Seminar Series – Heroic Beauty: Beautiful Heroism.

Author: Prof. Amy Smith.
Date: 15th January 2021.

 

 

 

 

 

 

 

 

 

 

Image: Pottery black-figured neck-amphora depicting Achilles and Hector with gods 520BC-500BC (c) Trustees of the British Museum.

Heroic Beauty: Beautiful Heroism

The Department of Classics at Reading is delighted to present an online seminar series to accompany the forthcoming exhibition Troy: Beauty and Heroism, a British Museum spotlight loan at the Ure Museum. While the launch of the exhibition has been postponed, with this series of presentations we will begin to explore the themes of heroism and beauty and their interconnectedness throughout antiquity, particularly in relation to the epic tradition and its reception. Interested individuals are welcome to join us online for this series of presentations from Reading Classics’ own scholars, as well as some special guests, via Teams on Wednesdays from 27 January to 25 March at 4pm (link below).

27th January 2021 – Prof. Ian Rutherford (University of Reading) Beauty, Proportion and the Canon: What Did the Greeks Borrow From Egypt?

3rd February 2021 – Prof. Amy Smith (University of Reading) Beauty & Heroism in the Amazonomachy.

10th February 2021 – Dr. Claudina Romero Mayorga (University of Reading) Who’s the Fairest of Them All? The Judgement of Paris in Etruscan Mirrors.

17th February 2021 – Prof. Barbara Goff (University of Reading) Helens: Speeches and Silences.

24th February 2021 – Dr. Signe Barfoed (University of Oslo/Reading) The White Teeth of a Boar of Gleaming Tusks: Boar-hunt and Warrior Ethos in Homer’s world.

3rd March 2021 – Dr. Oliver Baldwin (University of Reading) Penelope: Inward and Outward Beauty.

10th March 2021 – Dr. James Lloyd-Jones (University of Reading) Alexander the Great and the Music of Paris and Achilles.

17th March 2021 – Dr. Sonya Nevin (Panoply/University of Roehampton) Beauty and Heroism in Panoply’s Our Mythical Childhood Animations.

25the March 2021 – Prof. Sophia Papaioannou (University of Athens) The Charming Artistry of Competitive Performance in Nonnus’ Dionysiaca 19.

For more information or to book for this online seminar series please contact Professor Amy C. Smith, Curator of the Ure Museum, at a.c.smith@reading.ac.uk.

Microsoft Teams meeting

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What a Year!

Author: Bunny Waring.
31st December 2020

As the end of 2020 draws near it is time to take stock of all that has been survived and learnt over the last 12 months. From Brexit to COVID19, 2020 has required us all to react, adapt and rethink the way we teach, learn, communicate, organise, care and progress. Here, some of the Classics community at the University of Reading have shared their most memorable experiences.

Barbara Goff – Professor of Classics and Co-Head of Department says:

“A shout-out to the colleagues who organised our thrice-weekly coffee mornings in the first lockdown, keeping us all connected and moderately sane; to the colleagues who experimented with different Teams backdrops, keeping us highly entertained as their hair flew about into various enthralling scenes; to the cleaning staff who went above and beyond; to the support staff with whom I was suddenly having conversations about interior décor; to the brave students who suffered through meetings in my (very spacious) office with the arctic gale blowing through my (virtuously opened) window; to the students who studied my module Transformations of Helen online, contending with dodgy mics and cameras, but nonetheless reading carefully and responding critically; to the students who persisted in coming on to campus, enduring the view of me teaching in my Jimi-Hendrix-headband-visor. Here’s to slightly less embarrassment in the New Year!”

Eleanor Dickey – Professor of Classics says:

“It’s been great fun! First, all the conferences I’d agreed to go to were cancelled because of lockdown, enabling me to get to know my family again and also to do some real research. (Okay, so I still did not completely finish my book. But I tried!) Then in the autumn, I was able to continue teaching in person by switching my first-year module ‘Texts, Readers and Writers’ from the usual lecture-and-seminar format to a seminar-only format. So we were able to do all kinds of fun, interactive activities such as ethopoeia, an ancient rhetorical exercise in which students tell the story of a literary work from the perspective of one of the characters. The students became very good at this, and some of them were very creative filling in bits of the minor characters’ stories; it was lovely to hear their productions. And the MA Approaches module had 12 students, twice as many as the most I’ve ever had in it before, and every single one was a fun person to teach!”

Jackie Baines – Teaching Fellow and Admissions Tutor says:

“With the coming of online teaching due to the pandemic, came the making of screencasts for our lectures and teaching. In response to this new teaching environment, I made some screencasts to explain grammar points for the students of the beginner’s Latin language module. In Microsoft Stream, these screencasts come with automatic captioning and these captions struggle to reproduce exactly what is being said, particularly with unfamiliar Latin words. The resulting captions were some of the funniest things I have read all year. A new view of Latin 1st and 2nd declension noun endings! Below is a sample of how a few minutes of grammar were translated.

Enjoy the adventures of Sir Warham dative and others!”

·(Timing)1:22 -First attention feminine puella.
· 01:25 -Accused him to Alam genitive plural. I dated through a lie
· 01:30 -ablative por la. It is actually along a dirt poor law. Plural
· 01:35 -nouns up well, I accused of porlas genitive por la room.
· 01:41 -Dative and ablative Hoooly Screw
· 01:44 -Elise. And the second attention masculine ending in US.
· 01:49 -Sadwith nominative singular said woman accused of said, we
· 01:54 -genitive said whoa and said, whoa, same endings dative a
· 02:00 – narrative singular plural nominative said we accused of
· 02:04 – said worst genitive plural. Sir Warham Dative, and ablative
· 02:09 – serwis serwis do look at any similarities so you can see in
· 02:16 – the date of inhabited plural ISI
· 02:19 – SIS. And I asked both the 1st and 2nd declension. There is a.
· 02:25 – A similarity is there not between the genitive plural? Who
· 02:29 – are Lauren and the genitive probe Sir war room our room, or
· 02:34 – am so just be aware of that poor Lisa and a stem-nouns, so that’s
· 02:39 – hence the A in there. Also note that there are cases where there
· 02:44 – they are the same as each other, but of course the case could be
· 02:49 – different. So if you got poor
· 02:52 – lie. Could be genitive singular plural, I could be
· 02:55 – dated singer, or it could be nominative plural.
· 02:59 – In the second collection, masculine said we could be
· 03:03 – genitive singular or nominative plural, so you’ve got to lookout
· 03:08 – for those kind of differences.
· 03:11 – This week we will look at nouns which have a slightly different
· 03:14 – ending. In the second
· 03:16 – declension. But nominative singular, like we’re poor.
· 03:21 – Lee, bear again.
· 03:24 – They.
· 03:26 – Look different there, but their
· 03:28 – endings. Immediately become the same. It just depends what you
· 03:33 – and add it onto. So poor boy, poor prayer room, Prairie.
· 03:38 – Libre. A book becomes Libre Libre, so sometimes it
· 03:43 – retains the E. Sometimes it loses the E and then the
· 03:47 – important thing to note is what is this the purpose of these
· 03:52 – cases? What do they do? We’ve already seen that the nominative
· 03:56 – is for the subject of the
· 03:58 – sentence. Accused of is for the object of the sentence. The
· 04:04 – genitive is for the possessor of
· 04:07 – an object. So the goals book or the book of the girl. The
· 04:11 – girl would have to go into the genitive case.
· 04:15 – In English, the genitive is often represented by of or an
· 04:20 – apostrophe, so just watch out what’s going on there, date if
· 04:25 – it’s two or four, the word dative comes from a Latin verb,
· 04:31 – which will be looking at this week, and it becomes a learning
· 04:36 – verb to learn. Doe Dorie I give.
· 04:40 – So give two SO two or four. You’re giving a book to the girl
· 04:47 – you need to put her Twilight into the dative, where lie to
· 04:53 – the slave said. Woe to the
· 04:55 – slaves serwis. And the ablative is used for by with or from,
· 05:01 – very often with prepositions, and sometimes without
· 05:05 – prepositions. So if we’re going with a sword gladi Yo, and you
· 05:10 – need the ablative case.
· 05:14 – So that also brought in at this point are the second attention
· 05:18 – neuter nouns. The majority of endings from genitive onwards
· 05:21 – are the same as second declension masculine, but what
· 05:25 – you need to note is that in normative singular ends in, Umm.
· 05:30 – And they could have similar. Singular is the same, UM then?
· 05:36 – In the plural, Bella Bella surrendered a so there could be
· 05:40 – some confusion with other nouns. So just be careful. You will
· 05:44 – have to learn a list of neuter
· 05:46 – nouns. Sometimes that’s all you can do, or most
· 05:50 – times all you can do you have to learn the list.
· 05:54 – And finally, this week will be looking at prepositions which
· 05:59 – take the ablative, and they’ve got our AB by or from.
· 06:05 – AOX from out of so the difference between R and AB or A
· 06:10 – at X if it’s just the R or the A, The next word begins with a
· 06:16 – consonant. If the next word begins with a vowel, will have
· 06:20 – to say AB or X come means with…

Classics at UoR Doctoral Research Conference 2019

Classics was well represented yesterday at UoR’s annual Doctoral Research Conference, held on 19 June, in which Nathalie Choubineh (upper right) and Luca Ottonello (bottom left) competed. This annual event, open to all doctoral researchers and staff from across the University, showcases the diversity of doctoral research undertaken at the University of Reading. Nathalie, who has passed her viva, subject to minor corrections, in April of this year, presented her research poster on Kretike, an aspect of ancient Greek dance that featured in her PhD thesis, written under the supervision of Profs. Barbara Goff and Amy Smith. Luca, who is a part-time PhD candidate, competed in the research image competition, with his digital reconstruction of the Temple of Bel in the ancient city of Palmyra. Palmyra is a case study for his PhD thesis that he is writing under the supervision of Prof. Amy Smith and Dr. Ian Ewart (School of Construction Management and Engineering). As well as meeting new people who shared their interests, both of them found the conference a welcome opportunity to think about ways in which to communicate their research to broader audiences. The Classics Department is proud to now display Nathalie’s poster in its hallway in the Edith Morley building, while Luca’s photograph is displayed with some of his 3D prints of Palmyrene architecture in the Ure Museum.

Revolutions and Classics:

We are delighted to publish the programme of the previously announced one-day workshop ‘Revolutions and Classics’, co-organised by our very own Prof. Barbara Goff and Dr Rosa Andújar (UCL):

Friday 22 July 2016

IAS Common Ground, University College London

1000-1010 coffee and welcome

Chair: Rosa Andújar, UCL

1010-1040 Rachel Foxley , University of Reading, Innovation and revolution in seventeenth-century England

1040-1110 Nicholas Cole, Pembroke College Oxford, The Classics and the American Revolution — two centuries of controversy

1110-1120 break

Chair: Phiroze Vasunia, UCL

1120-1150 Sanja Perovic and Rosa Mucignat, King’s College London, The Legend of Pythagoras:  Narrating Revolutionary Failure in Sylvain Maréchal and Vincenzo Cuoco

1150-1220 Sebastian Robins, Independent, Ancient Greek Texts in the Age of Revolution: John Gillies Orations of Lysias and Isocrates 1778 and Aristotle’s Ethics and Politics 1797

1220-1315 lunch

1315-1400 early career teaching roundtable:

Chair: Katherine Harloe, University of Reading

Emma Cole, University of Bristol, Classical Reception Pedagogy in Liberal Arts Education

Luke Richardson, University College London, Teaching the Classical Reception “Revolution”. 

Carol Atack, University of Warwick, Precarity and protest: performing politics in Aristophanes’ Lysistrata

1400-1430 discussion

1430-1500 teaching presentations:

Chair: Barbara Goff, University of Reading

Susan Deacy, University of Roehampton, Black Athena in the classical classroom

Joanna Paul, Open University, tbc

1500-1545 discussion, followed by tea

Chair: John Bloxham, Nottingham and OU

1545-1615 Rosa Andújar, University College London, Plato and Pater’s Greeks in the Mexican Revolution

1615-1645 Benjamin Gray, University of Edinburgh, Studying the modern German Left as Ancient History: from Jean Jaurès to Alexander Kluge

1645-1715 Michael Simpson, Goldsmiths, University of London, Of Minotaurs and Macroeconomics: Greek Myth and Common Currency 

1715-1800 reception

https://www.ucl.ac.uk/classics/events/revolutionsandclassics

 

30th Biennial Conference of the Classical Association of South Africa (CASA)

The Classics section of the Department of Classical and Near Eastern Studies hosted the 30th Biennial Conference of the Classical Association of South Africa (CASA) at the University from the 8th to the 11th July, 2013. Eighty national and international classicists attended and many of these were postgraduate students presenting papers for the first time. This is a very healthy sign and bodes well for the future of the discipline. Keynote addresses by Professor Barbara Goff (University of Reading, UK), Judge Deon van Zyl (CASA Patron), Professor Johan Henning (UFS) and Professor Christa van Wyk (UNISA, UFS) were well received at this very successful conference.

CASA

Photo: (from left to right) Judge Deon van Zyl, Mr Mike Lambert (CASA Chairperson), Prof Christa van Wyk, Prof Christoff Zietsman (Conference organiser), Prof Barbara Goff and Prof Johan Henning.

New Book by Professor Barbara Goff

9781780932057Last week saw the publication of my new book Your Secret Language: classics in the British colonies of West Africa (Bloomsbury 2013).  It contributes to the Departmental research cluster in ‘Reception and Classical Tradition’, and to the Faculty research theme of ‘Language, Text and Power’.  Above and beyond these aspects, I have found it a fascinating story to research and write.

The classical languages, literature and history formed part of the cultural equipment which European colonisers called upon in order to justify their imperial ambitions, but within the complex and assertive societies of nineteenth-century West Africa, classical education quickly became a weapon to use against colonisers.  The Church of England, which was very early on involved in educating colonised West Africans, put a premium on teaching the ancient languages, including Hebrew, in order to enable converts to read and preach the Bible themselves, and missionaries were delighted when Africans showed themselves highly adept at Latin and Greek.  They and the colonial establishment generally were less pleased when Africans used their classical training to qualify as lawyers, churchmen, teachers and journalists and then to agitate against colonialism.  Several African commentators noted the ancient relations between Africa and Greece, anticipating Martin Bernal’s analysis by many decades and complicating the notion of the classical tradition.

In the early twentieth century the colonial establishment often reacted by trying to withhold classical education from Africans and teach them agriculture instead. Africans usually saw this as an attempt to keep them subordinate, as ‘hewers of wood and drawers of water’, and put up prolonged and articulate resistance.  The struggles over classical education continued, and eventually led to a situation in which Classics was the first degree offered in the post-war University of Ibadan.  Although the subject lost most of its prominent position after independence, when Africans seized the opportunity to study many other subjects that colonialism had not imported, there are still departments of Classics in Nigeria, Ghana, and Sierra Leone, as well as in several other African states.  We are planning to welcome one of the lecturers from Nigeria as a visiting researcher, who will be in Reading in 2014.

Researching this book, I have felt privileged to learn more about the history of my discipline and to see what it has meant within the making both of the colonial and the postcolonial eras.  The history has also deepened my understanding of the West African adaptations of Greek tragedy about which I wrote in the co-authored Crossroads in the Black Aegean: Oedipus, Antigone and dramas of the African diaspora (Oxford 2007). In addition, I have felt proud to be part of a Department where ‘classics’ signifies both the ancient world and its varied manifestations in the modern.

Barbara Goff

New Monograph by Prof. Barbara Goff and Dr Michael Simpson

Goff, Simpson, OlympicsThinking the Olympics: the classical tradition and the modern Games (London: Bloomsbury/Bristol Classical Press, 2011) is the first book to focus on the theme of tradition as an integral feature of the ancient and modern Olympic Games. Just as ancient athletes and spectators were conscious of Olympic traditions of poetic praise, sporting achievement, and catastrophic shortcoming, so the revived Games have been consistently cast as a legacy of ancient Greece.

The essays here examine how this supposed inheritance has been engineered, celebrated, exploited, or challenged. Deriving from a range of disciplines including cultural history, classics, comparative literature, and art history, the essays address aspects of the Games as varied as oratory, praise poetry, ideas of victory and defeat, the athletic body, neoclassical painting and architecture, and contemporary advertising. The Athens Games in 2004 were widely represented as a return to ancient, and modern, origins; the Beijing Games in 2008, meanwhile, saluted a radically different ancient civilisation. What is the Olympic future for ancient Greece?

Barbara Goff and Michael Simpson have collaborated on several ground-breaking works on classical reception, including most prominently Crossroads in the Black Aegean: Oedipus, Antigone and dramas of the African diaspora (Oxford: OUP, 2007) and most recently ‘Voice from the Black Box: Sylvain Bemba’s Black Wedding Candles for Blessed Antigone’, in Helene Foley and Erin Mee ed., Antigone on the Contemporary World Stage (Oxford: OUP, 2011). They are currently working on a study of classics in the British Labour movement.