolled out fascinating teaching and research innovation from UoR Classics to hundreds of children. Naomi’s work was recently featured in the UoR Community Festival Research highlights here.

Butser Ancient Schoolroom 2024

This post was written by undergraduate student Jacinta Hunter.

The Ancient Schoolroom’s second summer residency at Butser Ancient Farm was no less magical than the first: swallows wheeled and darted around us as we walked from era to era; four-horned sheep still grazed in the adjoining fields; we cooked Roman meals over an open fire each night; and a recently born kid goat called Nutmeg greeted us each morning with enthusiastic bleating.

However our daily routine was a little different this time. As well as the usual schoolroom activities of reading, writing, and counting board maths, we were able (thanks to a host of Reading staff, students, and Schoolroom associates) to also offer spinning, board games, gem-charm making, curse-writing, and geometry!

Gem carving

But perhaps the biggest difference was the addition of two all-day workshops, which involved staging an entire play, with a cast of 6-12-year-olds, over the course of one afternoon. The plays in question were Aeschylus’ Agamemnon and Plautus’ Miles Gloriosus, which I (with the help of my ever supportive fiancé) adapted into short, child-friendly scripts, and made props and costumes for. Many a late night in the lead-up to Butser found us sewing capes, constructing cardboard weapons, and flicking red paint at an old sheet so Agamemnon could have a suitably (but not too gruesomely) bloodied robe.

This was a new endeavour for both me and the Ancient Schoolroom, so I was rather nervous about how well it would all turn out. But I needn’t have worried at all as, thanks in large part to the amazing support and diligence of the rest of the Schoolroom team, each play was triumph!

There was a real sense of anticipation in the air once our young actors were in costume and the audience of parents and guardians was in place, and the children really rose to the occasion. Highlights from Agamemnon included: a particularly spectacular entrance of the chorus with their walking sticks; a spirited characterisation of frustrated Cassandra; a surprise star-turn from Aegisthus; and a comedic entrance of the ‘dead’ Agamemnon in a wheelbarrow, which raised a hearty laugh from the audience.

Miles Gloriosus, with its complex and farcical plot, proved a little more challenging, but our performers still carried it off with aplomb. Credit for this has to go in large part to our very talented Palaestrio, who somehow knew what was going on after only one rehearsal, and to all the rest of our fabulous actors doing an excellent job at remembering which door they should be going through when!

I felt very proud of the performances, actors, and Schoolroom team, and it was lovely to have these feelings validated by positive feedback from the parents and Butser staff.

The Roman villa and performance area

Jacinta taking a short break

What with all these new activities, all day workshops, and productions, it certainly felt like we were doing rather more work than play, so we were very excited to be invited back to Sally Grainger’s house for another expertly cooked, authentic Roman meal. We were even joined by our very own Professor Emma Aston, which made it all the more special.

Sally Grainger preparing us for a garum tasting

Emma, and Roman fruit

The core Schoolroom team enjoying some downtime

Of course, all good things have to come to an end. I felt sad as we packed the car and bid farewell to each other on our final morning, knowing I was leaving the darting swallows, clear night skies, open fires, and Nutmeg the goat behind. But not too sad, as I know it will be just as magical next year.

Prof. Eleanor Dickey speaks to pupils at Garth Hill College

We were thrilled to see the opening session of this years’ Garth Hill College Military History Society being led by University of Reading’s Professor Eleanor Dickey. 

The session was designed specifically for the society, and saw pupils learning how people living in Vindolanda, near Hadrian’s wall, wrote letters to each other. Pupils were able to use replica tools to write out their own letter, which they could then take home.

It was great to hear how much the students enjoyed the session, and we thank Garth Hill College and of course Professor Dickey for hosting.

You can read the full bulletin from Garth Hill College here.

 

New book: Latin Loanwords in Ancient Greek: A Lexicon and Analysis

Professor Eleanor Dickey’s new book on Latin words in ancient Greek is being published by Cambridge University Press on June 15th. Colleagues interviewed her about this momentous (for her, at least) event and learned some surprising facts.

Q: How long is your book?

A: Over 700 pages.

Q: Goodness, why did you do a silly thing like that? You could have split it in thirds and gotten credit for three books!

A: You’re right, I admit it – but a dictionary isn’t easy to split up. Plus it’s not only a dictionary, but also a study of which words were borrowed and when and where and why. So when I thought about dividing it into multiple volumes, I had hideous visions of readers ending up with just one of those volumes and having the research questions but not the answers, or the answers without the questions. Or either without the references. When I was writing this book I spent a lot of time with a study of Latin loanwords published over a century ago by someone who split his work into two parts. He put the list of references in the first part, which has totally disappeared; as far as I can tell no scholar in my lifetime has ever found it. So no-one can understand what the abbreviations in the second part mean, and no-one can trace the sources. Therefore the second part is still cited, rather grudgingly, by people who would much prefer to cite its sources. I realise that this is one way to improve your citation index, but still I wouldn’t want anyone to feel about me the way people feel about that man. So I squeezed this book all into one massive volume to make sure that anyone who got hold of it would get the whole thing.

Q: Ah, I see. Your book is a service to scholarship, and that’s why it’s so big that no-one can afford to buy it – how much is it selling for, anyway?

A: I would prefer not to answer that question, if you don’t mind.

Q: Sorry. Maybe tell us some fun facts from your book?

A: The modern Greek word for ‘lettuce’ comes from the Latin word for ‘bitter’. Very appropriate, I think.

Q: Where does modern Greek come into it? I thought this was a book about ancient Greek?

A: It is about ancient Greek, but for each word borrowed, I look at how long that word survived, and about a quarter of the ancient Latin loanwords survive all the way into modern Greek. The modern Greek words for ‘sausage’ and ‘belt’ and ‘bird’ and ‘yellow’ are also from Latin.

Q: Good heavens, why were they borrowing words like that? Didn’t the Classical Greeks have words for those things?

A: Yes, they did, but those words got replaced by Latin borrowings, because during the Roman empire Greek speakers thought Latin was really cool as a way to express some kinds of ideas. Not everything, just certain things. Like today, for many English speakers, French has cachet for naming items of food and clothing, but not for football terminology. For the Greeks, Latin also had cachet for food and clothing, but not for boating or farming terminology. Most cultures seem to feel that foreign words are cool for food and clothing, in fact.

Q: Yes, like coq au vin and haute couture. What other topics caused the Greeks to reach for Latin words?

A: They loved borrowing words for titles of officials in the imperial bureaucracy; you just couldn’t be properly bureaucratic without a Latin title. This was a bit of a problem in late antiquity, when the Latin-speaking half of the empire basically disappeared and the Greek speakers who needed Latin titles were cut off from the Latin speakers who would normally produce them.

Q: But couldn’t they just go on using their old Latin titles?

A: Not always, because you know what bureaucratic types are like. They love reorganising things, and they want everyone to see that they’ve reorganised things, so they need to find new titles to make people notice.

Q: I see. So what did they do?

A: They made up their own Latin titles by putting together Latin words. For example, the Romans had a set of titles starting with a meaning ‘from’, like a secretis ‘from secrets’, that is, the person in charge of secrets. So the Greeks made the title a brevis ‘from letters’.

Q: How do you know they didn’t take that from the Romans? Even if we don’t have it in Latin, surely that could just be an accident of survival?

A: Brevis belongs to the third declension, and a takes the ablative, so a Roman could never say a brevis; it would have to be a brevibus.

Q: Oh yes, of course. I knew that. Er, what’s your favourite Latin loanword?

A: Aditeusantes, aorist participle of aditeuo, which means ‘having entered into an inheritance’.

Q: That looks awfully Greek; are you sure that’s a Latin loanword? What Latin word do you think it comes from?

A: It comes from adeo ‘enter’, but you’d never know that to look at it. The Greeks knew, though, because they wrote aditeusantes in Latin letters.

Q: Wow. Where can we find out more?

A: Try Cambridge University Press’s page for the book, or their blog post, which is a bit more serious than this one.

Two months in Paris

When the Greek department of the Sorbonne University invited me to spend a term in Paris as visiting professor, my first instinct was to refuse. Owing to having been assaulted and insulted in equal measure there in my younger days I’d vowed never to set foot in France again – in fact I’d made that vow twice, having imprudently given France a second chance once before. But then again, can one really turn down an offer from the Sorbonne? The chance to teach some of the world’s top students, and to do it in French? Working with top scholars, using some of the world’s best libraries? So in the end I nervously accepted.

Stained glass panel in the Musée de Cluny

I needn’t have worried; perhaps France has changed, or maybe it’s just that I’ve gotten older and less attractive, but in two months there I was not attacked once. In fact, everyone was lovely to me (even the supervisor of the apartment building – previously I had never even heard of a nice super), and I had a great time. The library was amazing, and the students were terrific. A group of them worked together with me to make an edition and translation of an unpublished text: deciphering something that probably hadn’t been read in centuries, comparing the manuscripts to work out how they are related and which readings are more likely to be original, making an apparatus criticus, translating the text, tracking down quotations and historical references to figure out when and where it was first written, etc. Of course this process couldn’t be fully finished in two months, particularly as a sharp-eyed student found more manuscripts of our text just before I left Paris, but that means that we’re still working on it remotely, which is also fun. I can’t tell you quite what the text is, because we still don’t entirely know, but part of it consists of letters between a (probably fictional) fifteenth-century university student and his family. The family accuses the student of wasting time and money, and he assures them that he is studying very hard and never ever goes to parties, except for the ones that all the students attend …

I also gave lectures summarising my forthcoming book on Latin loanwords in ancient Greek. The book itself put a bit of a damper on my Paris visit, because the second proofs arrived while I was there. They were better than the first proofs, which had blighted my existence from September to January, but still problematic enough to put strict limits on the amount of sightseeing I could do during the four weeks for which I had them. However, when I managed to stop thinking about the problems in the proofs turning the book into French lectures was great fun. One lecture on which Latin words the Greeks chose to borrow and why, one on when and where they borrowed Latin words, one on what happened to the ancient loanwords in Byzantine and modern Greek, and one on what the evidence is for all this, how borrowing worked, and why the relationship between English and French is uncannily similar to that between Latin and Greek … I was in clover.

Nevertheless, in some respects teaching in Paris has given me an enhanced appreciation of Reading. Paris seems to be constantly full of demonstrations, protests, and occasionally riots; the main issue of contention while I was there was that people did not want the retirement age to be raised from 62 to 64, but there were also protests about many other issues, some completely beyond my comprehension. The French seem to take to the streets at the level of concern that would cause a British person to sign an online petition. And the Sorbonne is so afraid of being invaded and looted by protesters that every time there is the slightest danger, the whole university closes down and all classes are held on Zoom. One day when no big demonstrations were planned the Sorbonne nevertheless closed because there were about three students standing in front of one entrance to the main building and ‘blocking’ it with a little pile of wheelie bins and e-scooters. The door could have been unblocked in under 10 minutes by one not very strong individual, or we could just have used the other doors, but no – the whole university shut down, even departments in completely separate buildings. I found it very entertaining, though the amusement clearly wears off when one deals with this kind of thing on a regular basis.

Even when the university is open, teaching at the Sorbonne is not without difficulty. All classes are hybrid, but the IT is unreliable. You start off a class and then have to stop after 5 minutes because the online audience can’t see the slides, or because they can’t hear, or because the technician that you booked for an hour beforehand to solve these issues has finally showed up only after the start of the class. Then the technician takes a quarter of an hour of class time trying and failing to make the IT work, so not only do you have to abandon the online audience, but by the time he leaves everyone in the room has forgotten what happened in the first 5 minutes and you have to start over.

So despite how much fun Paris was, it’s also nice to be back here – and I am so glad that Reading decided against hybrid teaching!

L-R: Alessandro Garcea, Frederique Biville, Eleanor Dickey, Philomen Probert

Written by Professor Eleanor Dickey

‘Learning Latin the Ancient Way’ translated into German

A German translation of my book Learning Latin the Ancient Way (Cambridge 2016) was published last month by the Swiss press Schwabe with the title Latein lernen wie in der Antike. It’s a fantastic translation, in places better than the original, and so far it has been quite a hit, with the German Classicists’ Association (Deutscher Altphilologenverband) naming it their Publication of the Month. So I am super pleased!

The process behind this publication began in 2019, when a lovely woman named Marion Schneider contacted me out of the blue to say she wanted to translate the book to facilitate its use in German schools. Naturally I thought this was a great idea, and so did my publisher, Cambridge University Press; convincing Schwabe took a little longer, but eventually they came round, and I hope they won’t regret it. So early in 2020 I went to Würzburg to show Marion how the ancient line-for-line translation system works. After all, translating this book was not going to be simply a task of converting English to German. Much of the book consists of bilingual texts that were originally Latin and Greek in line-for-line equivalents, where I have replaced the Greek with English; Marion was going to have to replace the Greek with German, still keeping the original layout. This line-for-line translation is tricky to do in English, because of our fixed word order, and works better in German because of that language’s greater flexibility. So by the end of my session with Marion I was getting pretty jealous, because I could already see that her version of some texts was going to come out better than mine had.

For example, a schoolboy’s explanation of what one of his classmates did was originally written like this in Latin (left-hand column) and Greek (right-hand column), with the two languages lining up so that on each line the Latin and the Greek said exactly the same thing:

Sed statim Ἀλλ’ εὐθέως
dictavit mihi ὑπαγόρευσέν μοι
condiscipulus. συμμαθητής.

 

A literal translation of that into English, keeping the ancient line-for-line equivalent, would have looked like this and would not have made much sense:

Sed statim But at once
dictavit mihi dictated to me
condiscipulus. a fellow student.

 

So in Learning Latin the Ancient Way I had to do this (§2.1.7):

Sed statim But at once
dictavit mihi a fellow student dictated to me.
condiscipulus.

 

But because German allows a subject to follow its verb, Marion was able to match the ancient text more precisely, like this:

Sed statim Aber sofort
dictavit mihi diktierte mir
condiscipulus. ein Mitschüler.

 

Right after my meeting with Marion the pandemic hit, and I didn’t hear any more from her for so long that I thought she must have abandoned the project. But she was working away on it, and about a year later she sent me the complete translation. We took the opportunity to fix some mistakes in the original version; for example one of my emendations to a Latin text had turned out to be wrong, so it was handy to be able to eliminate that. And then Schwabe got to work, and I did not have to worry about the copyeditor’s queries or read the proofs or anything – Marion did all the work, and I get to enjoy the result!

Written by Professor Eleanor Dickey

Mastering the Masters: Congratulations to Curtis Hill

Author: Bunny Waring
Date: 16th March 2021.

Congratulations are due to the Classic Department’s current Masters student Curtis Hill whose recent book review assignment was of such a high standard, that the international academic journal Sehepunkte approached them for permission to publish their review in this month’s journal.

Both Curtis and supervisor Prof. Eleanor Dickey were delighted for Hill’s first publication – no mean feat during a Masters Degree – and you can read the review of Machado, C. 2019. Urban Space and Aristocratic Power in Late Antique Rome: AD 270-535, Oxford University Press here.

Sehepunkte is an interdisciplinary journal and ranges freely across historical eras. Emerging in 2001 from a co-operation funded by the German Research Foundation between the Historical Seminar of the Ludwig Maximilians University in Munich and the Bavarian State Library, the journal is self-described as not only an ever-changing repertoire of reviews but also discussions of both monographs and edited collections in fields such as the history of medicine, law and art. 

Well done Curtis Hill! May it be the first of many successes!